The path to self-discovery and inner and outer peace... Divine Names is a unique contribution to understanding life and oneself on a deeper level: by learning to open to the Divine. It draws on original Arabic literature—often not available in European languages—and on the author’s many years of personal practice, teaching, and guiding others on their spiritual paths to healing, to becoming whole. It focuses on the use of the Divine Names in dhikr, individual meditations and healing practices. Whether we admit it or not, human beings are searchers: we want to understand; we want to know; we want to be known. Our quest may take many forms, yet ultimately it ends in nothing but pure praising of the Divine, even if this comes after our last breath. The outside always furthers the inside because the task and the meaning of life is always about reuniting—about connecting everything on the outside to its inner truth. It is the knowledge of the heart which is always capable of uniting. Such is the path of the Sufis. The Sufi tradition centers on the opening of the heart and nothing touches the heart as much as beauty. In this book, the author’s unique style of writing, which combines clarity and poetic inspiration, is coupled with distinctive and ornamental Arabic calligraphy of each of the 99 Divine Names to make it a visually stunning tribute to this tradition. It will be enjoyed regardless of a person’s religious beliefs.

The obvious riddles and difficulties in Exod 3:13–15 and Exod 6:2–8 have attracted an overwhelming amount of attention and comment. These texts make important theological statements about the divine name YHWH and the contours of the divine character. From the enigmatic statements in Exod 3:13–15, most scholars reconstruct the original form of the name as “Yahweh,” which is thought to describe YHWH’s creative power or self-existence. Similarly, Exod 6:3 has become a classic proof-text for the Documentary Hypothesis and an indication of different aspects of God’s character as shown in history. Despite their seeming importance for “defining” the divine name, these texts are ancillary to and preparatory for the true revelation of the divine name in the book of Exodus. This book attempts to move beyond atomistic readings of individual texts and etymological studies of the divine name toward a holistic reading of the book of Exodus. Surls centers his argument around in-depth analyses of Exod 3:13–15, 6:2–8 and Exod 33:12–23 and 34:5–8. Consequently, the definitive proclamation of YHWH’s character is not given at the burning bush but in response to Moses’ later intercession (Exod 33:12–23). YHWH proclaimed his name in a formulaic manner that Israel could appropriate (Exod 34:6–7), and the Hebrew Bible quotes or alludes to this text in many genres. This demonstrates the centrality of Exod 34:6–7 to Old Testament Theology. The character of God cannot be discerned from an etymological analysis of the word yhwh but from a close study of YHWH’s deliberate ascriptions made progressively in the book of Exodus.

This is a unique classification of all scripture designations of the three persons of the Trinity. In this exhaustive study one becomes acutely aware that the riches of God's self-revelation are inexhaustible.

Christians face a conundrum when it comes to naming God, for if God is unnamable, as theologians maintain, he can also be called by every name. His proper name is thus an open-ended, all-encompassing list, a mystery the Church embraces in its rhetoric, but which many Christians have found difficult to accept. To explore this conflict, Valentina Izmirlieva examines two lists of God’s names: one from The Divine Names, the classic treatise by Pseudo-Dionysius, and the other from The 72 Names of the Lord, an amulet whose history binds together Kabbalah and Christianity, Jews and Slavs, Palestine, Provence, and the Balkans. This unexpected juxtaposition of a theological treatise and a magical amulet allows Izmirlieva to reveal lists’ rhetorical potential to create order and to function as both tools of knowledge and of power. Despite the two different visions of order represented by each list, Izmirlieva finds that their uses in Christian practice point to a complementary relationship between the existential need for God’s protection and the metaphysical desire to submit to his infinite majesty—a compelling claim sure to provoke discussion among scholars in many fields.

What if there was a technique for sounding the personal name of God that could change the world? . . .In this groundbreaking work, sound-healing pioneer Jonathan Goldman shares his incredible discovery of The Divine Name, a universal sound that, when intoned, can bring harmony and healing to ourselves and the planet. This name, encoded within our DNA, is the personal name of God, once found in the religious texts that link over half the worldOCOs population. Prohibited and then lost for nearly 2,500 years, The Divine Name is available once again. It is a sound that when vocalized has the ability to resonate both the physical body and subtle energy fields of anyone who intones itOCoirrespective of religion, tradition, or belief. It has the power to issue in a new era of human consciousness, uniting us in healing, peace, and oneness. The Divine Name is a step-by-step process of vibratory activation that will allow you to experience the power, majesty, and healing of this extraordinary sound. CD NOT INCLUDED."

This compendium examines the origins of the God Yahweh, his place in the Syrian-Palestinian and Northern Arabian pantheon during the bronze and iron ages, and the beginnings of the cultic veneration of Yahweh. Contributors analyze the epigraphic and archeological evidence, apply fundamental considerations from the cultural and religious sciences, and analyze the relevant Old Testament texts.