Successfully produced in London and New York. Dear Octopus is the family from which none of its members are either able or quite willing to escape. And on the occasion of a golden wedding anniversary the children and grandchildren gather to reminisce and acquaint each other more fully with their activities. The life of this English family is shown in terms of the chatter of the youngsters, the careers and nursery memories of the middle-aged and the sense of the swift passing of the years, the sweetness of an old nurse, the minor frictions and abiding loyalty of brothers and sisters, the feast-day toast and the benevolent tyranny of the grandmother, Woven throughout the proceedings is a love story between fenny, companion to Mrs. Randolph, and Nicholas Randolph.

In California, Agnes, a giant Pacific octopus, pens a series of postcards to strangers from both above and below the pier.

Poetry. Asian American Studies. "Jenny Zhang's poems broadcast themselves with a surrealist anxiety. 'Can't I be my own dream?' she asks. The answer is always yes and always no. With dizzying energy and intelligence, Zhang forages through familial, global, and even anatomical configurations vainly outlining an identity that manifests only to shift and move restlessly on. This book brings to mind a 21st century Whitman, only female, Chinese, and profoundly scatological." Elizabeth Robinson"

A sharp and entertaining essay collection about the importance of multiple forms of love and friendship in a world designed for couples, from a laser-precise new voice. Sometimes it seems like there are two American creeds, self-reliance and marriage, and neither of them is mine. I experience myself as someone formed and sustained by others' love and patience, by student loans and stipends, by the kindness of strangers. Briallen Hopper's Hard to Love honors the categories of loves and relationships beyond marriage, the ones that are often treated as invisible or seen as secondary--friendships, kinship with adult siblings, care teams that form in times of illness, or various alternative family formations. She also values difficult and amorphous loves like loving a challenging job or inanimate objects that can't love you back. She draws from personal experience, sharing stories about her loving but combative family, the fiercely independent Emerson scholar who pushed her away, and the friends who have become her invented or found family; pop culture touchstones like the Women's March, John Green's The Fault in Our Stars, and the timeless series Cheers; and the work of writers like Joan Didion, Gwendolyn Brooks, Flannery O'Connor, and Herman Melville (Moby-Dick like you've never seen it!). Hard to Love pays homage and attention to unlikely friends and lovers both real and fictional. It is a series of love letters to the meaningful, if underappreciated, forms of intimacy and community that are tricky, tangled, and tough, but ultimately sustaining.

New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.