In the eyes of both contemporaries and historians, the United States became an empire in 1898. By taking possession of Cuba and the Philippines, the nation seemed to have reached a watershed moment in its rise to power—spurring arguments over whether it should be a colonial power at all. However, the questions that emerged in the wake of 1898 built on long-standing and far-reaching debates over America’s place in the world. Andrew Priest offers a new understanding of the roots of American empire that foregrounds the longer history of perceptions of European powers. He traces the development of American thinking about European imperialism in the years after the Civil War, before the United States embarked on its own overseas colonial projects. Designs on Empire examines responses to Napoleon III’s intervention in Mexico, Spain and the Ten Years’ War in Cuba, Britain’s occupation of Egypt, and the carving up of Africa at the Berlin Conference. Priest shows how observing and interacting with other empires shaped American understandings of the international environment and their own burgeoning power. He highlights ambivalence among American elites regarding empire as well as the prevalence of notions of racial hierarchy. While many deplored the way powerful nations dominated others, others saw imperial projects as the advance of civilization, and even critics often felt a closer affinity with European imperialists than colonized peoples. A wide-ranging book that blends intellectual, political, and diplomatic history, Designs on Empire sheds new light on the foundations of American power.

This is a complete reprinting of one of Beunat's later and more complete catalogs, showing and again making available over 900 individual ornaments and designs. There are many repeatable linear patterns, both horizontal and vertical, for frames, friezes, dividers, furniture decoration, figures and scenes based on mythological and biblical motives, plus many more forms.

The United States is the global leader in higher education, but this was not always the case and may not remain so. William Kirby examines sources of—and threats to—US higher education supremacy and charts the rise of Chinese competitors. Yet Chinese institutions also face problems, including a state that challenges the commitment to free inquiry.

Empire of Ideas examines the origins of the U. S. government's programs in public diplomacy and how the nation's image in the world became an essential component of U. S. foreign policy.

From Mexico to Vietnam, from Nicaragua to Lebanon, and more recently to Kosovo, East Timor and now Iraq, the United States has intervened in the affairs of other nations. Yet American leaders continue to promote the myth that America is benevolent and peace-loving, and involves itself in conflicts only to defend the rights of others; excesses and cruelties, though sometimes admitted, usually are regarded as momentary aberrations.This classic book is the first truly comprehensive history of American imperialism. Now fully updated, and featuring a new introduction by Howard Zinn, it is a must-read for all students and scholars of American history. Renowned author Sidney Lens shows how the United States, from the time it gained its own independence, has used every available means - political, economic, and military - to dominate other nations.Lens presents a powerful argument, meticulously pieced together from a huge array of sources, to prove that imperialism is an inevitable consequence of the U.S. economic system. Surveying the pressures, external and internal, on the United States today, he concludes that like any other empire, the reign of the U.S. will end -- and he examines how this time of reckoning may come about.

Now for the first time in an inexpensive paperback edition: the "bible" of First Empire style in interior decor, one of the most important and influential sourcebooks in the history of French design, reprinted from the rare 1812 edition, and essential reading for interior designers, architects, and architectural and social historians.

From a rare, late-18th-century sourcebook of designs — repeatable linear patterns, mythological figures and scenes, vine and leaf forms, real and legendary beasts, and more. The 526 black-and-white motifs will find a wealth of use among craftworkers, graphic artists, and theatrical and architectural designers.