From award-winning author Daniel Fox comes a ravishingly written epic of revolution and romance set in a world where magic is found in stone and in water, in dragons and in men–and in the chains that bind them. Deposed by a vicious usurper, a young emperor flees with his court to the small island of Taishu. There, with a dwindling army, a manipulative mother, and a resentful population–and his only friend a local fishergirl he takes as a concubine–he prepares for his last stand. In the mountains of Taishu, a young miner finds a huge piece of jade, the potent mineral whose ingestion can gift the emperor with superhuman attributes. Setting out to deliver the stone to the embattled emperor, Yu Shan finds himself changing into something more than human, something forbidden. Meanwhile, a great dragon lies beneath the strait that separates Taishu from the mainland, bound by chains that must be constantly renewed by the magic of a community of monks. When the monks are slaughtered by a willful pirate captain, a maimed slave assumes the terrible burden of keeping the dragon subdued. If he should fail, if she should rise free, the result will be slaughter on an unimaginable scale. Now the prisoner beneath the sea and the men and women above it will shatter old bonds of loyalty and love and forge a common destiny from the ruins of an empire.

A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminismThis collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works from established classics to recent films and novels from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity.Key FeaturesRevitalises the long-running debate about women, the Gothic and identityEngages with the political agendas of feminism and post-feminismPrioritises the concerns of woman as reader, author and criticOffers fresh readings of both classic and recent Gothic works