This collection of essays brings together many separate but related issues which form the focus of contemporary research into the history of dress. Historically, in Britain at least, investigations of dress were primarily informed by historical and empirical protocols, although the symbolic meaning of dress was explored by anthroplogists and sociologists, who tended to concentrate on either non-Western cultures or British or Western sub-cultures. In recent years these approaches have moved closer together partly as a result of the impact of feminism.

This original work contains pearls of wisdom about image for men and women going through career transition or just entering the workforce from a clothing and image expert who has helped thousands of people make major changes in their lives. Explains fabric, fit, what to buy when, what to wear for different types of situations and occasions and the importance of accessorizing properly. Contains a chart of laundry symbols and their meanings and a comprehensive glossary.Written for those who are changing or thinking about changing their career and life, this book is perfect for transitioning military personnel, those looking for a promotion, people who have had jobs where uniforms were dictated, recent graduates and others who want to achieve more. Readers will find easy to read sections on professional dress, business casual, casual, and formal attire for all occasions. They will also find a checklist for each type of wardrobe with sections for What to Buy Now, What to Buy Next and Optional items the reader can add as they go. Another helpful feature of the book is a two-week rotation schedule that illustrates how the reader can mix and match a small wardrobe to function like a much larger wardrobe.

Fashion is ever-changing, and while some styles mark a dramatic departure from the past, many exhibit subtle differences from year to year that are not always easily identifiable. With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an appealing and accessible guide to women's fashion across five centuries. Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers learn how garments were constructed and where their inspiration stemmed from at key points in history – as well as how dresses have varied in type, cut, detailing and popularity according to the occasion and the class, age and social status of the wearer. This new edition includes additional styles to illustrate and explain the journey between one style and another; larger images to allow closer investigation of details of dress; examples of lower and working-class, as well as middle-class, clothing; and a completely new chapter covering the 1980s to 2020. The latter demonstrates how the late 20th century and early 21st century firmly left the dress behind as a requirement, but retained it as a perennially popular choice and illustrates how far the traditional boundaries of 'the dress' have been pushed (even including reference to a newly non-binary appreciation of the garment), and the intellectual shifts in the way women's fashion is both inspired and inspires. With these new additions, How to Read a Dress, revised edition, presents a complete and up-to-date picture of 'the dress' in all its forms, across the centuries, and taking into account different sartorial and social experiences. It is the ideal tool for anyone who has ever wanted to know their cartridge pleats from their Récamier ruffles. Equipping the reader with all the information they need to 'read' a dress, this is the ultimate guide for students, researchers, and anyone interested in historical fashion.

During the nineteenth and early twentieth centuries the production of dress shifted dramatically from being predominantly hand-crafted in small quantities to machine-manufactured in bulk. The increasing democratization of appearances made new fashions more widely available, but at the same time made the need to differentiate social rank seem more pressing. In this age of empire, the coding of class, gender and race was frequently negotiated through dress in complex ways, from fashionable dress which restricted or exaggerated the female body to liberating reform dress, from self-defining black dandies to the oppressions and resistances of slave dress. Richly illustrated with over 100 images and drawing on a plethora of visual, textual and object sources, A Cultural History of Dress and Fashion in the Age of Empire presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to illustrate the diversity and cultural significance of dress and fashion in the period.

The creative evolution and versatility of the dress over the past century is showcased in 101 groundbreaking pieces by iconic fashion designers. Featuring one dress from each year since 1914, this timeline of extraordinary dresses charts the creative evolution of fashion over the past century. These experimental designs reveal the potential of the dress both as a wardrobe item and as a work of art. A multitude of top international designers are featured including Yves Saint Laurent, Chanel, Dior, Vivienne Westwood, Martin Margiela, Kenzo, Helmut Lang, Comme des Garçons, Paco Rabanne, Dolce & Gabbana, Lanvin, Thierry Mugler, Elsa Schiaparelli, Yohji Yamamoto, Alaïa, and many more. Curators at the Musée des Arts Décoratifs in Paris delved deep into their archives to select the most iconic and revolutionary dress of each year. Specially commissioned photographs are accompanied by detailed captions indicating the dress's name, brand, designer, season, and fabric or material, along with a quotation contextualizing the dress in its time. Bursting with color and full of extravagant textures, shaping, and detailing, these dresses mark the metamorphosis of culture and serve as a regenerative form of inspiration. From sequins to silk, corsets to kimonos, designers continually seek fresh and daring ways to create memorable garments and mark fashion history.

Whilst seemingly simple garments such as the tunic remained staples of the classical wardrobe, sources from the period reveal a rich variety of changing styles and attitudes to clothing across the ancient world. Covering the period 500 BCE to 800 CE and drawing on sources ranging from extant garments and architectural iconography to official edicts and literature, this volume reveals Antiquity's preoccupation with dress, which was matched by an appreciation of the processes of production rarely seen in later periods. From a courtesan's sheer faux-silk garb to the sumptuous purple dyes of an emperor's finery, clothing was as much a marker of status and personal expression as it was a site of social control and anxiety. Contemporary commentators expressed alarm in equal measure at the over-dressed, the excessively ascetic or at 'barbarian' silhouettes. Richly illustrated with 100 images, A Cultural History of Dress and Fashion in Antiquity presents an overview of the period with essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, visual representations, and literary representations.