Seth and his talking cat Nightshade arrive in the magical town of Gramichee to gain an apprenticeship. But when he discovered that the existing apprentices are under attack at the town's Scrumdiddlyumptious Café, he realises he has another murder mystery to solve ...

Readers looking for an enchanting read, a story of overcoming the odds, or a tale of suspense will love this traditional Agatha Christie, who-dun-it mystery, matched and raised by a hint of magic. Seth is a kitchen boy at the remote Last Chance Hotel. His father has long ago left, leaving him imprisoned until he is old enough to set out on his own. If there's any hope he has, it's to be the greatest chef that ever lived... just like his father. One night, a band of magicians begin to arrive to participate in a secret meeting -- a Prospect Selection Procedure to determine the most talented magicians in the world, judged by their leader Dr. Thallonius. Seth has one task: to make Dr. Thallonius the greatest dessert he's ever tasted. Then, maybe he will help Seth find a way to freedom. But when the doors to the private meeting open, and Dr. Thallonius lay dead on the floor, the group blames the dessert, which means that it's Seth who will pay the price. But Seth knows he's innocent, and only has so much time to eliminate each suspect and prove his innocence.

The third magical murder mystery in the bestselling Seth Seppi series, which started with The Last Chance Hotel! Seth and his talking cat Nightshade arrive in the magical town of Gramichee to gain an apprenticeship: he's finally read to qualify as a magician. But he soon discovers that the existing apprentices are under attack at the town's Scrumdiddlyumptious Caf , which is far more deadly than it is delightful. Seth's got his hands full, as usual. Can he pass his exams, discover who's murdering the apprentices, and stop them before they strike again?

The third volume in the successful Theatre Café series contains three contemporary European plays in English translation. All fairly short two-handers, the plays make a great volume for teachers and students looking for suitable material to work on in schools, colleges, and youth theatre groups. The volume contains: Clyde and Bonnie by Holger Schober (translated by Zoe Svendsen) Mothers, hide your children! Fathers, hide your savings! Clyde and Bonnie are back in town! A brief synopsis of what happened before: Clyde, whose real name is Werner, and Bonnie, which is her real name - parents can be so cruel - meet each other, fall in love, and start robbing banks. On the occasion of their 10th bank robbery, Bonnie gets shot and killed. Clyde takes refuge in a bar and is actually still sitting there. So much for part one. But what Clyde did not know is that he and Bonnie have a daughter, who is now 16 and somehow feels that she doesn't fit in with the family she lives with. She doesn't know that they are her foster family. If the first part of the play was a love story, then the second is the story of a father and a daughter: An evening about responsibility, love and also about how to stay cool when the cops are hot on your heels. The play won the Austrian Theatre for Young People award ‘Stella’ in two categories (incl best production in Theatre for Young People), 2009. Helver’s Night (Polish) by Ingmar Villqist (Translated by Jacek Laskowski) Helver’s Night is an expressionist drama about the relationship between Carla and her young charge, Helver. Helver is fascinated by fascism – not by the ideology, which he is unable to grasp, but by the show-off aspects of the movement. In the end he becomes a victim of this fascination. Busstopkisser (German) by Ralf N.Höhfeld (Translated by Vanessa Fagan) A boy. A girl. A bus stop. 18 Kisses over 18 months. Coffee and conversation by candlelight, a picnic under the Eiffel Tower. Then the girl vanishes. But was she ever really there? Can anyone without an email address or mobile phone actually be real? A funny, unusual take on the classic boy-meets-girl scenario, Busstopkisser takes the audience on a mind-bending tweet-sized journey through adolescent romance.

A remarkable nineteenth-century account of Istanbul - which begins with a dazzling description of the city gradually appearing through the fog as the author's ship approaches the harbour - Constantinople expertly combines personal anecdote, breathtaking visual observation and entertaining historical information.An invaluable record of the metropolis as it used to be - a fascinating crossroads between Eastern and Western civilization and one of the most cosmopolitan cities of its time - as well as a vivid example of a European tourist's reaction to it - part delight, part incomprehension - this book will provide an enriching read for lovers of history or those planning to visit Istanbul themselves.