Jabra’s debut novel, first published in 1955 and called by Edward Said “one of the principal successes of Arabic artistic prose and drama,” introduced stream of consciousness, flashback and interior monologue to the Arabic novel and set the stage for the outpouring of excellent modern Arabic prose in the decades that followed. In the first novel by the Palestinian author Jabra Ibrahim Jabra, Amin Samaa walks the length of his native city on a portentous night. Amin is headed to the house of Inayat Yasser, an aristocratic heiress who has hired him to help her write a book on the history of her Ottoman family, now fallen on hard times. On his way there, Amin recalls his childhood in a nearby village and the city slum his family had to flee to after his father died. Old friends, thieves and madames attempt to waylay him. And the haunting atmosphere of the city gives rise to memories of Amin’s wife Sumaya, whose sudden disappearance two years before has left him at a loss. Sumaya’s sudden reappearance forces Amin into a decision that will change his life forever. In a novel written just two years before the 1948 Palestinian Nakba, the events and characters lead to a momentous conclusion. Jabra brought modernist techniques into modern Arabic literature: the reminiscences of D. H. Lawrence, the introspective wanderer of James Joyce, and the acerbic wit and country-house feel of early Aldous Huxley. This classic of Arabic literature is not to be missed.

Often left alone on their five-acre Mississippi farm by her traveling-salesman father, Ellen learns, through a terrifying experience, to distinguish between real and false fears.

Divorcee Jenny MacPartland's struggle to support herself and her two small daughters is not helped by her irresponsible ex-husband. But suddenly a new man steps into her life. Rich, handsome Erich Krueger sweeps her off her feet and off to his mansion in the country.

Nominated for a 2014 Lime Award for Excellence in Fiction Named a Best Book of Summer 2014 by Publishers Weekly Named a Pick of the Week for the week of June 30th by Publishers Weekly "An earnest, well-done historical novel that skillfully blends fact and fiction." --Publishers Weekly "A profound story of how one unforeseen event may tear a family apart, but another can just as unexpectedly bring them back together again." --Publishers Weekly, Best Book of Summer 2014 Pick "Solomon enticingly described the novel Sing in the Morning, Cry at Night by Barbara J. Taylor (Akashic), set in a coal-mining town in 1913, as 'one of those sit on the couch and don't bother me' reads." --Shelf Awareness, NCIBA Spring Rep Picks "An absolute gem of a book filled with beautiful characters and classical writing techniques rarely seen in modern literature." --The Christian Manifesto, Top Fiction Pick of 2014 "This story is at once poignant and hopeful, spiced up by such characters as Billy Sunday, the revivalist, and Grief, the specter who haunts Grace to the very edge of sanity. A rich debut." --Historical Novel Society "Like Dickens, the novel faces family tragedy, in this case the town blaming 8-year-old Violet Morgan for her older sister's death. As her parents fall victim to their own vices, Violet learns how to form her own friendships to survive." --Arts.Mic "A fantastic novel worthy of the greatest accolades. Writing a book about a historical event can be difficult, as is crafting a bestseller, but Barbara J. Taylor is successful at both." --Downtown Magazine "Taylor's careful attention to detail and her deep knowledge of the community and its people give the novel a welcome gravity." --The Columbus Dispatch "One of the most compelling books I've ever read...a haunting story that will stay with the reader long after reading this novel." --Story Circle Book Reviews "Rave reviews are pouring in for this historical novel of a family tragedy." --The Halifax Reader, "6 New Books to Look for in July" "This well-written book is peopled with characters the reader can really care about and captures the feeling of a gritty twentieth century coal mining community." --Breakthrough, newsletter of the Osteogenesis Imperfecta Foundation "Like all good historical fiction, I learned from this novel." --Time 2 Read "This book has...prizewinner written all over it....Worth the read!" --I've Read This "This haunting story of tragedy and hope in an early twentieth century mining town is...an expertly crafted arrow that shoots straight for the heart. Reminiscent of classics such as How Green Was My Valley...this book is a must-read for fans of character-driven, authentic historical fiction." --Amy Drown Blog Almost everyone in town blames eight-year-old Violet Morgan for the death of her nine-year-old sister, Daisy. Sing in the Morning, Cry at Night opens on September 4, 1913, two months after the Fourth of July tragedy. Owen, the girls' father, "turns to drink" and abandons his family. Their mother Grace falls victim to the seductive powers of Grief, an imagined figure who has seduced her off-and-on since childhood. Violet forms an unlikely friendship with Stanley Adamski, a motherless outcast who works in the mines as a breaker boy. During an unexpected blizzard, Grace goes into premature labor at home and is forced to rely on Violet, while Owen is "off being saved" at a Billy Sunday Revival. Inspired by a haunting family story, Sing in the Morning, Cry at Night blends real life incidents with fiction to show how grace can be found in the midst of tragedy.

