In his missionary journeys, St. Paul spoke in a number of cities in the Greek peninsula including Athens, renowned for its philosophical heritage. He addressed to them the message of the One, Unknown God (Acts 17:22ff). Among those present in the Areopagus (the open city center of Athens) on that day was a certain Denys (Dionysios) who eventually became a disciple of Paul. Centuries later, a corpus of writings appeared bearing the name of the Denys the Areopagite. These texts were considered to be the writings of the first century disciple of the Apostle Paul and thus achieved almost immediate prominence, strongly influencing the lives of St. Maximus the Confessor (d. 662) and St. John Damascene (d.749) in the East and Eriugena (d. 877), St. Bede (d. 735), St. Bernard (d.1153) St. Thomas Aquinas (d. 1272) Nicholas of Cusa (d. 1464), St. John of the Cross (d. 1591), and many other great minds in the West. Later historical studies of Denysಙ texts, especially during the 19th century, showed conclusively that the writings are of a later date (5th century) than had generally been thought. Hence, the appending of ಜPseudo-ಝ before the name of Denys (Pseudo-Denys, Pseudo-Dionysius) became common place. The extraordinary brilliance of the texts themselves, however, has been in no way dimmed. The late Holy Father John Paul II in his monumental encyclical Fides et Ratio warns insistently against an approach to Revelation that shuns metaphysics. The texts of Denys provide a majestic and profound metaphysical perspective. Deeply formed by the Divine Liturgy and the Sacred Scriptures, this mysterious author uses the great insights of Plato and his later disciples, expressing the deepest profundities of the faith in stunningly beautiful writings. In Denys, readers past, present, and future find a penetrating contemplative vision into the Mystery of the Trinity and its creation. This book is a focused exposition of Denysಙ theological understanding with particular attention to the illuminating metaphysical depth of his insight. Care has been taken to prepare a text that is readable for the serious laymen accompanied with footnotes to provide a more detailed background for the scholar. To befriend the saints is to learn how to be the friend of God. In this beautifully written book, William Riordan offers a model of scholarly theology that strives not merely to get the concepts right, but to get the friendship right. Inspired by Denys, Riordan teaches us how to re-think our reductionist understanding of the world, so as to discover afresh the cosmic, liturgical, and Christological path by which God makes us his friends (what the Greek Fathers called "divinization"). By exploring Denys's contemplative wisdom in an manner that restores Denys to us as a great friend in Christ, this much-needed book exemplifies Newman's motto, "Heart speaks to heart." - Matthew Levering, Associate Professor of Theology, Ave Maria University ಜThe figure of Dionysius (Denys) the Areopagite continues to be surrounded in controversy and misunderstanding. In Divine Light William Riordan offers us a reasoned and passionate defense of Denyಙs Christian orthodoxy, and shows how important Denyಙs theology of beauty and divinization is for us today. This study persuasively demonstrates that Denyಙs theology is not Neo-Platonism dressed up in Christian clothing, but rather that Denys makes use of categories drawn from Neo-Platonism to express a truly biblical and liturgical Christian theology. Divine Light is more than just a scholarly study of a noted theologian. It is a work of spiritual theology itself,

Dante Alighieri (1265-1321) is one of the greatest European writers, whose untrammelled imaginative capacity was matched by a huge base in embracing the science of his era. His texts also paint compelling visual images. In Visions of Heaven, renowned scholar Martin Kemp investigates Dante's supreme vision of divine light and its implications for the visual artists who were the inheritors of Dante's vision. The whole book may be regarded as a new Paragone (comparison), the debate that began in the Renaissance about which of the arts is superior. Dante's ravishing accounts of divine light set painters the severest challenge, which took them centuries to meet. A major theme running through Dante's Divine Comedy, particularly in its third book, the Paradiso, centres on Dante's acts of seeing (conducted according to optical rules with respect to the kind of visual experience that can be accomplished on earth) and the overwhelming of Dante's earthly senses by heavenly light, which does not obey his rules of earthly optics. The repeated blinding of Dante by excessive light sets the tone for artists' portrayal of unseeable brightness.

Surveys the history of the mosque lamp and its numerous variants and the deep significance of light and the lamp in religion.

There is perhaps no greater constant in religious intuition and experience than the presence of light. In spiritual traditions East and West, light is not only ubiquitous but something that assumes strikingly similar forms in altogether different historical and cultural settings. This study examines light as an aspect of religiously valued experiences and its entailments for mystical theology, philosophy, politics, and religious art. The essays in this volume make an important contribution to religious studies by proposing that it is misleading to conceive of religious experience in terms of an irreconcilable dichotomy between universality and cultural construction. An esteemed group of contributors, representing the study of Asian and Western religious traditions from a range of disciplinary perspectives, suggests that attention to various forms of divine radiance shows that there is indeed a range of principles that, if not universal, are nevertheless very widely occurring and amenable to fruitful comparative inquiry. What results is a work of enormous scope, demonstrating compelling cross-connections that will be of value to scholars of comparative religions, mysticism, and the relationship between art and the sacred. Contributors: * Catherine B. Asher * Raoul Birnbaum * Sarah Iles Johnston * Matthew T. Kapstein * Andrew Louth * Paul E. Muller-Ortega * Elliot R. Wolfson * Mimi Hall Yiengpruksawan * Hossein Ziai

The Society of Johrei was organized in 1971 by the followers of the great religious leader, Mokichi Okada (1882-1955). This book is a collection of his teachings and Johrei, the divine healing power that he practiced, It is a description of the broad physical applications and an introduction to the religious doctrine that gives Johrei meaning and purpose.

We offer you this very unique and uplifting meditation technique called the Divine Light Meditation for anyone who wishes to bring more love, light & healing into their life. This beautiful meditation technique has been divinely designed and calls for a series of very uplifting, love filled healing energies in order to help you reach a very deep & peaceful state of being. As a not for profit organization, Love Inspiration offers you these techniques (and all attunements) absolutely free in the hope of helping you find more love, happiness & peace in your life. May all beings be happy and free from suffering!