Can Helena solve the mystery of a murder in the family that has festered for over two generations? In 1925 the beautiful, bohemian Diana Pollexfen was celebrating her thirtieth birthday with a party at a country estate, but the celebrations soured when her husband died, poisoned by a cocktail that had been liberally laced with some of Diana's photographic chemicals. Sixty years later, Diana's grand-niece, Helena, is also turning thirty, but with rather less fanfare. An overworked attorney in London, Helena's primary social outlet is an obsessive love affair. By way of distraction, Helena starts looking through her great-aunt's papers and soon develops another obsession: Determining just who killed George Pollexfen in that lovely, sunlit garden between the wars. Praise for Elizabeth Ironside ‘Excellent local colour and culture, good adventure and an admirable denouement’ Marcel Berlins ‘She joins those few mystery writers you unreservedly look forward to reading ... a thoroughly satisfying psychological thriller’ Harriet Waugh, Spectator ‘A fine, stylish book to be savoured’ James Melville ‘Superbly handled ... a masterly example of classic crime fiction’ Birmingham Post ‘A spell-binding story of love, murder and deception’ Coventry Evening Telegraph ‘Enticing murder mystery’ Manchester Evening News

“Readers who enjoy plants and offbeat tales will find Brown’s book a happy mix” (Publishers Weekly). Mankind has always had a morbid fascination with poisonous plants. Over the centuries, poisonous plants have been used to remove garden pests—as well as unwanted rivals and deceitful partners. They have also been used for their medicinal qualities, as rather dangerous cosmetics, and even to help seduce a lover when perceived as an aphrodisiac. Some of these and other uses originate in a medieval book that has not yet been translated into English. This book delves into the history of these plants, covering such topics as: How shamans and priests used these plants for their magical attributes, as a means to foretell the future or to commune with the gods How a pot of basil helped to conceal a savage murder The truth about the mysterious mandrake A conundrum written by Jane Austen to entertain her family—the answer to which is one of the plants in this book These stories and many more will enlighten you on these treacherous and peculiar plants, their defensive and deadly traits, the facts behind them, and the folklore that has grown around them.

Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize ÒVincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The ReaperÕs Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.ÓÑIra Berlin From the author of TackyÕs Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The ReaperÕs Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in AmericaÑand a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in JamaicaÑbelonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, Òmortuary politicsÓ played a consequential role in determining the course of history. Insightful and powerfully affecting, The ReaperÕs Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.

Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and gardens, to show how the two subjects are intertwined and used in various media and cultural contexts. Using cultural, literary, film, and art history theories, the contributors analyze various death and garden sceneries in literary works by Arthur Machen, Agatha Christie, J.K. Rowling, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's “Little Sparta,” the poetic verses from the Karoo Desert National Botanical Garden in South Africa, and the Australian wilderness.

La 4e de couverture indique : "In this book, Chris W. Lee provides a text-critical analysis of the divine death warning in Genesis 2:16-17 in its original context and traces the history of its reception and interpretation within biblical and non-biblical Second Temple Jewish Literature"

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.