Poppy Z. Brite re-imagines the haunted house novel, creating a fresh, sensual, and totally original reading experience. IT'S A PASSION. IT'S AN ART. IT'S THE ONLY WAY OUT. . . In the house on Violin Road he found the bodies of his brother, his mother, and the man who killed them both—his father. From the house on Violin Road, in Missing Mile, North Carolina, Trevor McGee ran for his sanity and his soul, after his famous cartoonist father had exploded inexplicably into murder and suicide. Now Trevor is back. In the company of a New Orleans computer hacker on the run from the law, Trevor has returned to face the ghosts that still live on Violin Road, to find the demons that drove his father to murder his family—and worse, to spare one of his sons. . . . But as Trevor begins to draw his own cartoon strip, he loses himself in a haze of lines and art and thoughts of the past, the haunting begins. Trevor and his lover plunge into a cyber-maze of cartoons, ghosts, and terror that will lead either to understanding—true understanding—or to a blood-raining repetition of the past. . . . Praise for Drawing Blood “Electrifying . . . explosive lyricism . . . [a] soul-sucking antagonist . . . rich background descriptions. That there is a Brite future never doubt.”—Kirkus Reviews “Exotica . . . disaffected youth . . . a spicy gumbo of sub-cultural hipness simmered in a cauldron of modern horror fiction.”—Fangoria “Darker and more exotic than Anne Rice, more cerebral than Stephen King . . . Horror is rarely this good.”—Echo

Phlebotomy uses large, hollow needles to remove blood specimens for lab testing or blood donation. Each step in the process carries risks - both for patients and health workers. Patients may be bruised. Health workers may receive needle-stick injuries. Both can become infected with bloodborne organisms such as hepatitis B, HIV, syphilis or malaria. Moreover, each step affects the quality of the specimen and the diagnosis. A contaminated specimen will produce a misdiagnosis. Clerical errors can prove fatal. The new WHO guidelines provide recommended steps for safe phlebotomy and reiterate accepted principles for drawing, collecting blood and transporting blood to laboratories/blood banks.

Art was my dearest friend. To draw was trouble and safety, adventure and freedom. In that four-cornered kingdom of paper, I lived as I pleased. This is the story of a girl and her sketchbook. In language that is fresh, visceral, and deeply moving—and illustrations that are irreverent and gorgeous—here is a memoir that will change the way you think about art, sex, politics, and survival in our times. From a young age, Molly Crabapple had the eye of an artist and the spirit of a radical. After a restless childhood on New York's Long Island, she left America to see Europe and the Near East, a young artist plunging into unfamiliar cultures, notebook always in hand, drawing what she observed. Returning to New York City after 9/11 to study art, she posed nude for sketch artists and sketchy photographers, danced burlesque, and modeled for the world famous Suicide Girls. Frustrated with the academy and the conventional art world, she eventually landed a post as house artist at Simon Hammerstein's legendary nightclub The Box, the epicenter of decadent Manhattan nightlife before the financial crisis of 2008. There she had a ringside seat for the pitched battle between the bankers of Wall Street and the entertainers who walked among them—a scandalous, drug-fueled circus of mutual exploitation that she captured in her tart and knowing illustrations. Then, after the crash, a wave of protest movements—from student demonstrations in London to Occupy Wall Street in her own backyard—led Molly to turn her talents to a new form of witness journalism, reporting from places such as Guantanamo, Syria, Rikers Island, and the labor camps of Abu Dhabi. Using both words and artwork to shed light on the darker corners of American empire, she has swiftly become one of the most original and galvanizing voices on the cultural stage. Now, with the same blend of honesty, fierce insight, and indelible imagery that is her signature, Molly offers her own story: an unforgettable memoir of artistic exploration, political awakening, and personal transformation.

This is a truly exceptional collection of drawings from one of our most revered cultural commentators. Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

How physicians in this century wielded medical technology to define disease, carve out medical specialties, and shape political agendas. Winner of the American Public Health Association Arthur Viseltear Prize In Drawing Blood, medical historian Keith Wailoo uses the story of blood diseases to explain how physicians in this century wielded medical technology to define disease, carve out medical specialties, and shape political agendas. As Wailoo's account makes clear, the seemingly straightforward process of identifying disease is invariably influenced by personal, professional, and social factors—and as a result produces not only clarity and precision but also bias and outright error. Drawing Blood reveals the ways in which physicians and patients as well as the diseases themselves are simultaneously shaping and being shaped by technology, medical professionalization, and society at large. This thought-provoking cultural history of disease, medicine, and technology offers an important perspective for current discussions of HIV and AIDS, genetic blood testing, prostate-specific antigen, and other important issues in an age of technological medicine. "Makes clear that the high stakes involved in medical technology are not just financial, but moral and far reaching. They have been harnessed to describe clinical phenomena and to reflect social and cultural realities that influence not only medical treatment but self-identity, power, and authority."—Susan E. Lederer, H-Net Humanities & Social Sciences On Line "Wailoo's masterful study of hematology and its disease discourse is a model of interdisciplinarity, combining cultural analysis, social history, and the history of medical ideas and technology to produce a complex narrative of disease definition, diagnosis, and treatment . . . He reminds us that medical technology is a neutral artifact of history. It can be, and has been, used to clarify and to cloud the understanding of disease, and it has the potential both to constrain and to emancipate its subjects."—Regina Morantz-Sanchez, Journal of Interdisciplinary History

The new WHO guidelines provide recommended steps for safe phlebotomy and reiterate accepted principles for drawing, collecting blood and transporting blood to laboratories/blood banks. The main areas covered by the toolkit are: 1. bloodborne pathogens transmitted through unsafe injection practices;2. relevant elements of standard precautions and associated barrier protection;3. best injection and related infection prevention and control practices;4. occupational risk factors and their management.

Lily Gets a Blood Draw (HC) By: Cheryl Laliberte As a phlebotomist who has drawn blood on a lot of children, Cheryl Laliberte realized there was no existing book to help a child understand that their fear is okay. Lily Gets a Blood Draw is a great tool to help calm the fear children might have when getting their blood drawn. It’s a quick process and once it’s over, it’s over!