Elizabeth Wilson is one of our most radical cultural critics. In "Cultural Passions" she transcends the division between 'high' and 'low' culture, exploring the emotional commitment people bring to the books, performances, objects and rituals in which they find meaning and challenging an enduring suspicion of the pleasure of the aesthetic. Ranging from Marcel Proust to tarot readings, from urban planning to interiors, Elizabeth Wilson investigates an underlying Puritanism in critical commentary on matters as wide ranging as Roger Federer and C S Lewis, Surrealism and fashion and the relationship of religion to fan culture. She questions why pleasure appears suspect, even as consumer society incites it and turns life into entertainment. She questions why there is such fear of elitism when at the same time the fans of mass culture are held in contempt. Subverting conventional views, her oblique point of view provides startling insights on both familiar and marginal cultural experiences.

Elizabeth Wilson is one of our most radical cultural critics. In "Cultural Passions" she transcends the division between 'high' and 'low' culture, exploring the emotional commitment people bring to the books, performances, objects and rituals in which they find meaning and challenging an enduring suspicion of the pleasure of the aesthetic. Ranging from Marcel Proust to tarot readings, from urban planning to interiors, Elizabeth Wilson investigates an underlying Puritanism in critical commentary on matters as wide ranging as Roger Federer and C S Lewis, Surrealism and fashion and the relationship of religion to fan culture. She questions why pleasure appears suspect, even as consumer society incites it and turns life into entertainment. She questions why there is such fear of elitism when at the same time the fans of mass culture are held in contempt. Subverting conventional views, her oblique point of view provides startling insights on both familiar and marginal cultural experiences.

An ethnographic interpretation of the life of the Ilongots, a group of 3,500 hunters and horticulturists in Northern Luzon, Philippines, analyzes their social life with reference to their emotional development throughout the life cycle.

The culture that infiltrates our lives can provoke a range of feelings and afflictions – culture can move you, get under your skin and stir up your emotions. Ben Highmore uses these feelings, or 'passions', to explore the culture that surrounds us and uses it as a basis to introduce and explain the key ideas, debates and theories that are central to cultural studies. Impressively accessible and packed with absorbing examples from everyday life, this compact book is the ideal entry-point into cultural studies. The chapters examine problematic and complex issues that are core to cultural studies, looking at the experience of migration, the nature of the media, the lure of commodities, the world of taste and the culture of love. Cleverly written in a way that's easy to follow and enjoyable to read, the text gives a sense of the discipline as a way of thinking rather than an amalgamation of theories, and whets the appetite of all those interested in cultural studies. Whether you're a student who's new to the field, or a seasoned scholar seeking a fresh idea about what cultural studies can do, this clear and concise text encourages you to become truly passionate about cultural studies.

Through the pioneering work of Duchenne de Boulogne, Franois Delaporte provides a remarkable philosophical and historical examination of expressive physiology during the mid-19th century, and considers the science of emotion as a means of revealing inner life--thoughts, feelings--upon the surface of the face.

Nineteenth-century Americans celebrated nature through many artistic forms, including natural-history writing, landscape painting, landscape design theory, and transcendental philosophy. Although we tend to associate these movements with the nation’s dawning environmental consciousness, Passions for Nature demonstrates that they instead alienated Americans from the physical environment even as they seemed to draw people to it. Rather than see these expressions of passion for nature as initiating environmental awareness, this study reveals how they contributed to a culture that remains startlingly ignorant of the details of the material world. Using as a touchstone the writings of nineteenth-century philanthropist Susan Fenimore Cooper (the daughter of famed author James Fenimore Cooper), Passions for Nature reveals that while a generalized passion for nature was intense and widespread in her era, cultural attention to the "real" physical world was quite limited. Popular artistic forms represented the natural world through specific metaphors for the American experience, cultivating a national tradition of valuing nature in terms of humanity. Johnson crosses disciplinary boundaries to demonstrate that anthropocentric understandings of the natural world result not only from the growing gulf between science and imagination that C. P. Snow located in the early twentieth century but also--and surprisingly--from cultural productions traditionally viewed as positive engagements with the environment. By uncovering the roots of a cultural alienation from nature, Passions for Nature explains how the United States came to be a nation that simultaneously reveres the natural world and yet remains dangerously distant from it.

Probing the ominous side of career advice to "follow your passion," this data-driven study explains how the passion principle fails us and perpetuates inequality by class, gender, and race; and it suggests how we can reconfigure our relationships to paid work. "Follow your passion" is a popular mantra for career decision-making in the United States. Passion-seeking seems like a promising path for avoiding the potential drudgery of a life of paid work, but this "passion principle"—seductive as it is—does not universally translate. The Trouble with Passion reveals the significant downside of the passion principle: the concept helps culturally legitimize and reproduce an exploited, overworked white-collar labor force and broadly serves to reinforce class, race, and gender segregation and inequality. Grounding her investigation in the paradoxical tensions between capitalism's demand for ideal workers and our cultural expectations for self-expression, sociologist Erin A. Cech draws on interviews that follow students from college into the workforce, surveys of US workers, and experimental data to explain why the passion principle is such an attractive, if deceptive, career decision-making mantra, particularly for the college educated. Passion-seeking presumes middle-class safety nets and springboards and penalizes first-generation and working-class young adults who seek passion without them. The ripple effects of this mantra undermine the promise of college as a tool for social and economic mobility. The passion principle also feeds into a culture of overwork, encouraging white-collar workers to tolerate precarious employment and gladly sacrifice time, money, and leisure for work they are passionate about. And potential employers covet, but won't compensate, passion among job applicants. This book asks, What does it take to center passion in career decisions? Who gets ahead and who gets left behind by passion-seeking? The Trouble with Passion calls for citizens, educators, college administrators, and industry leaders to reconsider how we think about good jobs and, by extension, good lives.