"Man and Superman" is a four-act drama written by George Bernard Shaw in 1903. It was written in response to a call for Shaw to write a play based on the Don Juan theme and became one of the greatest works in his heritage.

This dream episode from Man and Superman forms a play within the play, consisting of a dramatic reading in which the Devil himself comments on heaven and hell, good and evil, and human purpose.

DJ will go to bed with anything that breathes. His lust is so unquenchable that he’s employed his friend and assistant, Stan, to organize his ever-growing digital Rolodex of partners. As the two of them romp the streets of London’s Soho seeking DJ’s next conquest, they leave a wreckage of heartbreak and betrayal in their wake. A racy twist on Molière’s Don Juan, Patrick Marber’s irresistible adaptation imagines the classic antihero in the twenty-first century, where idiocy, masculinity, and hubris still reign.

Nobel Prize winner Peter Handke offers a wry and entertaining take on history's most famous seducer as he takes a respite from his stressful existence Don Juan's story—"his own version"—is filtered through the consciousness of an anonymous narrator, a failed innkeeper and chef, into whose solitude Don Juan bursts one day. On each day of the week that follows, Don Juan describes the adventures he experienced on that same day a week earlier. The adventures are erotic, but Handke's Don Juan is more pursued than pursuer. What makes his accounts riveting are the remarkable evocations of places and people, and the nature of his narration. Don Juan: His Own Version is, above all, a book about storytelling and its ability to burst the ordinary boundaries of time and space. In this brief and wry volume, Peter Handke conjures images and depicts the subtleties of human interaction with an unforgettable vividness. Along the way, he offers a sharp commentary on many features of contemporary life.

Don Juan, the "Seducer of Seville," originated as a hero-villain of Spanish folk legend, is a famous lover and scoundrel who has made more than a thousand sexual conquests. One of Molière's best-known plays, Don Juan was written while Tartuffe was still banned on the stages of Paris, and shared much with the outlawed play. Modern directors transform Don Juan in every new era, as each director finds something new to highlight in this timeless classic. Richard Wilbur's flawless translation will be the standard for generations to come, as have his translations of Molière's other plays. Witty, urbane, and poetic in its prose, Don Juan is, most importantly, as funny now as it was for audiences when it was first presented.

Legends of the City of Mexico by Thomas A. Janvier is a captivating collection that delves into the myths, folklore, and legends of Mexico City. Janvier's masterful storytelling, combined with rich cultural insights, offers readers a mesmerizing journey into the heart of Mexico's legendary past, making it a cherished read for folklore enthusiasts.

Carlos Castaneda takes the reader into the very heart of sorcery, challenging both imagination and reason, shaking the very foundations of our belief in what is "natural" and "logical." In 1961, a young anthropologist subjected himself to an extraordinary apprenticeship with Yaqui Indian spiritual leader don Juan Matus to bring back a fascinating glimpse of a Yaqui Indian's world of "non-ordinary reality" and the difficult and dangerous road a man must travel to become "a man of knowledge." Yet on the bring of that world, challenging to all that we believe, he drew back. Then in 1968, Carlos Castaneda returned to Mexico, to don Juan and his hallucinogenic drugs, and to a world of experience no man from our Western civilization had ever entered before.