Water spells life on the high desert: A migrant is found and rescued at the point of death; a village finds its supply failing; a rancher loses his water source in a drunken card game; a developer's reckless plan to build grandiose winter homes arouses a deadly protest; and an end-of-life experience inspires a hapless desert wanderer to find redemption through altruism and forgiveness.

“Kairos refers to moments in chronological time when all hell is breaking loose and we are called to change our ways before we are dragged into the abyss. Kairos is apocalyptic time, and it is here and now. Such is the time in which we need to listen again to . . . St Benedict of Nursia. “Far too many of us Christians have either been seduced by the false values of the age and the spirit of Christian triumphalism, or else have been attracted to gnostic forms of spirituality that provide a means of escape from reality and responsibility. Any delay in responding to this kairos moment increases the danger that we fail to change our ways and grasp the opportunity God gives us to receive the coming kingdom in greater fullness now. So, St Benedict, __een hundred years a_er he wrote his Rule, continues to tell us to ‘listen,’ ‘wake up,’ and ‘run’ while there is still light. . . . _is is a time for both contemplation and action, prayer and doing justice, a time for mystics and prophets to join hands and hearts for the sake of the world.” —From the Prologue

Kairos is used in the New Testament to signify a pivotal moment in history: a critical time of judgement and opportunity where chaos must be faced and one must change their ways before it becomes irreparable. Confronted by the Covid-19 pandemic and mandatory isolation, John de Gruchy felt a similar need to adapt and respond. In doing so, he found a deepening in his desire for authentic humanity, genuine community, and the opportunity affirm his conviction that true humanity is rooted in God, wisdom, and the struggle for justice.

The opalescent deserts of the American Southwest have become romantic icons in the public imagination through the words of writers, the images of artists and photographers, and the visual storytelling of filmmakers. In this spirited, personal, beautifully written book, Peter Wild explores the lives and works of sixteen writers whose words have shaped our visions of the opal desert. Wild begins with Cabeza de Vaca, whose Relación of his desert wanderings sent treasure-hungry Spaniards searching for cities of gold. He goes on to discuss the works of both widely read and lesser-known nineteenth- and twentieth-century authors, including such luminaries as Mary Austin, Joseph Wood Krutch, Edward Abbey, Ann Zwinger, and Charles Bowden. He links all the writers as explorers of one kind or another, searching for tangible or intangible treasures, some finding and some losing their dreams in the opal desert.

In the early summer of 1898, John C. Van Dyke, an asthmatic forty-two-year-old art historian and critic, rode an Indian pony out of the Hemet Valley, and headed southeast into the Colorado desert. With his dog, his guns, and few supplies, this sickly aesthete wandered, mostly alone, for nearly three years across the deserts of California, Arizona and Mexico. He crossed the Salton Sea Basin, forded the Colorado below Yuma on a raft he built himself, followed the railroad line to Tucson, then turned west again toward Sonora. His exact route is not known; he did not always know where he was himself. He sought both health and beauty in the dry country and wrote that the desert "never had a sacred poet; it has in me only a lover". This extraordinary book, composed "at odd intervals, when I lay against a rock or propped up in the sand", is a masterpiece of personal philosophy, containing precise scientific analyses of diverse phenomena-- from erosion to sky colors-- and prescient ruminations on the nature of civilization. "The desert should never be reclaimed!" Van Dyke wrote, yet he lived long enough to see the reclamation projects in what became the Imperial Valley. He did not witness the virtual destruction of the Colorado Desert still ongoing. As poet Richard Shelton wonders in his introduction, "Where are the herds of antelope Van Dyke spoke of, and the gray wolves and the pure air?"