Spring has sprung in Cleveland and home stager (and lousy spiritual medium) Bailey Burke is facing all kinds of major life changes. Both her grandmother and her boyfriend Jake Marner have moved in with her, she is contemplating a career change, and Marner’s mother needs her help planning a thirtieth birthday party for him. Party plans include dance lessons for Bailey and Jake. Which would be fun, except their instructor appears to have tangoed with the wrong partner. She’s found dead on the dance floor, a butchered ballroom teacher with multiple stab wounds. It’s a classic case of overkill, but there are no suspects and no ghosts hanging around to offer any insight. It’s time to call on Bailey’s old friend, Ryan, who happens to be a dead detective with a rude sense of humor. Can Bailey and her two favorite guys solve the case of the killer Cha Cha?

From the author of Three Souls comes a vividly imagined and haunting new novel set in early 20th century Shanghai—a story of friendship, heartbreak, and history that follows a young Eurasian orphan’s search for her long-lost mother. That night I dreamed that I had wandered out to Dragon Springs Road all on my own, when a dreadful knowledge seized me that my mother had gone away never to return . . . In 1908, Jialing is only seven years old when she is abandoned in the courtyard of a once-lavish estate near Shanghai. Jialing is zazhong—Eurasian—and faces a lifetime of contempt from both Chinese and Europeans. Without her mother’s protection, she can survive only if the estate’s new owners, the Yang family, agree to take her in. Jialing finds allies in Anjuin, the eldest Yang daughter, and Fox, an animal spirit who has lived in the haunted courtyard for centuries. But Jialing’s life as the Yangs’ bondservant changes unexpectedly when she befriends a young English girl who then mysteriously vanishes. Always hopeful of finding her long-lost mother, Jialing grows into womanhood during the tumultuous early years of the Chinese republic, guided by Fox and by her own strength of spirit, away from the shadows of her past. But she finds herself drawn into a murder at the periphery of political intrigue, a relationship that jeopardizes her friendship with Anjuin and a forbidden affair that brings danger to the man she loves.

Ghost Dancing is a spare, beautifully written novel-in-stories about Jimmy One Rock and his wife, Mary, as they struggle to endure their hard-won lives and the ghosts of Native American tradition that surround them. As each story begins, we find the couple at different stages of their lives, and witness the subtly reflective changes on their Pacific Northwest reservation.

This study examines the traditional Cree and Ojibway world view, develops an appreciation of native philosophy and indicates ways in which native values can be incorporated into court and criminal law processes and other aspects of 'mainstream' culture in Canada.

The inception of the Ghost Dance religion in 1890 marked a critical moment in Lakota history. Yet, because this movement alarmed government officials, culminating in the infamous massacre at Wounded Knee of 250 Lakota men, women, and children, historical accounts have most often described the Ghost Dance from the perspective of the white Americans who opposed it. In A Whirlwind Passed through Our Country, historian Rani-Henrik Andersson instead gives Lakotas a sounding board, imparting the multiplicity of Lakota voices on the Ghost Dance at the time. Whereas early accounts treated the Ghost Dance as a military or political movement, A Whirlwind Passed through Our Country stresses its peaceful nature and reveals the breadth of Lakota views on the subject. The more than one hundred accounts compiled here show that the movement caused friction within Lakota society even as it spurred genuine religious belief. These accounts, many of them never before translated from the original Lakota or published, demonstrate that the Ghost Dance’s message resonated with Lakotas across artificial “progressive” and “nonprogressive” lines. Although the movement was often criticized as backward and disconnected from the harsh realities of Native life, Ghost Dance adherents were in fact seeking new ways to survive, albeit not those that contemporary whites envisioned for them. The Ghost Dance, Andersson suggests, might be better understood as an innovative adaptation by the Lakotas to the difficult situation in which they found themselves—and as a way of finding a path to a better life. By presenting accounts of divergent views among the Lakota people, A Whirlwind Passed through Our Country expands the narrative of the Ghost Dance, encouraging more nuanced interpretations of this significant moment in Lakota and American history.

A critical biography of novelist, poet, and former Stanford professor Arturo Islas (1938-1991).