"Irresistible... a Golden Age homage, an elegantly constructed mystery that on every page reinforces the message that everyone counts." –New York Times Book Review AGATHA AWARD WINNER! Recommended by New York Times Book Review • Wall Street Journal • Parade • Country Living • Chicago Tribune • South Florida Sun-Sentinel • The Free-Lance Star • St. Louis Post-Dispatch • CrimeReads • Nerd Daily • Red Carpet Crash • and many more! From the award-winning author of The Day I Died and The Lucky One, a captivating suspense novel about nurses during World War II who come to Agatha Christie’s holiday estate to care for evacuated children, but when a body is discovered nearby, the idyllic setting becomes host to a deadly mystery. Bridey Kelly has come to Greenway House—the beloved holiday home of Agatha Christie—in disgrace. A terrible mistake at St. Prisca’s Hospital in London has led to her dismissal as a nurse trainee, and her only chance for redemption is a position in the countryside caring for children evacuated to safety from the Blitz. Greenway is a beautiful home full of riddles: wondrous curios not to be touched, restrictions on rooms not to be entered, and a generous library, filled with books about murder. The biggest mystery might be the other nurse, Gigi, who is like no one Bridey has ever met. Chasing ten young children through the winding paths of the estate grounds might have soothed Bridey’s anxieties and grief—if Greenway were not situated so near the English Channel and the rising aggressions of the war. When a body washes ashore near the estate, Bridey is horrified to realize this is not a victim of war, but of a brutal killing. As the local villagers look among themselves, Bridey and Gigi discover they each harbor dangerous secrets about what has led them to Greenway. With a mystery writer’s home as their unsettling backdrop, the young women must unravel the truth before their safe haven becomes a place of death . . .

From the award-winning author of Little Pretty Things comes this gripping, unforgettable tale of a mother's desperate search for a lost boy. Anna Winger can know people better than they know themselves with only a glance—at their handwriting. Hired out by companies wanting to land trustworthy employees and by the lovelorn hoping to find happiness, Anna likes to keep the real-life mess of other people at arm’s length and on paper. But when she is called to use her expertise on a note left behind at a murder scene in the small town she and her son have recently moved to, the crime gets under Anna’s skin and rips open her narrow life for all to see. To save her son—and herself—once and for all, Anna will face her every fear, her every mistake, and the past she thought she'd rewritten.

“This might well be my favorite Rader-Day so far: a brilliant premise intriguingly developed, totally believable characters and a climax that took my breath away.” — Ann Cleeves, New York Times bestselling author of The Shetland and Vera Series From the author of the Edgar Award®-nominated Under A Dark Sky comes an unforgettable, chilling novel about a young woman who recognizes the man who kidnapped her as a child, setting off a search for justice, and into danger. Most people who go missing are never found. But Alice was the lucky one... As a child, Alice was stolen from her backyard in a tiny Indiana community, but against the odds, her policeman father tracked her down within twenty-four hours and rescued her from harm. In the aftermath of the crime, her family decided to move to Chicago and close the door on that horrible day. Yet Alice hasn’t forgotten. She devotes her spare time volunteering for a website called The Doe Pages scrolling through pages upon pages of unidentified people, searching for clues that could help reunite families with their missing loved ones. When a face appears on Alice’s screen that she recognizes, she’s stunned to realize it’s the same man who kidnapped her decades ago. The post is deleted as quickly as it appeared, leaving Alice with more questions than answers. Embarking on a search for the truth, she enlists the help of friends from The Doe Pages to connect the dots and find her kidnapper before he hurts someone else. Then Alice crosses paths with Merrily Cruz, another woman who’s been hunting for answers of her own. Together, they begin to unravel a dark, painful web of lies that will change what they thought they knew—and could cost them everything. Twisting and compulsively readable, The Lucky One explores the lies we tell ourselves to feel safe.

Mary Higgins Clark Award Winner! OLD RIVALRIES NEVER DIE. BUT SOME RIVALS DO. Juliet Townsend is used to losing. Back in high school, she lost every track team race to her best friend, Madeleine Bell. Ten years later, she’s still running behind, stuck in a dead-end job cleaning rooms at the Mid-Night Inn, a one-star motel that attracts only the cheap or the desperate. But what life won’t provide, Juliet takes. Then one night, Maddy checks in. Well-dressed, flashing a huge diamond ring, and as beautiful as ever, Maddy has it all. By the next morning, though, Juliet is no longer jealous of Maddy—she’s the chief suspect in her murder. To protect herself, Juliet investigates the circumstances of her friend’s death. But what she learns about Maddy’s life might cost Juliet everything she didn’t realize she had. From the Trade Paperback edition.

