"A marvelous addition to the literature of inspirational sports stories." - Booklist (Starred Review) "This remarkable and inspiring story shines." - Publishers Weekly (Starred Review) "Crossing the Line will not just leave you with hope, but also ideas on how to make that hope transferable” - New York Times bestselling author Wes Moore An inspiring memoir of defying the odds from Kareem Rosser, captain of the first all-black squad to win the National Interscholastic Polo championship. Born and raised in West Philadelphia, Kareem thought he and his siblings would always be stuck in “The Bottom”, a community and neighborhood devastated by poverty and violence. Riding their bicycles through Philly’s Fairmount Park, Kareem’s brothers discover a barn full of horses. Noticing the brothers’ fascination with her misfit animals, Lezlie Hiner, founder of The Work to Ride stables, offers them their escape: an after school job in exchange for riding lessons. What starts as an accidental discovery turns into a love for horseback riding that leads the Rossers to discovering their passion for polo. Pursuing the sport with determination and discipline, Kareem earns his place among the typically exclusive players in college, becoming part of the first all-Black national interscholastic polo championship team—all while struggling to keep his family together. Crossing the Line: A Fearless Team of Brothers and the Sport That Changed Their Lives Forever is the story of bonds of brotherhood, family loyalty, the transformative connection between man and horse, and forging a better future that comes from overcoming impossible odds.

Shan Frankland forever abandoned the world she knew to come to the rescue of a lost colony on a distant and dangerous planet -- a hostile world coveted by two alien races and fiercely protected by a third. But in the course of her mission, she overstepped a boundary and stumbled into forbidden lands. And she can never go back -- to being neutral, to being safe. To being human. War is coming again to Cavanagh's Star -- and this time, the instigators will be the troublesome gethes from the faraway planet Earth. Former Environmental Enforcement Officer Shan Frankland has already crossed a line, and now she is a prize to be captured ... or a threat to be eliminated. But saving a coveted world and its fragile native population may require of her one unthinkable sacrifice: the destruction of her own ruthless, invading species.

For readers of The Lions of Little Rock and P. S. Be Eleven, an award-winning middle grade novel inspired by the true events leading up to the 1919 Chicago race riots. Some people think there’s a line, and if everybody stays on their side of the line, then we’ll all get along just fine. That’s what Billy’s da told him, back before he joined up in the Great War. Da said that sometimes, to do what’s right, you gotta cross that line. Course, that was before the war ended and Billy’s da came home with shell shock. Now it’s up to Billy to be man of the house, to take care of his ma and sisters and work at the docks when he can. He ain’t no coward, and he don’t complain, not even when money troubles mean he has to change schools. It’s hard times for all the Irish—maybe even for all of Chicago. And it gets harder when Billy becomes friends with Foster, a black boy who loves baseball and whose daddy went to war, too. What seems like just horsing around to them—building a raft, spending time in their secret hideout by the creek—stirs up trouble when the rest of the city gets wind of it. Soon, the boys’ friendship has triggered a series of events that will change both their lives forever. And with racial tensions in the city coming to a head, Billy must decide once and for all what it means to be courageous, to be a friend, and to truly cross the line.

2018 Winner of the Ned Kelly Awards for Best Crime Fiction "As one for whom certain story lines and characters have become as real as life itself, Crossing the Lines was a pure delight, a swift yet psychologically complex read, cleverly conceived and brilliantly executed." -Dean Koontz, New York Times bestselling author Sulari Gentill, author of the 1930s Rowland Sinclair Mysteries, jumps to the post-modern in Crossing the Lines. A successful writer, Madeleine, creates a character, Edward, and begins to imagine his life. He, too, is an author. Edward is in love with a woman, Willow, who's married to a man Edward loathes, and who loathes him, but he and Willow stay close friends. She's an artist. As Madeleine develops the plot, Edward attends a gallery show where a scummy critic is flung down a flight of fire stairs...murdered. Madeleine, still stressed from her miscarriages and grieving her inability to have a child, grows more and more enamored of Edward, spending more and more time with him and the progress of the investigation and less with her physician husband, Hugh, who in turn may be developing secrets of his own. As Madeline engages more with Edward, he begins to engage back. A crisis comes when Madeleine chooses the killer in Edward's story and Hugh begins to question her immersion in her novel. Yet Crossing the Lines is not about collecting clues and solving crimes. Rather it's about the process of creation, a gradual undermining of the authority of the author as the act of writing spirals away and merges with the story being told, a self-referring narrative crossing over boundaries leaving in question who to trust, and who and what is true. For fans of Paul Auster, Jesse Kellerman, Vera Caspary's Laura, Martin Amis, Haruki Murakami, Marisha Pessl

Crossing the Line examines a group of early nineteenth-century novels by white creoles, writers whose identities and perspectives were shaped by their experiences in Britain’s Caribbean colonies. Colonial subjects residing in the West Indian colonies "beyond the line," these writers were perceived by their metropolitan contemporaries as far removed—geographically and morally—from Britain and "true" Britons. Routinely portrayed as single-minded in their pursuit of money and irredeemably corrupted by their investment in slavery, white creoles faced a considerable challenge in showing they were driven by more than a desire for power and profit. Crossing the Line explores the integral role early creole novels played in this cultural labor. The emancipation-era novels that anchor this study of Britain's Caribbean colonies question categories of genre, historiography, politics, class, race, and identity. Revealing the contradictions embedded in the texts’ constructions of the Caribbean "realities" they seek to dramatize, Candace Ward shows how these white creole authors gave birth to characters and enlivened settings and situations in ways that shed light on the many sociopolitical fictions that shaped life in the anglophone Atlantic.

Jocelyn Steely was kidnapped as a child and trained as a North Korean spy, but the tables turn when she becomes a double agent for the very American spy organization she's been sent to destroy.

William Finnegan's compelling account of a year spent teaching in a colored high school, "across the line," in Cape Town, South Africa brings the irrationality and injustice of apartheid into focus for the American reader. A new preface, written after the author's observation of the historic 1994 elections evaluates the progress made--and not made--toward dismantling the apartheid system.