Analyzing the invisible abled body through the work of Joyce, Beckett, Egerton, and Bowen

Diaphanous Bodies: Ability, Disability, and Modernist Irish Literature examines ability, as a category of embodiment and embodied experience, and in the process opens up a new area of inquiry in the growing field of literary disability studies. It argues that the construction of ability arises through a process of exclusion and forgetting, in which the depiction of sensory information and epistemological judgment subtly (or sometimes un-subtly) elide the fact of embodied subjectivity. The result is what Colangelo calls “the myth of the diaphanous abled body,” a fiction that holds that an abled body is one which does not participate in or situate experience. The diaphanous abled body underwrites the myth that abled and disabled constitute two distinct categories of being rather than points on a constantly shifting continuum. In any system of marginalization, the dominant identity always sets itself up as epistemologically and experientially superior to whichever group it separates itself from. Indeed, the norm is always most powerful when it is understood as an empty category or a view from nowhere. Diaphanous Bodies explores the phantom body that underwrites the artificial dichotomy between abled and disabled, upon which the representation of embodied experience depends.

To ascertain, however, anything reliable about it is one of the most difficult of undertakings. Such an enquiry being Common to many topics—I mean, an enquiry into the essence, and what each thing is—it might seem to some that one definite procedure were available for all things of which we wished to know the essence; as there is demonstration for the accidental properties of things. So we should have to discover what is this one method. But if there is no one method for determining what an essence is, our enquiry becomes decidedly more difficult, and we shall have to find a procedure for each case in particular. If, on the other hand, it is clear that either demonstration, or division, or some such process is to be employed, there are still many queries and uncertainties to which answers must be found. For the principles in different subject matters are different, for instance in the case of numbers and surfaces. Aeterna Press

Philosopher, alchemist, and privateer, Kenelm Digby (1603-1665) cut a striking figure across Europe in the middle of the 17th century. Digby corresponded with Galileo, Descartes, Gassendi, Gilbert and Harvey, and was one of the founding members of the Royal Society. In 1644 he published his major philosophical work, Two Treatises: Of Bodies and of Man's Soul - the first comprehensive philosophical work in the English language. In the Two Treatises Digby discussed at length a vast array of philosophical ideas: elements, matter, mechanism, motion, force and causation, as well as sensation, perception, memory, imagination, intellect, reason, and immortality. MacDonald's edition is the first scholarly edition of this great work since it went out of print in 1669: it offers a normalized text, copious annotations, and a lengthy introduction which situates Digby's ideas in the currents of 17th century philosophical thought.