In Iron Age Ireland, Maeve, the fierce, willful youngest daughter of King Eochu of Connacht, is caught in a web of lies after rebelling to avoid fosterage with another highborn family and an arranged marriage.

Maeve begins her royal fosterage but her new companions are full of secrets and jealousy, her only friends are an elderly lady-in-waiting and Kian, the prince who rescued her kestrel, Ea, and her future promises only household management and childbearing until someone from her past brings a message about her true love.

An unwelcome engagement, a mysterious plot that hints at treason, and a possible murder add even more excitement to sixteen-year-old Peggy Fitzroy's life as she continues to serve as both a lady-in-waiting and confidential agent to King George of England.

A collaborator with Warner Brothers and Paramount in the early days of sound film, the German film director Ernst Lubitsch (1892-1947) is famous for his sense of ironic detachment and for the eroticism he infused into such comedies as So This Is Paris and Trouble in Paradise. In a general introduction to his silent and early sound films (1914-1932) and in close readings of his comedies, Sabine Hake focuses on the visual strategies Lubitsch used to convey irony and analyzes his contribution to the rise of classical narrative cinema. Exploring Lubitsch's depiction of femininity and the influence of his early German films on his entire career, she argues that his comedies represent an important outlet for dealing with sexual and cultural differences. The readings cover The Oyster Princess, The Doll, The Mountain Cat, Passion, Deception, So This Is Paris, Monte Carlo, and Trouble in Paradise, which are interpreted as part of an underlying process of negotiation between different modes of representation, narration, and spectatorship--a process that comprises the conditions of production in two different national cinemas and the ongoing changes in film technology. Drawing attention to Lubitsch's previously neglected German films, this book presents the years until 1922 as the formative period in his career.

Find out what happens when Farloft meets the Dragon Slayer. Dragon Deception is book #3 of the continuing saga of Farloft the Dragon and his friends. In a misguided attempt to thwart a takeover of the Kingdom by the King of Baldar, Farloft and James are accused of treason. They are forced to flee their home. The two dragons, and Adrian, are pursued by three malevolent dragon hunters, but are the hunters all they seem, or is there magic involved?

In a society steeped in tradition, Princess Lia's life follows a preordained course. As First Daughter, she is expected to have the revered gift of sight, but she does not. She knows her parents are perpetrating a sham when they arrange her marriage to a prince she has never met in order to secure an alliance with a neighboring kingdom. On the morning of her wedding, Lia flees to a distant village. She settles into a new life, intrigued when two mysterious and handsome strangers arrive, and unaware that one is the jilted prince and the other an assassin sent to kill her. Deceptions swirl and Lia finds herself on the brink of unlocking perilous secrets, even as she finds herself falling in love.

The Encyclopedia of Deception examines lying from multiple perspectives drawn from the disciplines of social psychology, sociology, history, business, political science, cultural anthropology, moral philosophy, theology, law, family studies, evolutionary biology, philosophy, and more. From the “little white lie,” to lying on a resume, to the grandiose lies of presidents, this two-volume reference explores the phenomenon of lying in a multidisciplinary context to elucidate this common aspect of our daily lives. Not only a cultural phenomenon historically, lying is a frequent occurrence in our everyday lives. Research shows that we are likely to lie or intentionally deceive others several times a day or in one out of every four conversations that lasts more than 10 minutes. Key Features: More than 360 authored by key figures in the field are organized A-to-Z in two volumes, which are available in both print and electronic formats. Entries are written in a clear and accessible style that invites readers to explore and reflect on the use of lying and self-deception. Each article concludes with cross references to related entries and further readings. This academic, multi-author reference work will serve as a general, non-technical resource for students and researchers within social and behavioral science programs who seek to better understand the historical role of lying and how it is employed in modern society.