Winner of the 2020 Gradiva Award The Psychoanalytic Zero: A Decolonizing Study of Therapeutic Dialogues is written from the unique perspective of a Western-trained Asian psychoanalyst and applies principles of Eastern philosophy to understand the psychoanalytic relationship, psychoanalytic processes, and their uses—and limitations—for alleviating human suffering. Bringing a unique Eastern perspective to a previously Western-dominated discipline and framed within the current relational and ethical trends in psychoanalysis, the book enables readers to develop a language for understanding an Eastern ethical viewpoint and explore how this language can change our awareness of psychoanalytic practice and human suffering. Chapters are devoted to the Eastern concepts of nothingness, emptiness, surrender, sincerity, silence and narrative, and issues including existential "guilt of being," trauma, contingency, informed consent, the sense of being human, and uncertainty. Discussions are illustrated and illuminated through vivid recreations and careful elaboration of therapeutic case studies with traumatized patients. The studies demonstrate the process by which patients regain a sense of being human. This enriched perspective will, it is hoped, help the analyst treat traumatized patients who are unable to relate to others, and who do not experience themselves as being human. The Psychoanalytic Zero will enrich an analyst’s sensitivity to the appearance of the moment without context—the psychoanalytic zero—which opens infinite opportunities for continued growth in a psychoanalytic relationship. It will be of great appeal to psychoanalysts and psychoanalytic psychotherapists interested in self-psychological, intersubjective, and relational theories.

Within this important and insightful book, Sally Swartz introduces readers to early entanglements of psychoanalytic theory with colonialism and how it has led to significant and long-lasting implications for psychoanalysis. Psychoanalysis and Colonialism is unique in drawing together a wide array of sources and a span of history from the beginnings of psychoanalysis to current theory and practice. The book explores ways in which Freudian theory incorporated the idea of the primitive into the centre of mapping the untamed territories of the unconscious, via notions of taming instinctual excess, civilizing the primitive and conquering and bringing order to wildness. The text describes the influences of colonialism on the thinking of Freud and Jung and goes on to describe anti-colonial voices, including Césaire and Mannoni, Memmi and Fanon, and their contribution to psychoanalytic theory. It concludes with thoughts on the challenges of decolonizing psychoanalysis. This book is an accessible account of the links between colonialism and psychoanalysis and is suitable for general readers with an interest in the topic, as well as all psychoanalytic practitioners grappling with the ways in which issues of race, class, gender and sexuality affect their ways of working and writing.

As inequality widens in all sectors of contemporary society, we must ask: is psychoanalysis too white and well-to-do to be relevant to social, economic, and racial justice struggles? Are its ideas and practices too alien for people of color? Can it help us understand why systems of oppression are so stable and how oppression becomes internalized? In A People’s Historyof Psychoanalysis: From Freud to Liberation Psychology, Daniel José Gaztambide reviews the oft-forgotten history of social justice in psychoanalysis. Starting with the work of Sigmund Freud and the first generation of left-leaning psychoanalysts, Gaztambide traces a series of interrelated psychoanalytic ideas and social justice movements that culminated in the work of Frantz Fanon, Paulo Freire, and Ignacio Martín-Baró. Through this intellectual genealogy, Gaztambide presents a psychoanalytically informed theory of race, class, and internalized oppression that resulted from the intertwined efforts of psychoanalysts and racial justice advocates over the course of generations and gave rise to liberation psychology. This book is recommended for students and scholars engaged in political activism, critical pedagogy, and clinical work.

Psychoanalysis and Deconstruction: Freud's Psychic Apparatus demonstrates the relevance of deconstructive thinking for the clinical practice of psychoanalysis. Arguing that deconstruction has been misrepresented as a form of literary theory or a philosophy of language, the book puts Derrida, Heidegger and others working in the tradition of deconstruction into dialogue with debates in the contemporary psychoanalytic field. Attempting to retrieve what was radical in Freud’s portrayal of the mind as a machine, Jared Russell stresses the importance of psychoanalysis for an understanding of the relationship between the human and its current hyper-technological environment. Interventions into contemporary debates address psychoanalytic concepts such as the nature of the clinical frame, the intersubjective dialogue, unconscious communication and the experience of time. Russell argues that deconstruction, and in particular Derrida’s work, can anticipate and help clarify ongoing developments at the cutting edge of psychoanalysis today. Psychoanalysis and Deconstruction: Freud's Psychic Apparatus will appeal not only to a philosophically informed audience but also to clinicians attempting to secure a place for psychoanalytic practice at the beginning of the twenty-first century.

What is psychoanalytic criticism and how can it be justified as a type of criticism in its own right? In this new and thoroughly revised edition of her classic textbook, Elizabeth Wright provides a cogent answer to this question and a wide-ranging introduction to psychoanalytic criticism from Freud to the present day. Since each school of psychoanalysis has its own theory of the aesthetic process, the field is complex. Adopting a critical perspective, Elizabeth Wright focuses on major figures and texts in psychoanalysis and in literary and art criticism: classical psychoanalysis; Jungian analytic psychology; objects-relations theory; French psychoanalysis; French anti-psychoanalysis; feminist psychoanalytic criticism. Across these divisions certain problems recur, problems which conceal themselves in a wide range of surprising places, from Shakespearean tragedy to performance theatre from magic realism to detective fiction, from the German Lied to Wagner. These areas are investigated with reference to rival psychoanalytic theories, while connections are traced between the aesthetic process and the psychoanalytic approach. Already established as the leading introduction to the field, this new edition of Psychoanalytic Criticism will be essential reading for students of literature and literary theory, psychoanalysis, feminism and feminist theory, cultural studies and the humanities generally.