When poetry was printed, poets and their publishers could no longer take for granted that readers would have the necessary knowledge and skill to read it well. By making poems available to anyone who either had the means to a buy a book or knew someone who did, print publication radically expanded the early modern reading public. These new readers, publishers feared, might not buy or like the books. Worse, their misreadings could put the authors, the publishers, or the readers themselves at risk. Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England focuses on early modern publishers' efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by—and itself shaped—strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers' strategies changed over time. Ultimately, Doubtful Readers argues that although—or perhaps because—publishers' interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.

When poetry was printed, poets and their publishers could no longer take for granted that readers would have the necessary knowledge and skill to read it well. By making poems available to anyone who either had the means to a buy a book or knew someone who did, print publication radically expanded the early modern reading public. These new readers, publishers feared, might not buy or like the books. Worse, their misreadings could put the authors, the publishers, or the readers themselves at risk. Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England focuses on early modern publishers' efforts to identify and accommodate new readers of verse that had previously been restricted to particular social networks in manuscript. Focusing on the period between the maturing of the market for printed English literature in the 1590s and the emergence of the professional poet following the Restoration, this study shows that poetry was shaped by—and itself shaped—strong print publication traditions. By reading printed editions of poems by William Shakespeare, Aemilia Lanyer, John Donne, and others, this book shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself. It uses literary, historical, bibliographical, and quantitative evidence to show how publishers' strategies changed over time. Ultimately, Doubtful Readers argues that although—or perhaps because—publishers' interpretive and editorial efforts are often elided in studies of early modern poetry, their interventions have had an enduring impact on our canons, texts, and literary histories.

Contents.--v.1. History, travel & description.

Bill Manhire takes the books and poems he loves out of the pupil and lecture hall and returns them to their readers. In these pages unlikely people rub shoulders - Ralph Hotere and Philip Larkin, Sylivia Plath and James K. Baxter, Maurice Gee and Laura Ranger - Then along the way Manhire investigates why the world's best poems sound like dirty songs, tell outrageous lies, and thrive on their own mistakes. These essays and interviews will not tell you what to think, but they will probably inspire you to do your own thinking.

Financial crimes investigator Seamus McCree has wife problems, and Lizzie’s not even his wife anymore. Her current husband disappeared on a business trip to Savannah. Was he kidnapped? Dispatched by his hedge fund partners? Or did he run off with another woman? Police assume he’s AWOL, and Lizzie turns to Seamus for help. How far can you trust your family? Seamus has no desire to be sucked into Lizzie’s drama again, but her angst is also affecting their son, Paddy. Seamus agrees to help discover the truth, a quest that soon involves the entire extended family. Long buried secrets surface and in this fourth book in the Seamus McCree series, each member must confront the question, “How far can you trust your family?” Equal parts road trip, who done what, and domestic thriller This novel takes psychological suspense to a new level. Seamus McCree fans and newcomers alike will delight in this fast-paced novel that leaves no one in the family unchanged and keeps you guessing until the very end. Order your copy now and join Seamus in his fight to save his family. The Seamus McCree Series Reading Order Ant Farm Bad Policy Cabin Fever Doubtful Relations Empty Promises False Bottom Furthermore (a novella) Low Tide at Tybee (a novella)