When Gaylord Riley walked away from the Coburn gang, he had money and a dream. He worked hard and built a cabin, gathered a herd of cattle, and fell in love with Marie Shattuck. But when he is confronted with false accusations of rustling and murder, Riley is forced to defend his new law-abiding way of life. Outnumbered and facing a lynching party, Riley is surprised when his old friends return to lend him a hand. But how can they help him and keep themselves out of jail? With the local marshal already suspicious of Riley, the Coburn gang will have to plan well and move fast. But that shouldn’t be a problem. Their reputation was built by doing just that.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.

Some secrets are better left buried. A long hot summer is wearing thin when an old diary is discovered in an abandoned hotel. With deceiving promise, it triggers a chain of events that will touch the lives of every single person living in the isolated small town of Decora, Idaho. With the good ole boy network interpreting instructions from beyond the grave, the sanctity of the Amity mine is desecrated, unleashing a terror that will infect the very fabric of life in the picture perfect valley, creating conditions that few will survive. even if they want to.

Author of Legend of the Dead, Coyote Returns and The Shadow Catcher IN A RUGGED LAND STEEPED IN THE BLOOD OF HISTORY. A KILLER HAS COME BACK FOR REVENGE.... NEW BLOOD ON AN ANCIENT GROUND... In an air-conditioned university office, a man lies dead, brutally bludgeoned. A hundred miles away, in the high, arid New Mexico mountain country that Sheriff Cliff Lansing is sworn to protect, an animal is devastating ranchers' livestock, and is now turning to human prey.... For Lansing, the two cases are linked. The murder vic­tim was part of an archaeological dig, and a local Indian believes that the animal killings have been unleashed by the excavations. Struggling to put together the jagged pieces of a puzzle. Lansing unearths a mystery of a missing emerald carving, a one-hundred-year-old diary, and a man accused of a crime he did not commit. To stop the bloodshed, Lansing must throw out every­thing he has ever believed about police work, evidence, and reason. Because between an archaeologist's ambi­tions and the secrets still hidden in the land, Lansing must follow his own trail of myth, legend, and intuition—to find a very real killer stalking the night....

When Gaylord Riley walked away from the Coburn gang, he had money and a dream. He worked hard and built a cabin, gathered a herd of cattle, and fell in love with Marie Shattuck. But when he is confronted with false accusations of rustling and murder, Riley is forced to defend his new law-abiding way of life. Outnumbered and facing a lynching party, Riley is surprised when his old friends return to lend him a hand. But how can they help him and keep themselves out of jail? With the local marshal already suspicious of Riley, the Coburn gang will have to plan well and move fast. But that shouldn’t be a problem. Their reputation was built by doing just that.

“Brenda Shaughnessy’s poems bristle with imperatives: ‘confuse me, spoon-feed me, stop the madness, decide.’ There are more direct orders in her first few pages than in six weeks of boot camp...Only Shaughnessy’s kidding. Or she is and she isn’t. If you just want to boss people around, you’re a control freak, but if you can joke about it, then your bossiness is leavened by a yeast that’s all too infrequent in contemporary poetry, that of humor.”—New York Times “Shaughnessy’s voice is smart, sexy, self-aware, hip . . . consistently wry, and ever savvy.”—Harvard Review “Brenda Shaughnessy . . . writes like the love-child of Mina Loy and Frank O’Hara.”—Exquisite Corpse "In its worried acceptance of contradiction, its absolute refusal of sentimentality and its acute awareness of time's 'scarce infinity,' this is a brilliant, beautiful and essential continuation of the metaphysical verse tradition." —Publishers Weekly, starred review “Human Dark with Sugar is both wonderfully inventive (studded with the strangenesses of ‘snownovas’ and ‘flukeprints’) and emotionally precise. Her ‘I’ is madly multidexterous—urgent, comic, mischievous—and the result is a new topography of the debates between heart and head.”—Matthea Harvey, a judge for the Laughlin Award "Seriously playful, sexy, sharp-edged, and absolutely commanding throughout....Here you'll meet an 'I' boldly ready to take on the world and just itching to give 'You' some smart directives. So listen up."—Library Journal In her second book, winner of the prestigious James Laughlin Award, Brenda Shaughnessy taps into themes that have inspired era after era of poets. Love. Sex. Pain. The heavens. The loss of time. The weird miracle of perception. Part confessional, part New York School, and part just plain lover of the English language, Shaughnessy distills the big questions into sharp rhythms and alluring lyrics. “You’re a tool, moon. / Now, noon. There’s a hero.” Master of diverse dictions, she dwells here on quirky words, mouthfuls of consonance and assonance—anodyne, astrolabe, alizarin—then catches her readers up short with a string of powerful monosyllables. “I’ll take / a year of that. Just give it back to me.” In addition to its verbal play, Human Dark With Sugar demonstrates the poet’s ease in a variety of genres, from “Three Sorries” (in which the speaker concludes, “I’m not sorry. Not sorry at all”), to a sequence of prose poems on a lover’s body, to the discussion of a disturbing dream. In this caffeine jolt of a book, Shaughnessy confirms her status as a poet of intoxicating lines, pointed, poignant comments on love, and compelling abstract images —not the least of which is human dark with sugar. Brenda Shaughnessy was raised in California and is an MFA graduate of Columbia University. She is the poetry editor for Tin House and has taught at several colleges, including Eugene Lang College and Princeton University. She lives in Brooklyn.

From the acclaimed author of Ninety-two in the Shade and Cloudbursts—the stories of Gallatin Canyon are rich in the wit, compassion, and matchless language for which Thomas McGuane is celebrated. Set mostly in famed Big Sky Country, McGuane brings us an "astonishing" (The New York Times Book Review) collection in which place exerts the power of destiny. A boy makes a surprising discovery skating at night on Lake Michigan; an Irish clan in Massachusetts gather around their dying matriarch; a battered survivor of the glory days of Key West washes up on other shores. Several of the stories unfold in Big Sky country: a father tries to buy his adult son’s way out of virginity; a convict turns cowhand on a ranch; a couple makes a fateful drive through a perilous gorge. McGuane's people are seekers, beguiled by the land's beauty and myth, compelled by the fantasy of what a locale can offer, forced to reconcile dream and truth.