THE PHYSICISTS
Title | THE PHYSICISTS PDF eBook |
Author | FRIEDRICH DURRENMATT |
Publisher | |
Total Pages | 132 |
Release | |
Genre | |
ISBN |
Dürrenmatt: Der Besuch Der Alten Dame and Die Physiker
Title | Dürrenmatt: Der Besuch Der Alten Dame and Die Physiker PDF eBook |
Author | Kenneth S. Whitton |
Publisher | |
Total Pages | 124 |
Release | 1994 |
Genre | |
ISBN |
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Encyclopedia of Literary Translation Into English: A-L
Title | Encyclopedia of Literary Translation Into English: A-L PDF eBook |
Author | O. Classe |
Publisher | Taylor & Francis |
Total Pages | 930 |
Release | 2000 |
Genre | Authors |
ISBN | 9781884964367 |
Die Physiker
Title | Die Physiker PDF eBook |
Author | Friedrich Dürrenmatt |
Publisher | |
Total Pages | 78 |
Release | 1962 |
Genre | Drama |
ISBN |
MOBIUS: Ich bin Salomo. Ich bin der arme Konig Salomo. Einst war ich unermeBlich reich, weise und gottesfurchtig. Ob meiner Macht erzitterten die Gewaltigen. Ich war ein Furst des Friedens und der Gerechtigkeit. Aber meine Weisheit zerstorte meine Gottesfurcht, und als ich Gott nicht mehr furchtete, zerstorte meine Weisheit meinen Reichtum. Nun sind die Stadte tot, uber die ich regierte, mein Reich leer, das mir anvertraut worden war, eine blauschimmernde Wuse, und, irgendwo, um einen kleinen, gelben, namenlosen Stern, kreist, sinnlos, immerzue, die radioaktive Erde. Ich bin Salomo, ich bin Salomo, ich bin der arme Konig Salomo.
Die Geschichte Der Physik in Grundzügen: th. In den letzten hundert jahren (1780-1880) 1887-90
Title | Die Geschichte Der Physik in Grundzügen: th. In den letzten hundert jahren (1780-1880) 1887-90 PDF eBook |
Author | Ferdinand Rosenberger |
Publisher | |
Total Pages | 858 |
Release | 1890 |
Genre | Physics |
ISBN |
Theater as Problem
Title | Theater as Problem PDF eBook |
Author | Benjamin Bennett |
Publisher | Cornell University Press |
Total Pages | 287 |
Release | 2019-05-15 |
Genre | Performing Arts |
ISBN | 150174545X |
Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such questioning leads. Bennett takes as his starting point the inescapably literary nature of theater in the European tradition, theater in its most concrete dimensions: as an institution, as a tradition of ritual or stylized behavior, as a particular type of physical space, as an economic venture. He maintains that, precisely because of its radical categorical disjunction from the domain of the literary, theater in the European tradition has been appropriated as the principal vehicle by which literature repeatedly problematizes itself. Theater, he says, is "the church of literature." Although he is concerned with drama as a literary type, therefore, Bennett does not treat the theory of drama as part of the theory of literature. For the special relation of drama to literature calls into question the whole idea of literary theory as a stable discourse divisible into parts. Bennett considers plays by Nestroy, Schnitzler, Ibsen, Strindberg, Brecht, Ionesco, Genet, Pirandello, Artaud, and Dürrenmatt. He focuses on such theoretical issues as the idea of generic boundaries; the relation between drama and the culture of reading; the relevance between drama and the culture of reading; the relevance of hermeneutic and semiotic views of literature to drama; and the operation of fascism as a literary phenomenon. In conclusion, he frames a problem that his readings have brought to light: at least two separate historical accounts of modern drama are necessary—theories that imply each other, yet remain irreconcilable.
Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre
Title | Modern Drama in Theory and Practice: Volume 3, Expressionism and Epic Theatre PDF eBook |
Author | J. L. Styan |
Publisher | Cambridge University Press |
Total Pages | 244 |
Release | 1983-06-09 |
Genre | Drama |
ISBN | 9780521296304 |
Modern drama in theory and ... /J.L. Styan.-v.3.