In this timely tale of immigration, two cousins learn the importance of family and friendship. A year of discoveries culminates in a performance full of surprises, as two girls find their own way to belong. Mexico may be her parents’ home, but it’s certainly not Margie’s. She has finally convinced the other kids at school she is one-hundred percent American—just like them. But when her Mexican cousin Lupe visits, the image she’s created for herself crumbles. Things aren’t easy for Lupe, either. Mexico hadn’t felt like home since her father went North to find work. Lupe’s hope of seeing him in the United States comforts her some, but learning a new language in a new school is tough. Lupe, as much as Margie, is in need of a friend. Little by little, the girls’ individual steps find the rhythm of one shared dance, and they learn what “home” really means. In the tradition of My Name is Maria Isabel—and simultaneously published in English and in Spanish—Alma Flor Ada and her son Gabriel M. Zubizarreta offer an honest story of family, friendship, and the classic immigrant experience: becoming part of something new, while straying true to who you are.

Sara, the cautious, quietly observant twin, narrates this reminiscence of sisters whose dreams were intermittently encouraged or dashed by their ambitious, stout-hearted Norwegian-American mother and their alternatively abusive and loving Danish-American father, who felt enslaved by his land and cattle. The twins' emotionally fragile older sister, mischevious younger brother, and sturdy baby sister each found ways to cope. This is a personal portrayal of parents, siblings, family and neighbours who painted the rural landscape in sombre tones of duty and self-sacrifice, yet touched it with hope and grace.

Serena, the central figure in these linked stories and a born New Yorker, is outrageous, stubborn, mystical and deeply engaged with love of all kinds: emotional, physical, intellectual, and with intimacy that extends into the wider realms beyond the visible world. The stories begin with her birth and follow her life and the lives of her friends and lovers. We meet Ingrid, artist and wild woman; Rose, sensible and intelligent, with a dry wit; Leo, architect and musician, a compassionate, soulful and endearing man and many others, whose origins and connected lives reveal the paradoxes, struggles, bliss and complexities of love. The stories embrace the sensual world and the capacity to hold it with an open heart. They explore the grace of loving in a variety of ways. As Dancing Home unfolds, Serena's intuition leads her to an enhanced relationship with a larger reality and the challenges of integrating that world with ordinary life. Ultimately, this puzzle of who the characters are and the nature of their intertwined lives plays itself out and comes to a fluid conclusion. Dancing Home is a love affair with New York and to the affairs of love.

‘When he was in gaol, he’d begun to prepare himself for the fight of his life, a showdown with the policeman, McWilliams ... he’d face life with death, and see who blinked first.’ Blackie and Rips are fresh out of prison when they set off on a road trip back to Wiradjuri country with their mate Carlos. Blackie is out for revenge against the cop who put him in prison on false grounds. He is also craving to reconnect with his grandmother’s country. Driven by his hunger for drugs and payback, Blackie reaches dark places of both mystery and beauty as he searches for peace. He is willing to pay for that peace with his own life. Part road-movie, part ‘Koori-noir’, Dancing Home announces an original and darkly funny new voice.

Enter the intoxicating world of performing in community with a step-by-step guide that combines practical exercises and improvisational forms. Proven methods reach out to classes, children in after-school programs, youth at risk and culturally and socio-economically diverse groups in any setting. Create collaborative choreography based on participants' stories, histories, and the unique issues of their community. Provide enriching opportunities to give to others, to share their talents and to be seen and heard in artistic collaboration .

Of all the family gatherings in her childhood, one stands out in Amina's memory. It is 1979, in Salem India, when a visit to her grandmother's house escalates into an explosive encounter, pitching brother against brother, mother against son. In its aftermath, Amina's father Thomas rushes his family back to their new home in America. And while at first it seems that the intercontinental flight has taken them out of harm's way, his decision sets off a chain of events that will forever haunt Thomas and his wife Kamala; their intellectually furious son, Akhil and the watchful young Amina. Now, twenty years later, Amina receives a phone call from her mother. Thomas has been acting strangely and Kamala needs her daughter back. Amina returns to the New Mexico of her childhood, where her mother has always filled silences with food, only to discover that getting to the truth is not as easy as going home. Confronted with Thomas's unwillingness to talk, Kamala's Born Again convictions, and the suspicion that not everything is what it seems, Amina finds herself at the centre of a mystery so tangled that to make any headway, she has to excavate her family's painful past. And in doing so she must lay her own ghosts to rest.

Winner of the Pura Belpré Illustrator Award A Kirkus Reviews Best Picture Book In soaring words and stunning illustrations, Margarita Engle and Rafael López tell the story of Teresa Carreño, a child prodigy who played piano for Abraham Lincoln. As a little girl, Teresa Carreño loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee to the United States. Teresa felt lonely in this unfamiliar place, where few of the people she met spoke Spanish. Worst of all, there was fighting in her new home, too—the Civil War. Still, Teresa kept playing, and soon she grew famous as the talented Piano Girl who could play anything from a folk song to a sonata. So famous, in fact, that President Abraham Lincoln wanted her to play at the White House! Yet with the country torn apart by war, could Teresa’s music bring comfort to those who needed it most?