The "New York Times"-bestselling author of "Beautiful Lies" delivers a thriller about broken trust that explores our faith in those we rely on--and how that faith can sustain or shatter us.

It’s a bitterly cold February in 1961, and Sandy Greenberg lies in a hospital bed in Detroit, newly blind. A junior at Columbia University from a Jewish family that struggled to stay above the poverty line, Sandy had just started to see the world open up to him. Now, instead of his plans for a bright future—Harvard Law and politics—Sandy faces a new reality, one defined by a cane or companion dog, menial work, and a cautious path through life. But that’s not how this story ends. In the depth of his new darkness, Sandy faces a choice—play it “safe” by staying in his native Buffalo or return to Columbia to pursue his dreams. With the loving devotion of his girlfriend (and now wife) Sue and the selflessness of best friends Art Garfunkel and Jerry Speyer, Sandy endures unimaginable adversity while forging a life of exceptional achievement. From his time in the White House working for President Lyndon B. Johnson to his graduate studies at Harvard and Oxford under luminaries such as Archibald Cox, Sir Arthur Goodhart, and Samuel Huntington, and through the guidance of his invaluable mentor David Rockefeller, Sandy fills his life and the lives of those around him with a radiant light of philanthropy, entrepreneurship, art, and innovation.

This innovative, self-help book proposes that anger is an omnipresent, albeit unpleasant, part of every person's life, every single day. Our happiness and our success, professional, personal, and physical, is directly dependent on our ability to handle it. Using clinical vignettes as well as familiar examples from the front page and the silver screen, all aspects of anger, from sibling rivalry to mob violence, are analyzed and understood. Constructive pragmatic approaches are suggested for every conceivable frustration or confrontation. The book soothes as it illuminates. With hundreds of footnotes it is an encyclopedic overview of a vital subject.

‘I’m looking for the words and writing for those who can’t imagine the words.’ Mark Meynell articulates a heart pain that most of us simply couldn’t express. He connects strongly and immediately with fellow cave dwellers. We relive significant moments from boarding school, Uganda, Berlin and London. We visit the Psalms, Job and The Pilgrim's Progress. If you're after neat conclusions and a fair-weather faith, this is not for you. This book serves up gritty reality and raw honesty, but also the heartfelt hope that the author's brokenness 'can somehow contribute to another person's integration' and 'inspire their clinging while beset by darkness or fog or blizzards'. Contents 1 The mask 2 The volcano 3 The cave 4 The weight 5 The invisibility cloak 6 The closing 7 The way 8 The fellow-traveller 9 The gift Appendix 1 Managing the symptoms Appendix 2 Unexpected friends in the cave Appendix 3 Some words from inside the cave

The author of A Killing Frost continues his bestselling series. “Marsden’s style is as surefooted as his independent band of teens.”—School Library Journal Ellie and her friends had been rescued. Airlifted out of their own country to the safe haven of New Zealand, they’d arrived burnt and injured and shocked, with broken bones, and scars inside and out. They did not want to go back. But five months later the war is not over, the nightmares continue, and there are two compelling reasons for them to return: a planned sabotage of the air base in Wirrawee and, most important, the families they left behind. In this episode of the tale begun in Tomorrow, When the War Began and continued in The Dead of Night and A Killing Frost, John Marsden takes us back to Hell, the outpost for a group of teens in a war-ravaged country. “Ellie is a solid narrator whose no-nonsense approach to love, war, and friendship makes her an unusual and impressive female protagonist. A personalized war novel that is apocalyptic yet open-ended enough for another sequel, Darkness benefits from not being limited to fitting into any one genre, but satisfactorily including aspects of several.”—Booklist “Contains as much riveting suspense and cliffhanger chapter endings as the first three.”—The Horn Book

In the tradition of Joan Didion's The Year of Magical Thinking, comes a poignant memoir about a marriage that was as deep and strong as it was mysterious and complex Upton and Sally Brady were a rare breed: cultivated and elegant, they lived a life of literary glamour and high expectations. Sally a debutante; Upton a classics major from Harvard, they met at the Boston Cotillion. He was articulate, witty, and worldly, and he danced like Fred Astaire. How could she resist? Despite raising four children on Upton's modest wage as the editor-in-chief of the Atlantic Monthly Press, theirs was a world of champagne, sailboats, private islands, famous writers, family rituals, and ice-cold martinis. They lived life on their terms. But as time wore on, Upton, the charming and brilliant husband, the inventive, beguiling partner, grew opinionated, cranky, controlling, and dangerous. When Upton died suddenly one evening in their Vermont cottage, Sally began uncovering secrets. As she went through his papers, she discovered that her husband of forty-six years had desired the love of other men. Her riveting, charismatic husband was not quite the man he appeared to be, and a year of mourning became for Sally a time to unravel the dark and unexpected web he had left behind. Hers is a moving and powerful story of coming to terms with what cannot be changed. It is also a story of great love.

A black comedy and high-school noir from a critically acclaimed writer"A darkly comic and original mystery novel filled with Raymond Chandleresque noir dialogue" - The Telegraph Someone is on a killing spree - slaughtering the school pets with a cold-blooded savagery. The number-one suspect: Johnny Middleton. Johnny's had problems in the past, but they're behind him now. So what if he still sees the world a little differently? He's not crazy and he's not a killer. And he's going to prove it.