"Drawing on a rich array of persuasive materials - including speeches and debates, novels and poems, newspaper articles and advertisements, daguerreotypes and paintings, protest pamphlets, reform manifestos, and scientific reports - Hartnett investigates how cultural fictions were presented, how they reflected or exploited larger cultural norms, and why some were more persuasive than others."--BOOK JACKET.

The rhetorical presumption of war's necessity makes violence regrettable, but seemingly sane, and functions to shame anyone who opposes military action. Ivie proposes that the presence of dissent is actually a healthy sign of democratic citizenship, and a responsible and productive act, which has been dangerously miscast as a threat to national security. Ivie, a former US Navy petty officer, puts a microscope to the language of war supporters throughout history and follows the lives and memories of soldiers and anti-war activists who have dealt with degrees of confusion and guilt about their opposition to war. Arguing that informed dissent plays out largely in the realm of rhetoric, he equips readers with strategies for resisting the dehumanizing language used in war propaganda. Through his careful study of language strategies, he makes it possible to foster a community where dissenting voices are valued and vital.

For almost a hundred years before Uncle Tom's Cabin burst on to the scene in 1852, the American theatre struggled to represent the evils of slavery. Slavery and Sentiment examines how both black and white Americans used the theatre to fight negative stereotypes of African Americans in the United States.

In this engaging new biography, James L. Huston explores the political life of Stephen A. Douglas and his definition and promotion of the ideal of democratic equality. By placing Douglas in the current historiographical controversies of the antebellum period, Huston updates our understanding of Douglas and the battles that he fought over the meaning democracy and its institutional framework in the building of the Democratic party, the struggle over slavery's extension into the West, the meaning of popular sovereignty and the legitimacy of peaceful secession from the Union.

This book documents the potency of Manifest destiny in the antebellum era.

This eye-opening and well-researched companion to the first volume of Executing Democracy enters the death-penalty discussion during the debates of 1835 and 1843, when pro-death penalty Calvinist minister George Barrell Cheever faced off against abolitionist magazine editor John O’Sullivan. In contrast to the macro-historical overview presented in volume 1, volume 2 provides micro-historical case studies, using these debates as springboards into the discussion of the death penalty in America at large. Incorporating a wide range of sources, including political poems, newspaper editorials, and warring manifestos, this second volume highlights a variety of perspectives, thus demonstrating the centrality of public debates about crime, violence, and punishment to the history of American democracy. Hartnett’s insightful assessment bears witness to a complex national discussion about the political, metaphysical, and cultural significance of the death penalty.

In Out of Stock, Dara Orenstein delivers a nuanced, ambitious, and engrossing account of that most generic and underappreciated site in the history of American commerce and industry: the warehouse, and all its many permutations. She traces the progression from the bonded warehouse of the nineteenth century to today's foreign-trade zones, enclaves where goods are processed while simultaneously inside the US and outside US customs territory. Foreign-trade zones channel jobs to American workers by converting American cities into international ports, and to understand them, Orenstein tells us, we should look at them in the simplest of terms: as warehouses. Going further, Orenstein contends that these zones - nearly 800 of which are scattered across the US - are emblematic of how warehouses have begun to supplant factories on the terrain of logistics. In the age of Amazon and Walmart, circulation is so crucial to how and where goods are produced that it is increasingly inseparable from production, such that warehouses rank as some of the most pivotal spaces of global capitalism.0 Drawing from cultural geography, cultural history, and political economy, and vividly documented with photos, ads, maps, and other ephemera, Out of Stock nimbly demonstrates the centrality of warehouses for corporations, workers, cities, and empires.