A collection of thirteen traditional tales from various parts of the world, with the main character of each being a fearless, strong, heroic, and resourceful woman.

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When faced with the danger of giants, ogres, and witches, other damsels might quake with fear . . . but not LillyBelle! At the School for Damsels, LillyBelle enjoys many damsel-in-training classes, like cake baking and vocal training, but the rule that a damsel must be in distress . . . not so much. When she's captured by one villain after another, LillyBelle will need to use her charm and her wit to save herself and prove once and for all that damsels don't have to be in distress--all in time for tea!

An American composer, George Bevan, falls in love with a mysterious young lady who takes refuge in his taxicab one day. He tracks her down to an English country manor, where a case of mistaken identity leads to all manner of comedy and excitement. The novel was first serialized in The Saturday Evening Post in 1919. It was later adapted into a silent film, a stage play, and a musical starring Fred Astaire. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Covering issues from gossip and slander to PMS and legalism, Martha Peace, best-selling author of The Excellent Wife, offers biblical insight on problems women face. This straightforward, clear-cut book offers practical solutions in an ideal format for personal reading or group study.

This book explores American mythology through the lens of comic books and superheroes, specifically exploring the subject from an historical perspective in order to capture the origins of sexism and misogyny, as found in the comic book stories that have shaped so many young people and their attitudes. It provides a detailed analysis of Americaâ (TM)s inextricable relationship with sexist institutions, specific historical events, and cultural attitudes, all of which are captured by, and perpetuated, in comic books, TV, film, and advertising. The implicit argument this book makes is that sexism and misogyny are not the product of nefarious individuals with overt agendas; instead, sexism and misogyny are products of our mythology and the associated archetypal components that shape a fabricated design of the world, a design shaped by men and unwittingly agreed to by women, thus, perpetuating a male-dominated mythological, religious, and historical social structure.