Opening an old-fashioned five-and-dime shop in her small Missouri hometown has been a great change for Devereaux “Dev” Sinclair. But when she hosts a reading group there, she learns that bad writing can mean life or death. To keep her new business in the black, Dev opens up her shop to local clubs. But in the first meeting of the Stepping Out Book Club, the speaker storms out after members attack his poetry’s sexism and scorn for small towns. Later that night, the poet’s body is found outside Dev’s store. Dev can’t afford for the murder to close her down, so she does a little stepping out of her own to investigate, with help from her two sexy suitors, Dr. Noah Underwood and Deputy U.S. Marshal Jake Del Vecchio. But when the killer threatens Dev, they will have to use every trick in the book to solve the case before she becomes the final chapter in this murder mystery.… Includes a sneak peek at the next Scumble River Mystery!

A teenaged murder victim speaks from her afterlife.

Opening an old-fashioned five-and-dime shop in her small Missouri hometown has been a great change for Devereaux “Dev” Sinclair. But when she hosts a reading group there, she learns that bad writing can mean life or death. To keep her new business in the black, Dev opens up her shop to local clubs. But in the first meeting of the Stepping Out Book Club, the speaker storms out after members attack his poetry’s sexism and scorn for small towns. Later that night, the poet’s body is found outside Dev’s store. Dev can’t afford for the murder to close her down, so she does a little stepping out of her own to investigate, with help from her two sexy suitors, Dr. Noah Underwood and Deputy U.S. Marshal Jake Del Vecchio. But when the killer threatens Dev, they will have to use every trick in the book to solve the case before she becomes the final chapter in this murder mystery.… Includes a sneak peek at the next Scumble River Mystery!

A literary mix tape that explores the entwined boundaries between sound, material culture, landscape and esoteric belief. Trees rigged up to the wireless radio heavens. A fax machine used to decode the language of hurricanes. A broadcast ghost that hijacked a television station to terrorize a city. A failed computer factory in the desert with a slap-back echo resounding into ruin. In High Static, Dead Lines, media historian and artist Kristen Gallerneaux weaves a literary mix tape that explores the entwined boundaries between sound, material culture, landscape, and esoteric belief. Essays and fictocritical interludes are arranged to evoke a network of ley lines for the “sonic spectre” to travel through—a hypothetical presence that manifests itself as an invisible layer of noise alongside the conventional histories of technological artifacts. The objects and stories within span from the mid-nineteenth century to the present day, touching upon military, communications, and cultural history. A connective thread is the recurring presence of sound—audible, self-generative, and remembered—charting the contentious sonic histories of paranormal culture.

This digital edition of DEAD LINES includes a new foreword by David Niall Wilson, as well as an Author's Foreword by Criag Spector, and an Afterword by John Skipp. DEAD LINES is about a young writer/artist type, Jack Rowan, in NYC, whose career never took off. Hs life is in the toilet. He's broken up with his girlfriend and crashing on the couch of his more successful photographer friend, Glen's, loft while Glen is off in LA on a shoot. In the first chapter, Jack finishes his manuscript — a collection of short stories titled NIghtmare NYC — swigs off a bottle of vodka, then boxes the manuscript up, writes DO NOT OPEN UNTIL DOOMSDAY on it, and hides it in a crawlspace in his friend's apartment. Then he walks up a ladder he set up in the living room, puts the rope he knotted to a steam pipe around his neck/ He takes one last swig off the bottle, looks at a photo in his hand of himself and a woman, says, look what you made me do. Then he tosses the bottle and pitches off the ladder. The rope goes taut. Jack's neck snaps as he pinwheels around in mid-air, knocking over the ladder, swinging wildly as he hangs himself. Finally he goes still. His body hangs there for weeks, visible thru the fourth floor windows of the loft… if anyone was looking, which no one is. He remains there until Glen gets back. Glenn freaks out and promptly moves out. The loft is renovated for new tenants — a couple of girls who don't know each other move in. One, Meryl, is from a wealthy family in Boston and trying to escape her overbearing father by going to college at NYU; the other, Katie, is a waitress who used to know Glenn… and Jack. Meryl convinces Katie to pretend to be her roommate to get Meryl's father off her back. At first Katie says no thanks, but then she goes back to her Svengali-esque boyfriend Colin's apartment (where she lives) and finds him in bed with two girls — customers, as Colin is a low level drug dealer and all around scumbag. They fight. Katie shows back up on Meryl's doorstep that night and takes her up on the offer. Meryl is surprised…. she wasn't expecting a roommate for real — but Katie has no place to go, she Meryl lets her crash there. They start to become friends. One night while Meryl is fixing up her room, she finds the box containing Jack's lost manuscript. She starts to read the stories and becomes intrigued with this 'mystery' writer and his dark, brooding, moody vision of the city. What neither Meryl nor Katie realize, is that Jack's soul, upon the moment of his death, literally imploded into the atomic substructure of the apartment — frozen, in a kind of tormented limbo, forever. Until Meryl starts reading his stories… and the sheer energy of her reading his words in bed each night, and fantasizing about him, starts to bring him back. His soul coalesces; bit by bit, awareness and consiousness returns. Suddenly, he's back, and he's Jack — but he's dead, a presence haunting the loft, which is his prison now. But Meryl keeps reading, drawn deeper into his world each night. By day she searches for him in bookstores — but his work has never been published. She see echoes of his images on the streets of the city. She can feel his presence thru his stories. Her nightly fantasies become dreams… and the power of her dreams allows Jack to visit her, succubus-like, a night lover in spirit.

This thought-provoking companion to Nikki Grimes’ Coretta Scott King Award-winning Bronx Masquerade shows the capacity poetry has to express ideas and feelings, and connect us with ourselves and others. Darrian dreams of writing for the New York Times. To hone his skills and learn more about the power of words, he enrolls in Mr. Ward’s class, known for its open-mic poetry readings and boys vs. girls poetry slam. Everyone in class has something important to say, and in sharing their poetry, they learn that they all face challenges and have a story to tell—whether it’s about health problems, aging out of foster care, being bullied for religious beliefs, or having to take on too much responsibility because of an addicted parent. As Darrian and his classmates get to know one another through poetry, they bond over the shared experiences and truth that emerge from their writing, despite their private struggles and outward differences.

From Anthony and Agatha Award-winning author Elaine Viets—the thrilling mystery series about one woman trying to make a living... while other people are making a killing. Helen Hawthorne is still on the run because of her refusal to pay her worthless ex-husband alimony. But a girl’s gotta eat...and pay rent, utilities, etc. So she’s taken a cash-paying job at Fort Lauderdale’s own Page Turners bookstore. And while the job is decent enough, the owner of the store is anything but. Page Turner III is a boor with more money than brains: he’s cheating on his wife while running his family business into the ground and has a list of enemies longer than any bestseller. So when he turns up dead, no one is too surprised. What is surprising is where—in the bed of Helen’s glamorous gal pal Peggy, whose usual bedmates are more cultured, refined...and still breathing. Worse still, it turns out that Peggy once had a tryst with the late Mr. Turner that ended quite badly, with a scorned Peggy promising the lothario payback—and someone is making it look like she finally collected. With Peggy as the prime suspect in a murder, it’s up to Helen to prove her friend innocent before the police throw the book at her...