Dead Boys Can't Dance is a ground-breaking exploration of the double taboos of homosexuality and suicide and their effect on males from fourteen to twenty-five. North American society has been reluctant to recognize that there is a link between the social stigmatization of homosexuality and the high level of suicide attempts by adolescent boys who are homosexual or are identified as homosexual by their peers. By examining first-person accounts from teenage boys and young men, Michel Dorais and Simon Louis Lajeunesse shed light on why some of them attempt to take their own lives. Dorais and Lajeunesse analyse the adverse ways being stigmatized as homosexual affects personality and behaviour, discerning four types of reaction: the 'good boy', whose perfectionism and asexuality are an attempt to minimize the difference between how he is perceived and what he is supposed to be; the 'chameleon', who attempts to keep everyone from suspecting his secret but constantly feels like an impostor; the 'designated fag', who serves as a scapegoat to his peers, especially at school, and suffers a consequent rejection and lack of self-esteem; and the 'rebel', who actively rejects any stigma based on his sexual orientation and non-conformity .They show that those who are heterosexual but suspected of being homosexual are most at risk of suicide and they make recommendations for suicide prevention.

Dorais and Lajeunesse analyse the adverse ways being stigmatized as homosexual affects personality and behaviour, discerning four types of reaction: the 'perfect boy,' whose perfectionism and asexuality are an attempt to minimize the difference between how he is perceived and what he is supposed to be; the 'chameleon,' who attempts to keep everyone from suspecting his secret but constantly feels like an impostor; the 'token fag,' who serves as a scapegoat to his peers, especially at school, and suffers a consequent rejection and lack of self-esteem; and the 'rebel,' who actively rejects any stigma based on his sexual orientation and non-conformity. They show that those who are heterosexual but suspected of being homosexual are most at risk of suicide and make recommendations for suicide prevention.

Don't Tell examines the effects of sexual abuse on the emotional and sexual life of men, including their sense of self and their personal relationships. Using the first-hand accounts of victims Dorais shows that certain reactions are specific to male victims of abuse as they attempt to preserve a sense of physical integrity and masculinity. He also provides innovative strategies for both prevention and treatment that will be of use to those who have suffered abuse as well as to their families and all those who are trying to help them - spouses, friends, social workers, and therapists.

THE ACCLAIMED SEQUEL TO THE CHOSEN In desperation, the Ruling Lord Suth searches within the sacred walls of Osrakum for Carnelian, his son, and Osidian, the God Emperor elect. He suspects the Empress Ykoriana is behind their disappearance and knows that if they are not found soon it is her other son, Osidian's brother Molochite, who will rule - with fearful consequences for the Three Lands. Captive of the tribes of the Earthsky, Carnelian is - for the moment - safe, and succumbs readily to the seasonal rhythms of tribal life, he is convinced by unexpected discoveries that it is fate that has bought him there.He grows to love these simple people and hopes for sanctuary among them. But the dark forces Carnelian helped unleash in Osrakum begin to cast their shadow over his adopted home. He is witness to the awful oppression that the Masters - whom the tribesmen call the Standing Dead - have been inflicting on them for millennia. But even more terrible is the presence Carnelian has unwittingly brought with him. Potent and terrifying, it threatens everything he now holds dear in this new-found world. With The Standing Dead, Ricardo Pinto gives us a tumultuous new chapter in the Stone Dance of the Chameleon trilogy and confirms his place as one of fantasy's most singular and literate voices.