This book explores various digital representation strategies that could change the future of wooden architectures by blending tradition and innovation. Composed of 61 chapters, written by 153 authors hailing from 5 continents, 24 countries and 69 research centers, it addresses advanced digital modeling, with a particular focus on solutions involving generative models and dynamic value, inherent to the relation between knowing how to draw and how to build. Thanks to the potential of computing, areas like parametric design and digital manufacturing are opening exciting new avenues for the future of construction. The book’s chapters are divided into five sections that connect digital wood design to integrated approaches and generative design; to model synthesis and morphological comprehension; to lessons learned from nature and material explorations; to constructive wisdom and implementation-related challenges; and to parametric transfigurations and morphological optimizations.

This book explores various digital representation strategies that could change the future of wooden architectures by blending tradition and innovation. Composed of 61 chapters, written by 153 authors hailing from 5 continents, 24 countries and 69 research centers, it addresses advanced digital modeling, with a particular focus on solutions involving generative models and dynamic value, inherent to the relation between knowing how to draw and how to build. Thanks to the potential of computing, areas like parametric design and digital manufacturing are opening exciting new avenues for the future of construction. The book’s chapters are divided into five sections that connect digital wood design to integrated approaches and generative design; to model synthesis and morphological comprehension; to lessons learned from nature and material explorations; to constructive wisdom and implementation-related challenges; and to parametric transfigurations and morphological optimizations. .

This innovative new series documents, through the use of stunning colour photographs, 100 of the very best designs and projects relating to a specific room or feature. Each title displays a variety of different interior design and architectural styles, ensuring that every reader finds inspiration to utilise in his or her own home. The 100 Best Interiors and Houses in Wood showcases a compilation of the most beautiful and inspirational wooden architecture and interior design from the past ten years, with most projects never published before in an English version. Wim Pauwels, founder and managing director of Beta-Plus Publishing, began putting out a series of books in 1997 about architecture and interior design. So far the company has published more than 250 titles dedicated to certain themes (such as living rooms, bathrooms, kitchens, children's rooms, antique building materials, restoration, renovation, gardens and swimming pools), plus monographs of architects and interior designers, manuals and yearbooks about timeless and contemporary architecture and interiors. For each book he enlists the assistance of authoritative specialists for the introductory texts and photograph captions.

The first English-language translation of the French 18th-century classic text on woodworking.

Inn this essential reference for woodworkers, the author explains everything from how trees grow to getting a sharp edge. Includes examples of problems and their solutions to help woodworkers through their own projects. Full-color photos and b&w illustrations.

This book constitutes the refereed post-conference proceedings of the 8th International Conference on Digital Heritage, EuroMed 2020, held virtually in November 2020. The 37 revised project papers and 30 revised short papers presented were carefully reviewed and selected from 326 submissions. The papers are on topics such as digital data acquisition technologies in CH/2D and 3D data capture methodologies and data processing; remote sensing for archaeology and cultural heritage management and monitoring; interactive environments and applications; reproduction techniques and rapid prototyping in CH; e-Libraries and e-Archives in cultural heritage; virtual museum applications (e-Museums and e-Exhibitions); visualisation techniques (desktop, virtual and augmented reality); storytelling and authoring tools; tools for education; 2D and 3D GIS in cultural heritage; and on-site and remotely sensed data collection.