Globalization and cheaper travel have led to a rapid increase in cross-cultural encounters worldwide--which makes understanding problems of conflict, prejudice, interaction, and adaptation ever more important. Fortunately, we have a powerful historical example to draw on: the closely knit, yet very different cultures that inhabited and interacted in the Near East. Contributors look at the interactions of nomads, traders, religious groups, armies, and more to help answer questions about cultural encounters through both theoretical and empirical lenses. They present cases drawn from a range of fields within the overall history of the Near East, including Mesopotamian history, the rise of Islam, and the effects of Hellenism.

Charles Issawi's collection of essays, Cross-Cultural Encounters and Conflicts, has been written in the belief that a study of the past encounters and conflicts between the world's major cultures can shed light on their nature and importance. Though the emphasis is on the Middle East, of which Issawi is one of our foremost scholars, the subjects covered here range in scope from the great ancient civilizations to Shelley's passion for the Middle East, from the failures of the Greeks as empire builders to the preeminence of English as an international language today. Other essays examine either the way in which certain cultures were formed, or the effects of the direct control of one culture over another, or cross-cultural perceptions, most notably the dramatic change in the Western perception of the Orient between the eighteenth and nineteenth centuries. In this age of multiculturalism, conflicts between the world's cultures have become a dominant feature of the international landscape. This excellent collection is a much-needed exploration of their historical nature.

In this groundbreaking book, Tarik Sabry is seeking out the terrain for best understanding the experience of being modern in transitional societies. He adopts a dynamic, ethnographically based approach to the meanings of 'modernness' in the Arab context and, within a relational framework, focuses on structures of thought, everydayness and self-referentiality to explore the process of building a bridge that rejoins the 'modern' in Arab thought with the 'modern' in Arab lived experience. In bringing together modernity as a philosophical category with the bridging spaces of Arab everyday life, Sabry is offering fresh methods of comprehending the question of what it means to be modern in the Arab world today.

The essays in this volume originate from the Third Qumran Institute Symposium held at the University of Groningen, December 2013. Taking the flexible concept of “cultural encounter” as a starting point, the essays in this volume bring together a panoply of approaches to the study of various cultural interactions between the people of ancient Israel, Judea, and Palestine and people from other parts of the ancient Mediterranean and Near Eastern world. In order to study how cultural encounters shaped historical development, literary traditions, religious practice and political systems, the contributors employ a broad spectrum of theoretical positions (e.g., hybridity, métissage, frontier studies, postcolonialism, entangled histories and multilingualism), to interpret a diverse set of literary, documentary, archaeological, epigraphic, numismatic, and iconographic sources.

Taking the flexible concept of "cultural encounter" as a starting point, this volume presents a variety of studies which focus on the impact of encounters between cultures, groups, and individuals as it relates to ancient Jewish religion, culture, and society.

Epic Encounters examines how popular culture has shaped the ways Americans define their "interests" in the Middle East. In this innovative book—now brought up-to-date to include 9/11 and the Iraq war—Melani McAlister argues that U.S. foreign policy, while grounded in material and military realities, is also developed in a cultural context. American understandings of the region are framed by narratives that draw on religious belief, news media accounts, and popular culture. This remarkable and pathbreaking book skillfully weaves lively and accessible readings of film, media, and music with a rigorous analysis of U.S. foreign policy, race politics, and religious history. The new chapter, titled "9/11 and After: Snapshots on the Road to Empire," considers and brilliantly analyzes five images that have become iconic: (1) New York City firemen raising the American flag out of the rubble of the World Trade Center, (2) the televised image of Osama bin-Laden, (3) Afghani women in burqas, (4) the statue of Saddam Hussein being toppled in Baghdad, and (5) the hooded and wired prisoner in Abu Ghraib. McAlister's singular achievement is to illuminate the contexts of these five images both at the time they were taken and as they relate to current events, an accomplishment all the more remarkable since—to paraphrase her new preface—we are today struggling to look backward at something that is still rushing ahead.