After a summer of bliss with boyfriend KJ, Jayd Jackson returns to South Bay High (aka Drama High) to discover that she's been dumped, her former best friend is out to get her and KJ's new girl is looking to knock her out. With drama at an all-time high, Jayd, with a little help from Mama and her mystical bag of tricks, is about to get some lessons in who's really got her back - and, more importantly, when she's got to watch it.

Brimming with the same spirited sense of style and magic as Disney's That's So Raven, Drama High introduces a fun, brazen new series featuring a young sistah who's learning that life in the `hood is nothing compared to life in high school... Proudly hailing from Compton, USA, sixteen-year-old Jayd Jackson is no stranger to drive-by shootings or run-ins with the friendly neighborhood crackhead. Street-smart, book-smart, and life-smart, she's nobody's fool--least of all KJ's, the most popular and cutest basketball jock at South Bay High, aka Drama High. Yes, it's a fact, Jayd fell hard for his player ways for a time, but now that KJ's shown his true colors--dumping Jayd because she refused to give up the cookies--she's through with him and his game playing for good. Jayd just wants to start her Junior year of high school drama free. But wanting ain't getting, especially at a place like Drama High, a predominately white high school in a wealthy part of Los Angeles, where Jayd and 30 other Compton kids get bussed to daily. Saying race relations aren't what they should be would be putting it mildly, and that's just the beginning of the drama. Jayd's first day back to school, KJ's new girlfriend, Trecee, steps to her wanting to fight. Egged on by Misty, Jayd's former best friend-turned-nemesis, Trecee wants to make Jayd understand that KJ is off limits--even if she has to do it with her fists. With the fight set for Friday, and the sistah drama at an all time high, Jayd is about to learn who's really got her back and more importantly, when she's got to watch it. But at least she can always count on Mama, and her mystical bag of tricks. Drama High is a remarkably assured debut, and L. Divine is a tantalizing and refreshing new voice. Jayd and her bold, honest, and laugh-out-loud funny assessment of life, along with her quirky cast of friends, classmates, loves, her magical family and eccentric neighbors make for an irresistible, can't-put-it-down read.

While dealing with her friend Mickey's possible pregnancy and her conniving rival Misty, Jayd is torn between her ex, Jeremy, who is trying to get on the basketball team, and Rah, who is on the rebound, and must reconnect with her powerful lineage to escape the drama.

From award-winning poet Saeed Jones, How We Fight for Our Lives—winner of the Kirkus Prize and the Stonewall Book Award—is a “moving, bracingly honest memoir” (The New York Times Book Review) written at the crossroads of sex, race, and power. One of the best books of the year as selected by The New York Times; The Washington Post; NPR; Time; The New Yorker; O, The Oprah Magazine; Harper’s Bazaar; Elle; BuzzFeed; Goodreads; and many more. “People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’” Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves. An award-winning poet, Jones has developed a style that’s as beautiful as it is powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.

Six teens must band together to survive after a shooting breaks out in this high-stakes thriller by New York Times-bestselling author April Henry. When a deadly shooting breaks out in a Portland shopping mall, a diverse group of teens ends up trapped behind a store’s security shutter. To her own surprise, seventeen-year-old Miranda finds the others looking to her as their leader. But she’s hiding a big secret—and she’s not the only one. The group has only three choices: Run, hide, or fight back. The wrong decision will have fatal consequences. In her masterful style, April Henry crafts an unrelenting thriller with empowering teen heroes. For fans of the breakout YA mysteries This Is Where It Ends and One of Us Is Lying. Christy Ottaviano Books

"Like Bastard Out of Carolina, ffitch's electrifying debut novel is a paean to independence and a protest against the materialism of our age." —O: The Oprah Magazine "Delightfully raucous." —Sam Sacks, The Wall Street Journal Helen arrives in Appalachian Ohio full of love and her boyfriend’s ideas for living off the land. Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end. So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family. Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning. Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

South Bay High wouldn't be such a bad place to go to school if it weren't for all the drama. Not that Jayd Jackson's helping matters. She's right there in the center of it all--whether she wants to be or not. Maybe it just goes with the turf. After all, there's a reason they call this place Drama High. . . Jayd doesn't know what's going on with her girl, Nellie. Ever since she got named homecoming princess, she's been acting like Mickey and Jayd aren't her friends anymore, and she's even falling in deeper with Tania and her crew. It's amazing the girl can fit her new crown over that big head of hers. And then there's Jayd's boyfriend Jeremy. His aloof attitude is really getting on her nerves. Jayd's even starting to question his commitment, not to mention her own. Especially since lately, all she can think about is Rah--and that surprise kiss he planted on her the other day. . .