Cultures of Yusin examines the turbulent and yet deeply formative years of Park Chung Hee’s rule in South Korea, focusing on the so-called Yusin era (1972–79). Beginning with the constitutional change that granted dictatorial powers to the president and ending with his assassination, Yusin was a period of extreme political repression coupled with widespread mobilization of the citizenry towards the statist gospel of modernization and development. While much has been written about the political and economic contours of this period, the rich complexity of its cultural production remains obscure. This edited volume brings together a wide range of scholars to explore literature, film, television, performance, music, and architecture, as well as practices of urban and financial planning, consumption, and homeownership. Examining the plural forms of culture’s relationship to state power, the authors illuminate the decade of the 1970s in South Korea and offer an essential framework for understanding contemporary Korean society.

Foremost scholars of 1980s Korea revisit the current perspectives on this pivotal period, expanding the horizons of Korean cultural studies by reassessing old conventions and adding new narratives

Based on personal interviews with the principal policy-makers of the 1970s, Korea's Development under Park Chung-Hee examines how the president sought to develop South Korea into an independent, autonomous sovereign state both economically and militarily. Kim provides a new narrative in the complex task of exploring the paradoxical nature and effects of Korea's rapid development which maintains that any judgement of Park must consider his achievements in the socio-economic, cultural and political context in which they took place. Aspects of Park's government analyzed include: *his abhorrence of Korea's reliance on the US presence *the Korean model of state-guided industrialization *Park's rapid development strategy *the role of the ruling elites *Park's clandestine nuclear development program *the heavy chemical industrialisation of the 1970s The prevailing popularity of Park in the eyes of the Korean public is significant and relevant to their acceptance of how their national development was achieved. This book tells that story while simultaneously recognizing the flaws in the process. With a great deal of material never before published, scholars of Korean politics and history at all levels will find this book a stimulating account of South Korea in the 1960s and 1970s.

Koreans are known for their keen interest in genealogy and inherited ancestral status. Yet today's ordinary Korean would be hard pressed to explain the whereabouts of ancestors before the twentieth century. With A Family of No Prominence, Eugene Y. Park gives us a remarkable account of a nonelite family, that of Pak Tŏkhwa and his descendants (which includes the author). Spanning the early modern and modern eras over three centuries (1590–1945), this narrative of one family of the chungin class of people is a landmark achievement. What we do know of the chungin, or "middle people," of Korea largely comes from profiles of wealthy, influential men, frequently cited as collaborators with Japanese imperialists, who went on to constitute the post-1945 South Korean elite. This book highlights many rank-and-file chungin who, despite being better educated than most Koreans, struggled to survive. We follow Pak Tŏkhwa's descendants as they make inroads into politics, business, and culture. Yet many members' refusal to link their family histories and surnames to royal forebears, as most other Koreans did, sets them apart, and facilitates for readers a meaningful discussion of identity, modernity, colonialism, memory, and historical agency.

Discusses the judicial role in constitutional authoritarianism in the context of Korea's political and constitutional transitions.

In 1975, a young high school teacher took the stage at a prayer meeting in a southwestern Korean city to recite a poem called "The Winter Republic." The poem became an anthem against the military dictatorship of Park Chung Hee and his successors; the poet, however, soon found himself in court and then in prison for saddling the authoritarian state with such a memorable moniker. This unique book weaves together literary works, biographical accounts, institutional histories, trial transcripts, and personal interviews to tell the powerful story of how literature became a fierce battleground against authoritarian rule during one of the darkest periods in South Korea's history. Park Chung Hee's military dictatorship was a time of unparalleled political oppression. It was also a time of rapid and unprecedented economic development. Against this backdrop, Youngju Ryu charts the growing activism of Korean writers who interpreted literature's traditional autonomy as a clarion call to action, an imperative to intervene politically in the name of art. Each of the book's four chapters is devoted to a single writer and organized around a trope central to his work. Kim Chi-ha's "bandits," satirizing Park's dictatorship; Yi Mun-gu's "neighbor," evoking old nostalgia and new anxieties; Cho Se-hŭi's dwarf, representing the plight of the urban poor; and Hwang Sok-yong's labor fiction, the supposed herald of the proletarian revolution. Ending nearly two decades of an implicit ban on socially engaged writing, literature of the period became politicized not merely in content and form, but also as an institution. Writers of the Winter Republic emerged as the conscience of their troubled yet formative times. A question of politics lies at the heart of this book, which seeks to understand how and why a time of political oppression and censorship simultaneously expanded the practice and everyday relevance of literature. By animating the lives and works of the men who shaped this period, the book offers readers an illuminating literary, cultural, and political history of the era.

The Republic of Korea achieved a double revolution in the second half of the twentieth century. In just over three decades, South Korea transformed itself from an underdeveloped, agrarian country into an affluent, industrialized one. At the same time, democracy replaced a long series of military authoritarian regimes. These historic changes began under President Park Chung Hee, who seized power through a military coup in 1961 and ruled South Korea until his assassination on October 26, 1979. While the state's dominant role in South Korea's rapid industrialization is widely accepted, the degree to which Park was personally responsible for changing the national character remains hotly debated. This book examines the rationale and ideals behind Park's philosophy of national development in order to evaluate the degree to which the national character and moral values were reconstructed.