Demon nitin is a story of a person who was a normal happy and childish but he faced a failure in life and everybody ignores him and scolded him. He lost his love also. Then he lost the belief in love and friendship and finally he decided to demolish every single person or thing because of what he faced all the pain and insult. This is a story of a person who showed nobody is a failure, respect everyone and anyone can bounce back.

This book purports to examine in depth and detail the wide spectrum of human relationships depicted by Dattani, a theme that has not been examined consistently and comprehensively by the critics so far. In order to arrive at a balanced appreciation of his mind and art, an analysis of relationships within and outside the family, including those between husband and wife, between different generations, siblings, transgendered and the miscellaneous ones have been examined using mainly socio-psychological approach. Through a series of miscellaneous relationships like those between peers, friends, boss and subordinates, communities and even strangers, Dattani enlarges the range of his subject, revealing a vast variety of human ties which one forges and lives through in one’s life. His incisive and extensive treatment of the human relationships shows not only his insightful grasp of changing social realities but also of human nature, which deepens and enhances the appeal of his theatre, underlining the humanistic values of acceptance of diversity and difference, equality and freedom for a happy and meaningful social and individual life.

‘A playwright of world stature’—Mario Relich, Wasafiri First staged in 1991, Bravely Fought the Queen created a stir with its disturbingly honest portrayal of the dysfunctional Trivedi family, confirming Dattani's reputation as a playwright at the top of his game. Unfolding at a relentless pace, the play provides an unflinching insight into the urban Indian milieu, throwing light on a wide range of issues—marital friction, sibling rivalry, sexual politics and the lies we often tell ourselves—before racing to a shocking finale. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times

In Goa, India, the drug cartels and the police are at each other 's throats. But this fight is just a symptom of a bigger sickness, of an evil that not only intends to disrupt the peace in Goa, but to rule over all mankind. Thrust into this conflict is Pragya Parashar - Hindi comic book writer and artist. All Pragya wants is to return Indian Comics to its golden age - the nineties. And she might just succeed in doing this, in spite of the forces of evil that she's about to face off. But will she survive an even bigger threat - the last Hindi comic book publisher going out of business?

Nitin’s mother means the world to him and when she breathes her last in his arms, it changes him upside down. A soft and humble guy declares rebellion against his father. On the way to fulfill his father’s desire of him becoming an engineer, he takes a bold decision and runs away to a completely new city for pursuing his ambition of becoming a famous singer.Against all the odds, he is not just able to fight the blues, but also forges new bonds of friendship in a completely new place. Once again destiny catches up with his happiness and he finds himself on the crossroad of life. His most loved friends end up in grave trouble and Nitin is confronted with the most difficult choice of his life!Will Nitin be able to survive the outcome of his choice and come out of it as a champion or will he take the plunge towards deluge of depression?Nitin’s journey is the one, which almost every individual has to undergo in one form or the other. This story gives the insight into the actual challenges that confront all of us and it also shares the wisdom to understand that most solutions are not just within our reach, but are within ourselves. The process is just about digging deep within.

'Based on mile Zola''s Therese Raquin, this classic tale of adultery and murder is skilfully transposed to a small town in present-day Punjab Raj works as a minor railway clerk and is married to his cousin, Rani. They live with his mother who runs the family cloth shop. Their family life is mundane and uneventful, punctuated by their weekly visits from the Doctor, to play Carrom board games. One day, Raj invites Nitin, his old school friend and a bohemian artist, into their home. Like a moth to a flame, Rani finds herself inextricably drawn to Nitin''s apparent passion for life, unleashing a chain of events with tragic consequences. Following the success of Balti Kings, East is East and Fourteen Songs..., this is the new production from Tamasha, Britain''s leading Asian theatre company, published to tie in with the Lyric Hammersmith premiere in October 2001.'

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