What happened in 1920s Cologne 'after Dada'? Whilst most standard accounts of Cologne Dada simply stop with Max Ernst's departure from the city for a new life as a surrealist in Paris, this book reveals the untold stories of the Cologne avant-garde that prospered after Dada but whose legacies have been largely forgotten or neglected. It focuses on the little known Magical Realist painter Marta Hegemann (1894–1970). By re-inserting her into the histories of avant-garde modernism, a fuller picture of the gendered networks of artistic and cultural exchange within Weimar Germany can be revealed. This book embeds her activities as an artist within a gendered network of artistic exchange and influence in which Ernst continues to play a vital role amongst many others including his first wife, art critic Lou Straus-Ernst; photographers August Sander and Hannes Flach; artists Angelika Fick, Heinrich Hoerle, Willy Fick and the Cologne Progressives and visitors such as Kurt Schwitters and Katherine Dreier. The book offers a significant addition to research on Weimar visual culture and will be invaluable to students and specialists in the field.

In this provocative and stimulating book, David Hopkins addresses the homosocial structures in Dada and Surrealist art with an eye to their relevance to current artistic and theoretical debate. Bestriding the book is the pivotal figure of the artist Marcel Duchamp, who was at the center of various groups of artistic and literary figures—predominantly male—in Europe and America. And at the heart of the investigation are Duchamp’s relationships with these men, the various interactions of those within the groups, and the impact of this type of male camaraderie on the artworks they produced. Hopkins looks at specific moments in the careers of Duchamp and some of his associates—Francis Picabia, Man Ray, Max Ernst and André Breton—and discusses in detail the reception of Duchamp’s ideas in the post-war period. He goes on to trace the influence of the homosocial nature of Surrealism and Dada on the art world from the 1950s to the work of contemporary male and female artists.

Exploring the notion of tactility in dada and surrealism

A hilarious book for new dads and their little loved ones to share and enjoy! It's bedtime for Dada's little cave baby. But Baba wants a bedtime story, and not just from any book. Baba wants just the right book—and the right book means the biggest book! Poor Dada! The delaying tactics of his Stone Age darling may not speed up bedtime ... but they just might change the course of human history. • Full of parenting moments that new or expecting dads will love • Sweet, silly, and boldly illustrated—ideal read-aloud book to share with the family • Perfect read for dad and child Fans of Your Baby's First Word Will Be Dada, Because I'm Your Dad, and Dad By My Side will love Cave Dada's positive, loving message. • Great book for dads • Books for kids ages 3–5 • Funny read-aloud Brandon Reese is the illustrator of numerous books for children. His own adventures in fatherhood provided ample inspiration for this book. He lives in Charlotte, North Carolina.

One of the most controversial and ironic of twentieth-century modernisms, Dada swept through the arts after the shock of World War I, when poets, painters, filmmakers, and performers joined forces to challenge conventions of society and art. The only collection of its kind, this volume includes writings by leading Dadaists: Hugo Ball, Kurt Schwitters, Richard Huelsenbeck, Roger Vitrac, Tristan Tzara, Emmy Hennings, Francis Picabia, and others.