In this highly-lauded novel, a filmmaker meets a woman named Cosima at an Italian espresso bar, spinning a gorgeous tale of love and the creative process. An auteur, together with his lead actors, is at a prestigious European festival to premiere his latest film. Alone one morning at a backstreet café, he strikes up a conversation with a local woman who takes him on a walk to uncover the city's secrets, historic and personal. As the walk unwinds, a story of love and tragedy emerges, and he begins to see the chance meeting as fate. He is entranced, wholly clear in his mind: her story must surely form the basis for his next film. This is a novel about cinema, flâneurs, and queer love — it is about the sometimes troubled, sometimes ecstatic creative process, and the toll it takes on its makers. But it is also a novel about stories, and the persistent question of who has the right to tell them.

In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.

GO ON A MOVIE-MAKING JOURNEY OF EPIC PROPORTIONS IN THE WIMPY KID MOVIE DIARY: THE NEXT CHAPTER Making a movie is a lot like going on a road trip. There are twists and turns and lots of surprises along the way. Hit the road with author and illustrator Jeff Kinney and get a behind-the-scenes look at the making of the latest 20th Century Fox movie, Diary of a Wimpy Kid: The Long Haul. Find out what it takes to film a flock of seagulls invading a minivan. Learn about a robot pig and an animatronic three-year-old. And discover everything that goes into making a feature film. Complete with exclusive set photos, storyboards, and original cartoons by Jeff Kinney, The Wimpy Kid Movie Diary: The Next Chapter is the perfect book for anyone who’s ever wondered how a movie gets made. But buckle up: You’re in for a wild ride! Also Available: The Wimpy Kid 2019 Wall Calendar (ISBN: 978-1-4197-3007-8)

A NEWER, REVISED AND EXPANDED EDITION OF THIS BOOK IS NOW AVAILABLE, The Wimpy Kid Movie Diary (DOG DAYS EDITION). INCLUDES 32 NEW PAGES ABOUT THE THIRD WIMPY KID MOVIE, DOG DAYS, PLUS AN ALL-NEW COVER ILLUSTRATION.

Afterword by Steven Rimbauer Aligned with the TV miniseries, 'Stephen King's Rose Red', comes the publication of this rare document, offering a window into one woman's hidden emotional torment, and a record of the mysterious events at Rose Red that scandalized aristocratic society in the early 1900s - events that can only be fully understood now that the the diary has come to light, following the development of a girl into womanhood as well as the construction of the mansion that would become the site of horrific and inexplicable tragedies.

Book viewing journal for those who love to watch movies Watching movies is one of the most rewarding hobbies anyone at any age can have. This movie viewing log is made for those who are frequent film watchers, and who may loose track of what they have and have not seen, or would simply like to record their thoughts and ideas about the films they have seen. This movie log is something many people will keep for their entire lives. The earlier you start recording, the more logs you will finish, and the more you will have to show for it. It also makes a great gift to be passed down through generations, as a great piece of personal, sentimental history. What does this book contain? Cover page with space for owner information and logbook number Space to rate, review and record 200 different films Quick Recap Listat the end of the journal which acts as a contents page for your reviews, ensuring you are able to quickly find what you are looking for Lined notes pages at the back of the book to record other relevant information (Such as movie wishlist, seual information etc) What do the review pages contain? Title Director Length Year Genre and Subject Actors Overall Rating (1-10) Quick Notes / Review Book Features 6 x 9 Inch - Very convenient size 120 pages (100 pages for reviews - 200 movies) Softcover (Paperback) with professional perfect binding Printed on white paper Awesome cover design Numbered pages with recap to make your own contents page

The quirky, strange and utterly sagacious meditations of David Caradine written during the making of Quentin Tarantino's contemporary classic in which Carradine played the lead role. When Carradine landed the lead role in Quentin Tarantino's new film, Kill Bill, it catapulted him into the Hollywood limelight. This journal captures his experience of being courted by Tarantino for the role of Bill and the subsequent two years spent making the two-part feature film with co-star Uma Thurman, nominated for a Best Actress Golden Globe. In its mixture of autobiography and behind-the-scenes diary, The Kill Bill Diary takes the reader on a fascinating and witty journey into the world of film-making and the art of an acclaimed director. Along the way Carradine describes the martial arts training required for the role, the experience of filming in China, working with Tarantino and falling in love with Uma Thurman while 'swinging a steel-tempered Samurai sword at her head'. In describing the pre-production, production and promoting of the film, Carradine gives readers a rare and wholly authentic insight into the creation of a Hollywood blockbuster and the experience of a screen legend.