In this soaring and deeply provacative tragicomedy of race, class, and manners, John Guare has created the msot important American play in years. Six Degrees of Separation is one of those rare works that capture both the supercharged pulse of our present era and the deepest and most mysterious movements of the human heart. Six Degrees of Separation won the 1990 New York Drama Critics Circle Award for Best Play, as well as the Hull Warriner Award and the Obie.

Watts, one of the principal architects of network theory, sets out to explain the innovative research that he and other scientists are spearheading to create a blueprint of this connected planet.

This book presents a systematic and comprehensive attempt by legal scholars to conceptualize the theory of emergency powers, combining post-September 11 developments with more general theoretical, historical and comparative perspectives. The authors examine the interface between law and violent crises through history and across jurisdictions.

Those who exit a religion—particularly one they were born and raised in—often find themselves at sea in their efforts to transition to life beyond their community. In Degrees of Separation, Schneur Zalman Newfield, who went through this process himself, interviews seventy-four Lubavitch and Satmar ultra-Orthodox Hasidic Jews who left their communities.He presents their motivations for leaving as well as how they make sense of their experiences and their processes of exiting, detailing their attitudes and opinions regarding their religious upbringing. Newfield also examines how these exiters forge new ways of being that their upbringing had not prepared them for, while also considering what these particular individuals lose and retain in the exit process. Degrees of Separation presents a comprehensive portrait of the prolonged state of being “in-between” that characterizes transition out of a totalizing worldview. What Newfield discovers is that exiters experience both a sense of independence and a persistent connection; they are not completely dislocated from their roots once they “arrive” at their new destination. Moreover, Degrees of Separation shows that this process of transitioning identity has implications beyond religion.

Young, energetic, and determined undercover police officer Nicholas Grenier is the shining star of the Hartford Police Department. For two years Grenier infiltrated the top levels of the drug trade in New England and is preparing for the biggest bust of his career-a bust that will topple the narcotics underworld like dominoes. But the bust is almost botched and in the process Greniers cover is blown, ending his undercover narcotics career. Though he is quickly promoted to detective, he becomes increasingly depressed and angry. Fearing his career itself is coming to an end, Grenier takes a leave of absence, not planning to return. Unfortunately for Grenier, someone else has other plans for him. He calls himself The Nemesis. Having waited years for just the right detective to come forward to begin his murderous game, he draws Grenier into the investigation. With only his instincts to guide him, Grenier takes over the investigation of this uncanny killer who seems to know more about the Grenier than Grenier knows about himself. As the killer claims responsibility for three murders in the span of a week, Grenier desperately tries to find any clues that could lead him to this maniacal killer. It isnt until the detective accidentally comes across a misfiled case, that he suddenly learns that this is not the first case in which a member of his family has hunted a killer calling himself The Nemesis. The case will test the detectives mental and emotional strength as he finds himself investigating two cases, one in the present and one that occurred sixty years earlier. As the detective tries to uncover the truth, he is forced to confront family demons and will learn a horrible truth about his family and himself that will link him inexorably to the killer he is hunting.

Maps out the implications of a customer-driven business revolution that's flipping the paradigm of supply and demand, and putting consumers in charge.

A richly illustrated reconsideration of the life and work of painter Bohumil Kubista. In Degrees of Separation, scholars from the Czech Republic, Canada, Germany, and Hungary take a new approach to exploring the work of one of Central Europe's most interesting modernist painters, Bohumil Kubista. While many art historians have viewed Kubista's work solely in the context of an idealized Czech canon, Kubista did not identify with a nation-state clearly defined by ethnicity, language, or territorial reach. Taking a transnational approach that incorporates thorough topographical research, the authors attempt to redraw the map of European modernism by exploring the artist's subversive approach to the stylistic currents of his time. The book reveals the complex relationships within early twentieth-century Europe, as Kubista and other Central European artists tried to balance their admiration for the dominant artistic trends coming out of Paris with their desire to find alternative forms of expression, arising from local artistic and intellectual sources. The richly illustrated book features a wealth of documentation, including an exhaustive timeline with notes, a comprehensive inventory of Kubista's works, and an up-to-date exhibition list.