Death the Door, Music a Key is an invitation to join a journey that is not always easy, but might just alter the way you think about how you live your life. The journey begins in the fragile moments just before life ends, as we sit beside the deathbed and seek to understand this sacred process through the eyes of a harpist. This book of stories tells of ordinary people in the midst of extraordinary moments: people experiencing grief, loss and the anticipation of death. For the most part, however, it is the story of the author, who followed a calling to sit with the dying and share her music. It paints a picture of the work that I do as a harpist who plays intuitive music at the bedside, the restorative qualities of the harp, and the gift that it brings many. It is my hope that through telling these stories, not only will the lives of those who I have played for be honoured, but also their death. It is my hope that their story will serve as a reminder to others that this experience does not have to be frightening, though it requires acceptance, and acceptance requires courage.This acceptance of death can be rarely found, and when it is, it is unmistakable, for their peace seems to permeate everything and everyone around them.

Death the Door, Music a Key is an invitation to join a journey that is not always easy, but might just alter the way you think about how you live your life. The journey begins in the fragile moments just before life ends, as we sit beside the deathbed and seek to understand this sacred process through the eyes of a harpist. This book of stories tells of ordinary people in the midst of extraordinary moments: people experiencing grief, loss and the anticipation of death. For the most part, however, it is the story of the author, who followed a calling to sit with the dying and share her music.""I.

Secrets of God's Power Revealed God confirmed Smith Wigglesworth’s ministry through powerful signs and wonders. These included the restoration of hearing and sight, the creative formation of missing limbs, the disappearance of cancerous growths, the recovery of mental wholeness by the violently insane, and the raising of several people from the dead. What changed an ordinary plumber, who suffered from stage fright, into one of the most compelling healing evangelists of the twentieth century? Author Peter Madden unfolds specific keys from the life and ministry of Smith Wigglesworth that will enable you to understand God’s ways and take your life from ordinary to extraordinary. You, too, can... See the “incurable” healed. Find purpose for your life. Receive God's favor and blessings. Be led by the Holy Spirit. Deal with evil powers. Have freedom from fear Experience His love and joy. Jesus wants us to understand and use the power of the Spirit, because He said: “He who believes in Me, the works that I do he will do also; and greater works than these he will do” (John 14:12).

This is the first comprehensive historical analysis of how black music and musicians have been represented in the fiction of African American writers. It also examines how music and musicians in fiction have exemplified the sensibilities of African Americans and provided paradigms for an African American literary tradition. The fictional representation of African American music by black authors is traced from the nineteenth century (William Wells Brown, Martin Delany, Pauline E. Hopkins, Paul Laurence Dunbar) through the early twentieth century and the Harlem Renaissance (James Weldon Johnson, Langston Hughes, Claude McKay, Zora Neale Hurston) to the 1940s and 50s (Richard Wright, Ann Petry, James Baldwin, Ralph Ellison) and the 1960s and the Black Arts Movement (Margaret Walker, William Melvin Kelley, Leroi Jones/Amiri Baraka, Henry Dumas). In the century between Brown and Baraka, the representation of music in black fiction went through a dramatic metamorphosis. Music occupied a representative role in African American culture from which writers drew ideas and inspiration. The music provided a way out of a limited situation by offering a viable option to the strictures of racism. Individuals who overcome these limitations then become role models in the struggle toward equality. African American musical forms-for both artist and audience-also offerd a way of looking at the world, survival, and resistance. The black musician became a ritual leader. This study delineates how black writers have captured the spirit of the music that played such a pivotal role in African American culture. (Ph.D. dissertation, State University of New York at Stony Brook, 1993; revised with new preface and index)