Designing from Heritage deals with challenges architects are faced with when dealing with the conservation and reuse of built heritage, with a focus on Modern Movement Monuments. It discusses how to carry out a thorough analysis and evaluation of monuments upon which their conservation and transformation can be based. It is meant for MSc education, but may be of interest to architects in general. This book - the third in the Rondeltappe series - reflects the philosophy and didactic approach of Heritage and Architecture (H&A) section of the Faculty of Architecture and the Built Environment (Delft University of Technology). H&A has three chairs: Design, Cultural Value and Technology. They work in close cooperation to lay the foundations for the preservation and continuity of use of built heritage. Designing from Heritage is strongly connected to the first book in the Rondeltappe series which deals with durability and sustainability of monuments, and with the second which advocates freedom in heritage based design. It contains the contribution of Prof. Wessel de Jonge - the Chair of Heritage and Design and principle at Wessel de Jonge Architects - and Prof Marieke Kuipers - Chair of Culural Heritage in particular of the Architecture of the Twentieth Century and senior specialist of Twentieth Century Built Heritage at the Cultural Heritage Agency of the Netherlands (RCE). This book is meant as a tool for architectural education and conservation for which research is as integral part of the design strategy.

Design and Heritage provides the first extended study of heritage from the point of view of design history. Exploring the material objects and spaces that contribute to our experience of heritage, the volume also examines the processes and practices that shape them. Bringing together 18 case studies, written by authors from the United States, the United Kingdom, Canada, Brazil, Norway, India, South Africa, Australia and New Zealand, the book questions how design functions to produce heritage. Including provocative case studies of objects that reinterpret visual symbols of cultural identity and buildings and monuments that evoke feelings of national pride and historical memory, as well as landscapes embedded with trauma, contributors consider how we can work to develop adequate shared conceptual models of heritage and apply them to design and its histories. Exploring the distinction between tangible and intangible heritages, the chapters consider what these categories mean for design history and heritage. Finally, the book questions whether it might be possible to promote a truly equitable understanding of heritage that illuminates the social, cultural and economic roles of design. Design and Heritage demonstrates that design historical methods of inquiry contribute significantly to critical heritage studies. Academics, researchers and students engaged in the study of heritage, design history, material culture, folklore, art history, architectural history and social and cultural history will find much to interest them within the pages of the book.

An illustrated overview of the architects, designers and planners who have influenced Evanston's design history.

Often viewed as nostalgic and inauthentic, the work of early preservationists has frequently been underrated by modern practitioners. Rather than considering early preservation within its historical context, many modern preservationists judge their predecessors' work by contemporary standards, ultimately negating their legacy. In Design with Culture: Claiming America's Landscape Heritage, Charles A. Birnbaum and Mary V. Hughes present an introduction along with eight essays by well-known landscape historians that effectively argue against this diminution. By revisiting planning studies, executed works, and critical writings from the years 1890-1950, these authors uncover the holistic stewardship ethic that drove pioneering landscape preservation advocates, revealing their goal to be the imaginative transformation, as much as the conservation, of material culture. The essays, which range from accounts of the professional contribution made by such figures as Charles Sprague Sargent and Frederick Law Olmsted to consideration of the roles played by women's clubs and New Deal government programs, portray the spirit and tenacity of the early preservationists. In their focus on the transformation of entities such as Mount Vernon and the White House, as well as the rural countryside along the Blue Ridge Parkway, early preservationists anticipated several key issues--such as tourism, ecological concerns, and vehicle access--that confront practitioners today. Birnbaum and Hughes illustrate not only the similarity of experience between early and modern landscape preservationists but also the immense impact that their decisions had and still have on our daily lives. For landscape architects, architects, planners, amateur and professional gardeners, conservationists, preservationists, and anyone with an interest in history, travel, and national parks, Design with Culture will prove an indispensable resource for understanding the history of landscape preservation. Contributors: Charles A. Birnbaum, Mary V. Hughes, Catherine Howett, Phyllis Andersen, Thomas E. Beaman Jr., Elizabeth Hope Cushing, David C. Streatfield, Cynthia Zaitzevsky, Ethan Carr, and Ian Firth

This text provide readers with the skills to assess development potential from a holistic standpoint. The book offers the architect, developer or planner the rules and tools needed to gauge development prospects in an objective and comprehensive manner.

This book gathers more than 150 peer-reviewed papers presented at the 5th INTBAU International Annual Event, held in Milan, Italy, in July 2017. The book represents an invaluable and up-to-date international exchange of research, case studies and best practice to confront the challenges of designing places, building cultural landscapes and enabling the development of communities. The papers investigate methodologies of representation, communication and valorization of historic urban landscapes and cultural heritage, monitoring conservation management, cultural issues in heritage assessment, placemaking and local identity enhancement, as well as reconstruction of settlements affected by disasters. With contributions from leading experts, including university researchers, professionals and policy makers, the book addresses all who seek to understand and address the challenges faced in the protection and enhancement of the heritage that has been created.

The campus of the California Institute of Technology was destined for architectural greatness when, in 1915, the university's visionary founder, astronomer George Ellery Hale, retained one of New York's preeminent architects, Bertram Goodhue, to devise a master plan for 22 acres of orange groves in what was then rural Pasadena. Goodhue's eclectic "planted patios and shaded portales, sheltering walls, and Persian pools" set the tone for the campus's illustrious architectural future. Throughout the first half of the century, Caltech's nearly continuous expansion would spawn such architectural jewels as the Athenaeum, a combination Italian villa and Spanish hacienda; Greene and Greene's bungalow-style student union; and the gardens of landscape architects Beatrix Ferrand and Florence Yoch, who thoughtfully mixed the campus's Mediterranean themes with its natural California setting. Well-researched and informative, this book details the organizational and architectural elements that have made Caltech a model for scientific institutions the world over. Rare photographs of lost and altered buildings portray an early Pasadena with ambitious plans to become a cultural mecca, while contemporary images reflect the Institute's continued dedication to a rich architectural future.