Using scenarios found in everyday clinical practices, Don't Get Left in the Dark is a valuable resource containing the latest in ethnic skincare. It is based in science yet presented in a manner that is easy to understand.

In this unprecedented critique, Bernard-Henri Lévy revisits his political roots, scrutinizes the totalitarianisms of the past as well as those on the horizon, and argues powerfully for a new political and moral vision for our times. Are human rights Western or universal? Does anti-Semitism have a future, and, if so, what will it look like? And how is it that progressives themselves–those who in the past defended individual rights and fought fascism–have now become the breeding ground for new kinds of dangerous attitudes: an unthinking loathing of Israel; an obsessive anti-Americanism; an idea of “tolerance” that, in its justification of Islamic fanaticism, for example, could become the “cemetery of democracies”; and an indifference, masked by relativism, to the greatest human tragedies facing the world today? At a time of ideological and political transition in America, Left in Dark Times articulates the threats we all face–in many cases without our even being aware of it–and offers a powerful new vision for progressives everywhere.

Stunning expose of today's left wing power and pressure groups, tracking the money that wealthy individuals and foundations use to manipulate their political strategy, and revealing the web of dangers they pose for America's free society, its energy future, and its political survival.

Set in the 1950s, two young sisters, Carlie and Sarah Neville, have to deal with an abusive mother who has the ability to go crazy over the slightest thing and they aren't sure how long they will be able to keep it all a secret before something goes too terribly wrong.

Here is the best of funny, sharp, and revelatory film writing for The Nation, brought together with new pieces written especially for this book and a selection of reviews and essays for the New York Times, the Village Voice, Film Comment, and other journals. A friend of independent filmmaking (but not of its pretensions), an enemy of big-budget productions (except when they’re entertaining), Klawans writes under his own version of the banner “From Each According to His Abilities, to Each According to His Needs.” Klawans explains how to approach a masterpiece by Abbas Kiarostami as if it were a strange dog; why David Lynch would disappoint a visiting Martian; and what The Rage: Carrie 2 tells us about rage and Carrie. All this, plus insight into the quieter refinements of Moulin Rouge, the correct Talmudic interpretation of Natural Born Killers, and the reasons why they were never wrong, the Old Masters (Renoir, Dreyer, Sembene, and early 1930s Warner Brothers). At a time when too many film writers encourage cynicism and despair, Klawans finds vitality in the movies—especially those that record brute fact while aspiring toward a heaven of personal expression. Read him, and discover the fun of being Left in the Dark. “Mr. Klawans is one of the most incisive, provocative and best-informed film critics in America.”—Vincent Canby “The genuine heir to James Agee and Manny Farber...dazzling to read.”—Phillip Lopate

In this long awaited follow-up to the best-selling An Altar in the World, Barbara Brown Taylor explores ‘the treasures of darkness’ that the Bible speaks about. What can we learn about the ways of God when we cannot see the way ahead, are lost, alone, frightened, not in control or when the world around us seems to have descended into darkness?

“[A] landmark book . . . Solnit illustrates how the uprisings that begin on the streets can upend the status quo and topple authoritarian regimes” (Vice). A book as powerful and influential as Rebecca Solnit’s Men Explain Things to Me, her Hope in the Dark was written to counter the despair of activists at a moment when they were focused on their losses and had turned their back to the victories behind them—and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argues that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of our times in an unforgettable new edition of this classic book. “One of the best books of the 21st century.” —The Guardian “No writer has better understood the mix of fear and possibility, peril and exuberance that’s marked this new millennium.” —Bill McKibben, New York Times–bestselling author of Falter “An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways.” —The New Yorker