DIVTwo teenagers discover true love aboard the doomed ocean liner/div DIVElizabeth Farr never wanted to return to America. During her family’s vacation abroad, she has fallen in love with England, and is despondent when her father refuses to let her stay. Returning to New York means having her debut into society, and that means a swiftly arranged marriage. Elizabeth will never go to college, never learn to be a reporter—as she sees it, her life is over as soon as the Titanic reaches port. Of course, if she’s unlucky, her life will be over far sooner than that./divDIV /divDIVAs Elizabeth and her family settle into their first-class cabins, Katie Hanrahan, a young Irish girl with dreams of finding fortune in America, makes her way to a steerage berth. Both girls have plans for the future, but love and death are about to intervene./divDIV /divDIVThis ebook features an illustrated biography of Diane Hoh including rare photos and never-before-seen documents from the author’s personal collection./div

“Suspenseful . . . startling plot twists and incisive commentary on the social unrest of a coal-mining town during the Great Depression . . . a breathtaking ending.” —Publishers Weekly In 1930, twenty-five-year-old Violet travels with her sixteen-year-old sister, Lily, from Scranton, Pennsylvania, to the Good Shepherd Infant Asylum in Philadelphia, so Lily can deliver her illegitimate child in secret. In doing so, Violet jeopardizes her engagement to her sweetheart, Stanley Adamski. Meanwhile, Mother Mary Joseph, who runs the Good Shepherd, has no idea the asylum’s physician is involved in eugenics and experimenting on girls with various sterilization techniques. Five years later, Lily and Violet are back in Scranton, one married, one about to be, each finding her own way in a place where a woman’s worth is tied to her virtue. Against the backdrop of the sweeping eugenics movement and rogue coal mine strikes, the Morgan sisters must choose between duty and desire. Either way, they risk losing their marriages and each other. The follow-up to Barbara J. Taylor’s debut, Sing in the Morning, Cry at Night—named one of the Best Summer Books of 2014 by Publishers Weekly—All Waiting is Long continues her Dickensian exploration of the Morgan family. “Taylor’s characters—a cast of nuns and prostitutes, mobsters and miners, social activists and church busybodies—reflect the varying pressures and expectations of small-town life with rich, insightful prose and dialogue that rings true to each character’s voice. Will the web of lies the two sisters weave around themselves survive? You’ll have to read it yourself to find out. Recommended.” —Historical Novel Review “Powerful . . . Every page is saturated with the 1930s milieu as the sisters navigate the adversities of their reality . . . The overall result is a thought-provoking book club discussion cornucopia.” —Booklist (starred review)

In 1997, Rev. Dr. Betsie H. Poinsett experienced something no parent should have to - the death of her only child, her 21-year-old "Indigo" son, Bennett. Throughout his short life he seemed to walk to the beat of a different drummer. As Betsie would awaken in the middle of the night with feelings of helplessness, knowing that his behavior was spiraling out of control, the only thing she could do in those wee dark hours would be to go to her computer and start writing to relieve her fears. Thus, Mothers Who Cry in the Night, originated. It takes the reader through those long lonely nights, giving them strategies to turn these out of control feelings around, and to learn how to rebuild themselves to understand that God and Love are the foundation that they can constantly return to when these dark nights of the soul envelope them.