For Chicago sociology professor Amelia Emmet, violence was a research topic--until a student she'd never met shot her. He also shot himself. Now he's dead and she's back on campus, trying to keep up with her class schedule, a growing problem with painkillers, and a question she can't let go: Why? All she wants is for life to get back to normal, but normal is looking hard to come by. She's thirty-eight and hobbles with a cane. Her first student interaction ends in tears (hers). Her fellow faculty members seem uncomfortable with her, and her ex--whom she may or may not still love--has moved on. Enter Nathaniel Barber, a graduate student obsessed with Chicago's violent history. Nath is a serious scholar, but also a serious mess about his first heartbreak, his mother's death, and his father's disapproval. Assigned as Amelia's teaching assistant, Nath also takes on the investigative legwork that Amelia can't do. And meanwhile, he's hoping she'll approve his dissertation topic, the reason he came to grad school in the first place: the student attack on Amelia Emmet. Together and at cross-purposes, Amelia and Nathaniel stumble toward a truth that will explain the attack and take them both through the darkest hours of their lives. From the Trade Paperback edition.

This homage to Edgar Allan Poe and his masterful short story, "The Masque of the Red Death", definitely has all the imagery down pat! From the ravens, to the ruined castle, to the utterly macabre animated corpses, to the addled Professor Fichtenburg, the visuals are strong and eminently suited to the genre. It is very easy to imagine the Gothic and often grotesque scenes. Likewise, the action scenes are fast-paced, clear, and full of lively energy. The conflicts set up in the story make for a solid story framework. The plot progresses quite smoothly with each of these conflicts and builds, the tone and characterization are clear-and the dialogue is terrific! The overall pacing of the plot is consistent, smooth, and nicely developed. The structure is typical for the Gothic horror genre. The plot progression is linear, and the chapters move forward in a logical way. The opening is engaging and introduces Ravenword in an appealing way. The juxtaposition of the modern dialogue and characters with the old-fashioned Gothic castle setting is particularly satisfying. The first few chapters provide the reader with all the need-to-know information about the characters, conflict, and premise. The ending offers effective closure and resolution. The story is written in third-person omniscient point of view. We learn, view, hear, and understand everything as the Ravenword characters do. This sets up the feeling of suspense very well, as the reader is just as baffled as Ravenword by the strange goings-on and, like them, wants to uncover the mystery. The characters are described and developed consistently, and each character has a purpose in the plot. Characters are consistent, well-developed, and effective throughout. Parson is funny, strong-willed, and emotional. He delivers the most biting (and humorous) insults, but he retains a high likability factor. Agnot, too, is a well-drawn, strong character, one who is easily visualized right from the beginning. Both Billy and Grayson are mysteriously presented (pleasingly so). The dialogue itself is great. It offers a nice distinction, in its slang and modernity, from the prose of the narrative. As mentioned before, the reader will enjoy the juxtaposition of this modern-sounding dialogue and characters with the Gothic setting.

* 2022 Young Lions Fiction Award, Winner. * A BookBrowse "20 Best Books of 2022" * VCU Cabell First Novelist Award, Longlist. * An ABA "Indie Next List" pick for November 2021. * "A Best Book of 2021" —New York Public Library, Cosmopolitan, Independent Book Review * "October 2021 Must-Reads" —Debutiful, The Chicago Review of Books, The Millions In 1913, a Russian ballet incited a riot in Paris at the new Théâtre de Champs-Elysées. “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.” A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians. I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent, who climbs atop a burned-out police bus at Independence Square and plays the piano. As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history. While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy. "Kalani Pickhart's timely debut novel, I Will Die In a Foreign Land, is about the 2014 Ukrainian revolution which provided a pretense for Russia to annex Crimea. The story follows the experiences of several characters whose lives intersect as the country's political situation deteriorates. There's a Ukrainian-American doctor, an old KGB spy, a former mine worker, and others, and these episodes are interspersed with folk songs, news reports and historical notes. The effect—kaleidoscopic but never confusing—provides an intimate sense of a country convulsing, mourning, and somehow surviving." —CBS News, "The Book Report: Recommendations from Washington Post critic Ron Charles" (Watch the full video on CBS News, February 6, 2022).