De Quincey's Gothic Masquerade is what has long been needed, a study of Thomas De Quincey's Gothic and Gothic-related texts by a Germanist working on Gothic and specializing in Anglo-German literary relations. Variously identified as Gothic Hero, Gothic Parasite, and author of a Gothick sport, De Quincey is the dark horse of Gothicism, for while his work has, increasingly, been associated with Gothic, not one of the recent companions to Gothic so much as mentions his name. Definitions of what is meant by 'Gothic' have changed, of course, and are still evolving, claiming more territory all the time, but Gothic specialists also have their blind spots, of whom De Quincey is one. One reason for this state of affairs will be the fact that in his work the Gothic is interwoven with the German, to which modern English studies all too often turn a blind eye. In this timely study of his work in relation to Gothic convention the author addresses the question of De Quincey's reputed knowledge of German 'Gothic' Romantic literature and the related question of supposed German influences on his Gothic work, and shows that his fiction is not less but more original than has been thought. The texts examined are those on which, for better or worse, his reputation as a writer both of autobiography and of fiction depends. Focusing on the Gothic takes one to the heart of his literary masquerade, and more especially to the heart of his masked autobiographical enterprise. Gothic, because of its formulaic nature, represents a place where he belongs, a place where his sense of guilt can be seen as part of a wider pattern, thus countering his pariah self-image and enabling him to make some sort of sense of the Gothic ruin of his life. Addressed to all who are interested in De Quincey's work and its place in literary history, and to the many readers in the English and German-speaking worlds who share De Quincey's and the author's enthusiasm for Gothic, this book adds considerably to the scope of De Quincey studies, which it enables to move on from some of the main unanswered questions of the past.

The volume brings together ten of the top De Quincey scholars in the world, and engages directly with the immense amount of new information to be published on De Quincey in the past two decades.

The first full-length study of the main German contributors to the Gothic canon, to each of whom a chapter is devoted, The German Gothic Novel in Anglo-German Perspective is an original historical and comparative study that goes well beyond the necessary review of the evidence to include much new material, many new insights and pieces of analysis, and some fundamental changes of perspective. The book aims to put the record straight in bibliographical and literary historical terms, and to act as a reference guide to facilitate future research, so that anyone working on the German Gothic novel or on Anglo-German interactions in the field of Gothic, will find there references to all the relevant secondary literature. The German Gothic Novel in Anglo-German Perspective is addressed to Germanists, but also to teachers and students of English, American and comparative literature, for there is at present hardly a ‘hotter’ subject than Gothic. The book’s emphasis on the Gothic work of canonical writers should prompt even conservative German Departments to reconsider their attitude to Gothic. Being addressed to scholars and students of German, German quotations are given in German, but English translations are added for the convenience of English and American scholars and students of Gothic, who represent another important section of the books’ target audience.

This book examines Thomas De Quincey's notion of the unconscious in the light of modern cognitive science and nineteenth-century science. It challenges Freudian theories as the default methodology in order to understand De Quincey's oeuvre and the unconscious in literature more generally.

The Encylopedia of the Gothic features a series of newly-commissioned essays from experts in Gothic studies that cover all aspects of the Gothic as it is currently taught and researched, along with the development of the genre and its impact on contemporary culture. Comprises over 200 newly commissioned entries written by a stellar cast of over 130 experts in the field Arranged in A-Z format across two fully cross-referenced volumes Represents the definitive reference guide to all aspects of the Gothic Provides comprehensive coverage of relevant authors, national traditions, critical developments, and notable texts that define, shape, and inform the genre Extends beyond a purely literary analysis to explore Gothic elements of film, music, drama, art, and architecture. Explores the development of the genre and its impact on contemporary culture

Provides an extensive chronology and an introduction which explains the nature of Gothic and shows how it has evolved. Includes entries on major writers, and works of geographical variants like Irish, Scottish or Russian Gothic and Female Gothic, Queer Gothic and Science Fiction.

In den Jahren nach den Napoleonischen Kriegen gewann der in Bremen geborene John Henry Bohte (1784–1824) als Buchverkäufer und Verleger mit einem in London angesiedelten Import/Export-Geschäft und einer Präsenz in Leipzig schnell an Ansehen. Anfang 1813 eröffnete Bohte als noch Zwanzigjähriger seinen Laden in der York Street, Covent Garden. Er spezialisierte sich auf den Import deutscher Bücher und deutscher Ausgaben der griechischen und römischen Klassiker, vereinigte sein Einzelhandelsgeschäft aber schnell mit der „Deutschen Lesebibliothek“. Anfang 1820 wurde er als „Ausländischer Buchhändler seiner Majestät, dem König“ mit einem „Royal Warrant“, dem Hoflieferantenstatus, ausgezeichnet. Das Portfolio der Produkte und Dienstleistungen von Bohtes Geschäft umfasste nicht nur den Import deutscher Bücher, sondern auch ein ambitioniertes Verlagsprogramm für die Bereiche der deutschen und englischen Literatur, der klassischen Philologie und Naturgeschichte. Bohtes regelmäßige und lange Reisen nach Deutschland zur Leipziger Buchmesse reflektierten seine Ambition, zudem einer der Hauptexporteure englischer Bücher für den Kontinent zu werden. In den Worten eines anonymen Rezensenten wurde Bohte als „der temperamentvollste und nützlichste Buchverkäufer“ betrachtet. Trotz seines frühen Todes im Alter von 40 Jahren in London im Jahr 1824 hinterließ er wichtige Nachlässe sowohl in London als auch in Leipzig. In seiner Biografie von J. H. Bohte, "An Ocean of Literature", nutzt Graham Jefcoate eine umfangreiche Auswahl von Materialien aus Sammlungen in Großbritannien, Deutschland und weiteren Ländern, um die Rolle des Buchhandels im Laufe des deutsch-britischen Austauschs des frühen 19. Jahrhunderts zu veranschaulichen. ****** In the years following the Napoleonic Wars, the Bremen-born John Henry Bohte (1784-1824) quite rapidly acquired a reputation as a bookseller and publisher, with an import/export business based in London and also a presence in Leipzig. Bohte opened his shop in York Street, Covent Garden, in early 1813, while still in his twenties. He specialised in importing German books and German editions of the Greek and Roman classics, but soon combined his retail business with a German circulating library, the “Deutsche Lesebibliothek”. In early 1820, he was awarded a Royal Warrant as “Foreign Bookseller to His Majesty the King”. The portfolio of products and services offered by Bohte’s business included not just the importation of German books, but also an ambitious publishing programme in the fields of German and English literature, classical philology and natural history. Bohte’s regular and prolonged trips to Germany to attend the Leipzig Easter Book Fairs reflected his ambition to become a major exporter of English books to the continent too. In the words of one anonymous reviewer, Bohte was considered “a most spirited and most useful bookseller”. Although he died suddenly in London in 1824, aged only forty, he left an important legacy in both London and Leipzig. In his biography of J. H. Bohte, An Ocean of Literature, Graham Jefcoate has used a wide range of materials from collections in Britain, Germany and elsewhere to illuminate the role of the book trade in the process of Anglo-German exchange in the early nineteenth century.