In her role as devoted wife, the Hindu goddess Parvati is the divine embodiment of viraha, the agony of separation from one's beloved, a form of love that is also intense suffering. These contradictory emotions reflect the overlapping dissolutions of love, family, and mental health explored by Sarah Pinto in this visceral ethnography. Daughters of Parvati centers on the lives of women in different settings of psychiatric care in northern India, particularly the contrasting environments of a private mental health clinic and a wing of a government hospital. Through an anthropological consideration of modern medicine in a nonwestern setting, Pinto challenges the dominant framework for addressing crises such as long-term involuntary commitment, poor treatment in homes, scarcity of licensed practitioners, heavy use of pharmaceuticals, and the ways psychiatry may reproduce constraining social conditions. Inflected by the author's own experience of separation and single motherhood during her fieldwork, Daughters of Parvati urges us to think about the ways women bear the consequences of the vulnerabilities of love and family in their minds, bodies, and social worlds.

In The Occupied Clinic, Saiba Varma explores the psychological, ontological, and political entanglements between medicine and violence in Indian-controlled Kashmir—the world's most densely militarized place. Into a long history of occupations, insurgencies, suppressions, natural disasters, and a crisis of public health infrastructure come interventions in human distress, especially those of doctors and humanitarians, who struggle against an epidemic: more than sixty percent of the civilian population suffers from depression, anxiety, PTSD, or acute stress. Drawing on encounters between medical providers and patients in an array of settings, Varma reveals how colonization is embodied and how overlapping state practices of care and violence create disorienting worlds for doctors and patients alike. Varma shows how occupation creates worlds of disrupted meaning in which clinical life is connected to political disorder, subverting biomedical neutrality, ethics, and processes of care in profound ways. By highlighting the imbrications between humanitarianism and militarism and between care and violence, Varma theorizes care not as a redemptive practice, but as a fraught sphere of action that is never quite what it seems.

This book examines the phenomenon of prime time soap operas on Indian television. An anthropological insight into social issues and practices of contemporary India through the television, this volume analyzes the production of soaps within India’s cultural fabric. It deconstructs themes and issues surrounding the "everyday" and the "middle class" through the fiction of the "popular". In its second edition, this still remains the only book to examine prime time soap operas on Indian television. Without in any way changing the central arguments of the first edition, it adds an essential introductory chapter tracking the tectonic shifts in the Indian "mediascape" over the past decade – including how the explosion of regional language channels and an era of multiple screens have changed soap viewing forever. Meticulously researched and persuasively argued, the book traces how prime time soaps in India still grab the maximum eyeballs and remain the biggest earners for TV channels. The book will be of interest to students of anthropology and sociology, media and cultural studies, visual culture studies, gender and family studies, and also Asian studies in general. It is also an important resource for media producers, both in content production and television channels, as well as for the general reader.

With their secretive poetic lore and even more mysterious pantheon of gods led by Odin the All-Father; Thor, the great Hammer-Striker; Loki, the Evil One, and Heimdal, the Cosmic Horn Blower, it is almost impossible not to love the Vikings. But there are even more fans of the multi-faceted yoga systems devised by the ancient Hindustani in India more than five thousand years ago. Steven A. Key makes the case that transcendental yoga has not only endured over the millennia, but that it has traveled in different forms of spiritual or religious expression in The Secret Yoga of the Vikings. Drawing on the writings of Joseph Campbell, the famous mythologist who hinted at a link between the cultures of the Eastern Hindus and the Northern Vikings, as well as other great thinkers, the author shows that yoga has influenced Buddhism, Christianity, and yes – even the tenth-century Vikings. Discover how a spiritual cult of anonymous Odin warriors who died long ago was likely responsible for the writing of the Poetic Edda itself as well as the role transcendental yoga played in the life of the Vikings.

'It was customary, it seems, for an author to begin with excuses, explanations and snivels about their work. Which is quite peculiar since the author is usually the last person to know what their book is about...' Right from the wickedly funny table of contents, which belongs not to this collection but an imagined one, this remarkable genre-defying volume is guaranteed to delight the reader in the mood for something original and different. In the title story, 'The Inconceivable Idea of the Sun', a couple finds that reorganizing their home library has an unexpected consequence on their shared reality; 'The Robots of Eden' is set in a world where stories are no longer essential to be human, because civilized people have developed better technology to mediate their emotions; in 'Into the Night', an old Brahmin leans into the comforts of an ancient language when the future renders him obsolete; and 'How Not to Tell The Ramayana' is a Borgesian journey into a Ramayana retelling unlike any other. This stellar collection of short fiction, as poignant as it is playful, blurs the distinction between what lies inside a story and what lies outside it. It demonstrates yet again why Anil Menon is one of the most formidable names in contemporary Indian writing.

Hinduism Is Not Merely A Religion But A Way Of Life. Hinduism, In Its Traverse Of Four Thousand Years, Has Accumulated Many A Belief And Practice, Which Encompass The Whole Socio-Religio-Cultural Life Of A Devout. Since The Mythological Past, Hinduism Is Studded With Varied Signs And Symptoms, Which Are Mystic In Character And Symbolic In Nature, And Are Also Sacred Symbols Of Spiritualism As Well. These Symbols Are The Sacred Rivers; Mystic Mantras Like Om And Gayatri; The Auspicious Symbol Of Swastika; The Shivalinga, Salagram Shila Or Sacred Stone Objects; Tripundra Tilaks Or Urdhapundra Tilaks- The Process Of Besmearing The Body With Different Marks Of Sandal Pastes; The Sacred Conch Or Sankha And Venerated Trees Which Have Medicinal Value And Spiritual Ethos Like Tulsi, Vata, Rudraksha, Etc. All These Are Part Of Modern Hinduism But To Many Devouts And Observers These Symbols Stand Enigmatic! Thus This Book Attempts To Explore And Unearth The Hidden Philosophy Of These Signs And Gauge The Socio-Scientific Base And Tries To Find Out The Real Meaning Of Ritualistic Methodologies Of These Symbols, Which Are The Great Objects Of Veneration Of The Hindus Down The Ages.