Death inhabits our collective imaginary, even though sometimes, like a squatter, it hides discretely in order to avoid conflicts. It is undoubtedly a multi-faceted subject of study, which requires consideration from an interdisciplinary perspective. This book deals with this phenomenon, and more specifically with the discourses that surround – and construct our perspectives and understanding of – death and dying. Of course, the present volume does not attempt to be exhaustive, and considers the subject from several standpoints, including linguistics, anthropology, history of medicine, and importantly, literary studies. It combines various points of view and different methodologies of knowledge, in the hope that they come together to constitute a written dialogue –or more precisely, a polylogue. The ordering of the texts in this volume provides readers with an itinerary that begins with more general approaches, such as a historical presentation of the medicalisation of death and an in-depth reflection on the best way to die, and ends with studies of specific literary works from different periods. The itinerary that this book provides is framed by a discourse analysis-based overview that explores how different approaches to death and dying intersect and complement each other in an interdisciplinary endeavour. This analysis focuses on literary and non-literary genres in order to shed some new light on a topic that is inexhaustible because of its sociocultural relevance.

Death inhabits our collective imaginary, even though sometimes, like a squatter, it hides discretely in order to avoid conflicts. It is undoubtedly a multi-faceted subject of study, which requires consideration from an interdisciplinary perspective. This book deals with this phenomenon, and more specifically with the discourses that surround - and construct our perspectives and understanding of - death and dying. Of course, the present volume does not attempt to be exhaustive, and considers the subject from several standpoints, including linguistics, anthropology, history of medicine, and importantly, literary studies. It combines various points of view and different methodologies of knowledge, in the hope that they come together to constitute a written dialogue -or more precisely, a polylogue. The ordering of the texts in this volume provides readers with an itinerary that begins with more general approaches, such as a historical presentation of the medicalisation of death and an in-depth reflection on the best way to die, and ends with studies of specific literary works from different periods. The itinerary that this book provides is framed by a discourse analysis-based overview that explores how different approaches to death and dying intersect and complement each other in an interdisciplinary endeavour. This analysis focuses on literary and non-literary genres in order to shed some new light on a topic that is inexhaustible because of its sociocultural relevance.

The acclaimed novel of Spain's economic crisis - a timely masterpiece. Under a weak winter sun in small-town Spain, a man discovers a rotting corpse in a marsh. It’s a despairing town filled with half-finished housing developments and unemployment, a place defeated by the burst of the economic bubble. Stuck in the same town is Esteban, his small factory bankrupt, his investments gone, the sole carer to his mute, invalid father. As Esteban’s disappointment and fury lead him to form a dramatic plan to reverse financial ruin, other voices float up from the wreckage. Stories of loss twist together to form a kaleidoscopic image of Spain’s crisis. And the corpse in the marsh is just one. Chirbes’s rhythmic, torrential style creates a Spanish masterpiece for our age.

Is culture simply a more or less set text we can learn to read? Since the early 1970s, the notion of culture-as-text has animated anthropologists and other analysts of culture. Michael Silverstein and Greg Urban present this stunning collection of cutting-edge ethnographies arguing that the divide between fleeting discursive practice and formed text is a constructed one, and that the constructional process reveals "culture" to those who can interpret it. Eleven original essays of "natural history" range in focus from nuptial poetry of insult among Wolof griots to case-based teaching methods in first-year law-school classrooms. Stage by stage, they give an idea of the cultural processes of "entextualization" and "contextualization" of discourse that they so richly illustrate. The contributors' varied backgrounds include anthropology, psychiatry, education, literary criticism, and law, making this collection invaluable not only to anthropologists and linguists, but to all analysts of culture.

Trauma does not just happen to a few unlucky people; it is the bedrock of our psychology. Death and illness touch us all, but even the everyday sufferings of loneliness and fear are traumatic. In The Trauma of Everyday Life renowned psychiatrist and author of Thoughts Without a Thinker Mark Epstein uncovers the transformational potential of trauma, revealing how it can be used for the mind's own development. Epstein finds throughout that trauma, if it doesn't destroy us, wakes us up to both our minds' own capacity and to the suffering of others. It makes us more human, caring and wise. It can be our greatest teacher, our freedom itself, and it is available to all of us. Western psychology teaches that if we understand the cause of trauma, we might move past it while many drawn to Eastern practices see meditation as a means of rising above, or distancing themselves from, their most difficult emotions. Both, Epstein argues, fail to recognize that trauma is an indivisible part of life and can be used as a tool for growth and an ever deeper understanding of change. When we regard trauma with this perspective, understanding that suffering is universal and without logic, our pain connects us to the world on a more fundamental level. Guided by the Buddha's life as a profound example of the power of trauma, Epstein's also closely examines his own experience and that of his psychiatric patients to help us all understand that the way out of pain is through it.