The pluralism of South Asia belies any singular reading of its heritage. In spite of this diversity, its cultural traditions retain certain attributes that are at their core South Asian—in their capacity to self‐organize, enact and reinvent cultural memories, and in their ability to retain an intimate connection with nature and landscape. This volume focuses on the notion of cultural landscape as a medium integrating multiple forms of heritage and points to a new paradigm for conservation practices in the South Asian context. Even though the construct of cultural landscape has been accepted as a category of heritage, its potent use in heritage management in general and within the South Asian context in particular has not been widely studied. The volume challenges the prevalent views of heritage management in South Asia that are entrenched in colonial legacies and contemporary global policy frameworks.

This volume breaks new ground by conceptualizing landscape as a dynamic cultural complex in which the natural world and human practice are inextricably linked and are constantly interacting. It examines the social and cultural construction of space in the early medieval period in South Asia, as manifest in society, religious architecture and as shaped through trade and economic transactions.

Most people view cultural heritage sites as static places, frozen in time. In Cultural Landscapes of India, Amita Sinha subverts the idea of heritage as static and examines the ways that landscapes influence culture and that culture influences landscapes. The book centers around imagining, enacting, and reclaiming landscapes as subjects and settings of living cultural heritage. Drawing on case studies from different regions of India, Sinha offers new interpretations of links between land and culture using different ways of seeing—transcendental, romantic, and utilitarian. The idea of cultural landscape can be seen in ancient practices such as circumambulation and immersion in bodies of water that sustain engagement with natural elements. Pilgrim towns, medieval forts, religious sites, and contemporary memorial parks are sites of memory where myth and history converge. Engaging with these spaces allows us to reconstruct collective memory and reclaim not only historic landscapes, but ways of seeing, making, and remembering. Cultural Landscapes of India makes the case for reclaiming iconic landscapes and rethinking conventional approaches to conservation that take into consideration performative landscape as heritage.

Winner of the Environmental Design Research Association's 2018 Achievement Award The pluralism of South Asia belies any singular reading of its heritage. In spite of this diversity, its cultural traditions retain certain attributes that are at their core South Asian—in their capacity to self‐organize, enact and reinvent cultural memories, and in their ability to retain an intimate connection with nature and landscape. This volume focuses on the notion of cultural landscape as a medium integrating multiple forms of heritage and points to a new paradigm for conservation practices in the South Asian context. Even though the construct of cultural landscape has been accepted as a category of heritage, its potent use in heritage management in general and within the South Asian context in particular has not been widely studied. The volume challenges the prevalent views of heritage management in South Asia that are entrenched in colonial legacies and contemporary global policy frameworks.

This volume cross-examines the stability of heritage as a concept. It interrogates the past which materialises through multi-layered narratives on monuments and other objects that sustain cultural diversity. It seeks to understand how interpretations of “monuments” as “texts” are affected at the local level of experience, even as institutions such as UNESCO work to globalise and fix constructs of stable and universal heritage. Shifting away from a largely Eurocentric concept associated with architecture and monumental archaeology, this book reassesses how local and regional heritage needs to be balanced with the global and transnational. It argues that material objects and monuments are not static embodiments of culture but are, rather, a medium through which identity, power and society are produced and reproduced. This is especially relevant in South and Southeast Asian contexts, where debates over heritage often have local, regional and national political implications and consequences. Reevaluating how traditional valuation of monuments and cultural landscapes could help aid sustainability and long-term preservation of the heritage, this book will be useful for scholars and researchers of South and Southeast Asian history, heritage studies, archaeology, cultural studies, tourism studies and political history as well.

In Landscapes in India, Amita Sinha shows that landscapes can be read like languages, as arrangements of symbols that reveal cultural values. South Asian landscapes'rich with formalized symbols, from the Cosmic Tree in Buddhist landscapes to cities patterned on mandalas'offer a training ground for reading landscapes everywhere. In a readable narrative heavily illustrated with spectacular color photographs, Sinha introduces readers to sacred and secular landscapes, identifying archetypal forms that have evolved over millennia. According to Sinha, landscape symbols express all that a culture holds dear and externalize deeply felt emotions'of security, kinship, and relationship with the divine. Architects, landscape architects, and planners will rely on this beautiful book's idation of archetypal forms and how they co-evolve with nature and culture. Landscapes in India also offers fresh perspectives for travelers and readers interested in geography, anthropology, and religion.