Shock jock extraordinaire Wendy Williams lets loose with the first in a series of novels based on her alter ego, the divalicious radio DJ Ritz Harper. Ritz puts the s in shock and the g in gossip, and Drama is her middle name. Ritz is a suburban girl on the outside, but inside she’s a hustler’s hustler who’s masterfully maneuvered her way into the spotlight after ruining the career of a well-respected newswoman (and former college friend). Ritz’s “exclusive” rockets her to the top of the ratings, and she’s rewarded with her very own show. Like a talking Venus flytrap, she verbally seduces her on-air guests, only to have them for lunch as she spews gossip about their lives. Ritz becomes the darling of the station’s afternoon slot. But when Ritz goes from drive-time diva to drive-by victim, all she can think as she struggles to maintain consciousness is “Who did this to me?" Has Ritz bad-mouthed the wrong person? Has her signature cat-and-mouse “bomb drop” been dropped on her instead? Readers will salivate as they try to figure out where the fictional Ritz ends and the real-life Wendy begins.

Stasi Romanov uses just a little witch magic in her lingerie shop, running a brisk side business in love charms. A disgruntled customer threatening to sue over a failed love spell brings Trevor Barnes to town. Trevor's the best attorney around, and he just happens to be a wizard. Everyone knows that witches and wizards make a volatile combination—sure enough, the sparks fly and almost everyone's getting singed. Add to that Cupid playing a practical joke, a lunar eclipse that nearly precipitates a witch hunt, and some very mysterious goings on at the magical lake, and the feisty witch and gorgeous wizard have more than simply a possible lawsuit on their hands. Can they overcome their objections and settle out of court—and in the bedroom? PRAISE FOR LINDA WISDOM'S 50 WAYS TO HEX YOUR LOVER: "Bless Jazz Tremaine's witchy, Prada-loving heart—she's captured mine! A series that's pure magic!" —Vicki Lewis Thompson, New York Times bestselling author of Wild & Hexy "Do not miss this wickedly entertaining treat!" Annette Blair, Sex and the Psychic Witch "Ready for a book that will make you laugh?" Simply Romance Reviews "With loads of sass and sensuality, plenty of laughs, and a host of oddball characters who'll leave you in stitches and asking for more." Book Loons "Clever writing, a high sensuality factor, and an unfettered imagination.' Publishers Weekly "Filled with loads of sass and sensuality, plenty of laughs, and a host of oddball characters who'll leave you in stitches and asking for more.' Book Loons "Jazz is a heroine I'd want to hang out with, and 50 Ways to Hex Your Lover is a funny, wild ride.' Candace Havens, Charmed and Dangerous "A high-power keg of excitement.' Coffee Time Romance

Jackie K. Cooper is the author of six books of memoirs/short stories that concern his life in the South. Each book tries to create remembrances that are common to us all, as well as humorous and/or inspirational stories that will touch the head and the heart. Cooper is a film critic, book reviewer, speaker, and teaches writing classes. He and his wife Terry live in Perry, Georgia.

Essays exploring contemporary black fiction and examining important issues in current African American literary studies. In this volume, Lovalerie King and Shirley Moody-Turner have compiled a collection of essays that offer access to some of the most innovative contemporary black fiction while addressing important issues in current African American literary studies. Distinguished scholars Houston Baker, Trudier Harris, Darryl Dickson-Carr, and Maryemma Graham join writers and younger scholars to explore the work of Toni Morrison, Edward P. Jones, Trey Ellis, Paul Beatty, Mat Johnson, Kyle Baker, Danzy Senna, Nikki Turner, and many others. The collection is bracketed by a foreword by novelist and graphic artist Mat Johnson, one of the most exciting and innovative contemporary African American writers, and an afterword by Alice Randall, author of the controversial parody The Wind Done Gone. Together, King and Moody-Turner make the case that diversity, innovation, and canon expansion are essential to maintaining the vitality of African American literary studies. “A compelling collection of essays on the ongoing relevance of African American literature to our collective understanding of American history, society, and culture. Featuring a wide array of writers from all corners of the literary academy, the book will have national appeal and offer strategies for teaching African American literature in colleges and universities across the country.” —Gene Jarrett, Boston University “[This book describes] a fruitful tension that brings scholars of major reputation together with newly emerging critics to explore the full range of literary activities that have flourished in the post-Civil Rights era. Notable are such popular influences as hip-hop music and Oprah Winfrey’s Book Club.” —American Literary Scholarship, 2013

There has been little serious attempt in Britain to deal critically and historically with the subject of radio drama. This volume of essays concentrates upon a small group of influential writers who have devoted all or part of their attention to writing plays for radio. The introduction charts the development of radio drama since its inception in the 1920s and its changing relationships with the theatre and later with television. It shows how the early ideal of broadcasting significant works of established literature and drama helped to provide a broad foundation for the growth of a body of dramatic literature which fully exploited the medium's reliance upon sound alone. Separate contributions contain full appraisals of the radio writing of Louis MacNeice, Dylan Thomas and Henry Reed, while detailed studies of particular aspects of the work of Dorothy L. Sayers, Susan Hill, Giles Cooper and Samuel Beckett explore the practical as well as the critical issues involved in the study of radio drama.

The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.