Dark Passages is a coming-of-age story encapsulating the romance and innocence of JFK's Camelot era and the tumultuous "dark passages" of Meg Harrison, a vampire raised by her mother to resist the temptation of human blood. Meg arrives in New York determined not to use her vampiric gifts to fulfill her dream of becoming an actress. She joins the cast of the cult hit Dark Passages, only to face her nemesis, a beautiful 300-year-old witch bent on destroying her. Their rivalry leads to afinal confrontation as the telekinetic vampire and spell-weaving sorceress engage in a spectacular battle for supremacy. It takes all of Meg's wit and tenacity to defeat the witch and win the affections of a handsome young mortal with a secret life of his own. In the end, Meg realizes that the powers she always denied within herself are not a curse, but a blessing.

For the first time, the best work of a distinctive master of American noir is available in authoritative e-book editions from The Library of America. David Goodis experienced a brief celebrity when his novel Dark Passage (1946) became the basis for a popular movie starring Humphrey Bogart and Lauren Bacall. The story of a man railroaded for his wife’s murder and forced to assume a different identity after escaping from prison becomes in Goodis’s hands a lyrical evocation of urban fear and loneliness. Other David Goodis novels available as Library of America E-Book Classics include: Nightfall, The Burglar, The Moon in the Gutter, and Street of No Return.

Thomas Pynchon helped pioneer the postmodern aesthetic. His formidable body of work challenges readers to think and perceive in ways that anticipate--with humor, insight, and cogency--much that has emerged in the field of literary theory over the past few decades. For David Cowart, Pynchon's most profound teachings are about history--history as myth, as rhetorical construct, as false consciousness, as prologue, as mirror, and as seedbed of national and literary identities. In one encyclopedic novel after another, Pynchon has reconceptualized historical periods that he sees as culturally definitive. Examining Pynchon's entire body of work, Cowart offers an engaging, metahistorical reading of V.; an exhaustive analysis of the influence of German culture in Pynchon's early work, with particular emphasis on Gravity's Rainbow; and a critical spectroscopy of those dark stars, Mason & Dixon and Against the Day. He defends the California fictions The Crying of Lot 49, Vineland, and Inherent Vice as roman fleuve chronicling the decade in which the American tapestry began to unravel. Cowart ends his study by considering Pynchon's place in literary history. Cowart argues that Pynchon has always understood the facticity of historical narrative and the historicity of storytelling--not to mention the relations of both story and history to myth. Thomas Pynchon and the Dark Passages of History offers a deft analysis of the problems of history as engaged by our greatest living novelist and argues for the continuity of Pynchon's historical vision.

Following the lead of Pope Benedict XVI, in Dark Passages of the Bible Matthew Ramage weds the historical-critical approach with a theological reading of Scripture based in the patristic-medieval tradition. Whereas these two approaches are often viewed as mutually exclusive or even contradictory, Ramage insists that the two are mutually enriching and necessary for doing justice to the Bible s most challenging texts.

Critically acclaimed author of The Ashes Trilogy, Ilsa J. Bick takes her new Dark Passages series to an alternative Victorian London where Emma Lindsay continues to wade through blurred realities now that she has lost everything: her way, her reality, her friends. In this London, Emma will find alternative versions of her friends from the White Space and even Arthur Conan Doyle. Emma Lindsay has nowhere to go. Her friends are dead. Eric and Casey are lost to the Dark Passages. Emma commands the cynosure, a device that allows for safe passage between the Many Worlds, to put her where she might find her friends again. But Emma wakes up in the body of Little Lizzie, all grown up. And in this alternative Victorian London, Elizabeth McDermott is mad. Elizabeth's physician, Dr. Kramer, has drugged her to allow Emma—who's blinked to this London before—to emerge as the dominant personality. Elizabeth is dying, and if Emma can't find a way out, everyone as they exist in this London will die with her.

Does God kill people? Why do the innocent suffer? Is Hell a just punishment? Why would God allow Jesus to be crucified? The Old Testament God vs. New Testament God - are they the same person? If you've read the Bible, you may have had these questions cross your mind. Or, you've heard your non-believing friends ask these questions to justify their disbelief. How do we reconcile these questions with our Faith in a loving, just God? The good news is that we CAN work through these difficult passages and arrive at a deeper knowledge of who God really is, leading to a closer relationship with him. Light on the Dark Passages of Scripture guides you through God's revelation, interpreting challenging texts, providing reasonable answers to nagging questions, and showing the mercies of a loving God. "The best book I know that explains - and doesn't explain away - the truly difficult texts of scripture. I can't recommend this book enough!" - Ralph Martin, S.T.D. "Guides us through the museum of 'dark passages' and eventually leads us to the display of God's love in Christ as the answer to the human messiness of redemptive history." - Taylor Marshall, PhD

In the tradition of Memento and Inception comes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines. Emma Lindsay has problems: no parents, a crazy guardian, and all those times when she blinks away, dropping into other lives so surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real. Then she writes "White Space," which turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. In the novel, characters travel between different stories. When Emma blinks, she might be doing the same. Before long, she's dropped into the very story she thought she'd written. Emma meets other kids like her. They discover that they may be nothing more than characters written into being for a very specific purpose. What they must uncover is why they've been brought to this place, before someone pens their end.