A variety of monsters and other creatures demonstrate some of the different things that lines can do, from curve and curl to zig-zag.

Immersed in our modern fire service community is Paul Combs. Paul is the "then what" for so many of us. Just when we are leafing through the pages of Fire Engineering, Fire Rescue and Firefighter Nation-we see one of "those" drawings. The drawings that have helped every one of us with short attention spans (we love drawings) to learn...understand...pay attention and to not drift. It seems that just when we may be veering left or right-there are one of those priceless little drawings that reminds of what we really need to be focused on. It's kinda like a friend reminding you to do something...but without "saying it" in front of everyone else. Just between you, me, us and Paul. It's our little secret. He knows what the issues are. He knows where we need to be reminded. He knows when we need to be scolded...and he knows when we need to be jacked up against the wall, blasted and smacked. He knows. He knows because he is one of us. Paul rides the front seat, treats the patients, extricates the victims and crawls down the halls doing the same stuff we do each day. As you enjoy this book-and I promise that you will, take mental "screen shots" of his art/drawings/cartoons...the many "helping us make choices reminders" ...the ones that really resonate to you personally. The ones that stick. The ones that may help you not "blow" that intersection of choice, so that you can continue building on the many positive differences you have already made. So sit back, start turning these pages and enjoy Paul's mix of artistic talent and hands-on veteran firefighting experiences. Those experiences and opinions that make us all smile, think and most importantly, help guide us to do what we signed up to do—making a positive difference to those who need us...right now. —Deputy Chief Billy Goldfeder, EFO, Loveland-Symmes Fire Department, Ohio

If you like coloring, tangling, or lettering, you'll love to dangle! The Art of Drawing Dangles shows you a new, whimsical art form.

PEN AND INK DRAWING WORKBOOK is perfect for anyone looking for a book that provides lots of practice for developing and refining ink drawing skills and technique. It is appropriate for learners on all levels and is filled with over 100 engaging drills and exercises. The exercises in this comprehensive workbook are thoughtfully designed to take you from the essential elements like pen control, line consistency, basic strokes and variations to more advanced concepts such as, blending values, controlling gradations, shading compound forms, and rendering textures. It covers all the major pen and ink shading techniques including cross-hatching, stippling, scribbling, and more. In addition, there are 30 inspiring drawing exercises on a variety of subjects, which allows you to draw right inside the book. This book is the complementary workbook for PEN AND INK DRAWING: A SIMPLE GUIDE. However, it can still be used on its own as a general workbook for refining your skills and helping you to create stunning ink drawings with confidence!

How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors, and institutions, and how this changed the understanding of architecture. Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes. Kauffman traces moments of critical importance to the evolution of the perception of architectural drawings, beginning with exhibitions that featured architectural drawings displayed in ways that did not elucidate buildings but treated them as meaningful objects in their own right. When architectural drawings were seen as having intrinsic value, they became collectible, and Kauffman chronicles early collectors, galleries, and sales. He discusses three key exhibitions at the Leo Castelli Gallery in New York; other galleries around the world that specialized in architectural drawings; the founding of architecture museums that understood and collected drawings as important cultural and historical artifacts; and the effect of the new significance of architectural drawings on architecture and architectural history. Drawing on interviews with more than forty people directly involved with the events described and on extensive archival research, Kauffman shows how architectural drawings became the driving force in architectural debate in an era of change.

From distinctive portraits and complex photographic tableaux to YouTube sensations, the work of prominent African photographer Roger Ballen is given a fresh perspective in this volume. For nearly half a century Roger Ballen has been shooting black-and-white film--a member of the last generation to work in that medium. He started his career taking portraits of rural Afrikaaners in their homes and has lately been moving toward more staged sets, and embellishing his photographs with expressionistic graffiti-type drawings. This retrospective book follows the development of line and drawing in Ballen's body of work, which is often characterized by complex interior arrangements of people, animals, and furnishings. In more recent work the artist has come out from behind the camera lens to engage with line more directly--including a luminous series of photographs that began with drawing on glass. Psychologically edgy and seductively beautiful images result. This volume also addresses the use of drawing and line in Ballen's newest work in videography. This astonishing collection reveals the breadth of Ballen's work, which moves fluidly between photography and drawing, harshness and beauty, raw expression and technical prowess.