This book puts contemporary Turkish media under the microscope. It sheds light on current trends and debates in the fields of cinema, television and new media in Turkey, and considers different aspects of communications and mass media in the country in relation to up-to-date issues, ranging from film aesthetics and televised ideologies to new tendencies in marketing and journalism in a digitalized world. While the book is a collection of original research studies obtaining their data within different methodological approaches varying from content analysis to semiotics, the collection presents a critical and holistic view. As such, it provides a valuable source for readers who are interested in the current conditions of the field of communications in Turkey.

The transformations in alternative media, journalism and social protest in contemporary Turkey have largely occurred due to the upsurge in use of social media. Some of the most fervent users of social media in the world come from Turkey where forms of social media are frequently banned by the Turkish government. This book looks at the structural, economic and political reasons why the current media system fails urban educated young professionals in Turkey and led them to a month long resistance and protest through the use of social media during OccupyGezi movement. The book outlines the history of alternative media use and the ways in which it has become a tool for the critics of the neoliberal economic system in Turkey. The collection concentrates on social media use within social movements and applies interdisciplinary approaches and research methods, ranging from cinema and visual arts to sociology, political science, content analysis and ethnographic study.

Discourse (both popular and academic) surrounding Turkey has leaned toward the reductionist and the de-contextualized, framing Turkish media, culture and politics in polarized terms such as East vs. West, Modern vs. Traditional or Muslim vs. Christian. The objective of this new volume is to move away from such essentialist dichotomies and to provide scholars with a well-written, comprehensive and much-needed investigation into media and culture in Turkey. Three themes, "Structures," "Spaces" and "Voices," make up the core structure of the book, providing an intellectual and epistemological arc. Following an introductory chapter written by the co-editors, the first section, "Structures," provides critical examinations of the structural underpinnings of contemporary Turkish media and culture through analyses of, for example, journalism, cultural policy, Information Society and citizenship. The second section, "Spaces," connects Turkish media and culture to spatial/locational factors: Turkey's role and place in Europe; the Turkish diasporic space; representations of the Turkish "East;" and Istanbul as urban/social space. In the final section, "Voices," the book turns toward chapters that address central issues in contemporary Turkish media--for example, Islam, arabesk music and the presentation of Kurds on national television--from a cultural perspective. The text will be essential reading for scholars within, for example, Middle and Near Eastern Studies, Media Studies, Sociology who wish to gain a deeper understanding of the relationship between media, politics and culture in this complex and increasingly important country.

The Turkish President Recep Tayyip Erdogan is known for his populist Islamist ideology, charismatic personality, and for ushering in new forms of communication strategies in Turkey. The key tools in Erdogan's political communication repertoire include religious, cultural and historic symbols and imagery. From engaging Israel to the Gezi Park protests, from the Arab uprisings to the July 2016 coup attempt, every key moment in Turkey's recent history has heralded a change in Erdogan's rhetoric. Communication Strategies in Turkey examines the transformation of political messaging that has taken place within the Justice and Development Party (AKP) under Erdogan. Using quantitative and qualitative analysis of in-depth interviews with high profile AKP officials, observations at AKP rallies and headquarters, and analysis of Erdogan's speeches from 2002 to 2019, the book shows how his method of communication changed over time to prioritise a “New Turkey” to replace Atatürk and his legacy.

This edited collection brings together a range of contemporary expertise to discuss the development and impact of tabloid news around the world. In thirteen chapters, Global Tabloid covers tabloid developments in Asia, Africa, the Americas, Australia, and both Eastern and Western Europe. It presents innovative research from eighteen expert contributors and editors who explore tabloidization as a phenomenon, and tabloids as a news form. With an awareness of historical dynamics where tabloids played a role in national news media systems, it brings the debates around tabloids as a cultural force up to date. The book addresses important questions about the contemporary nature of popular culture, the challenges it faces in the digital era, and its impact on a political world dominated by tabloid values. Going beyond national borders to consider global developments, the editors and contributors explore how the tabloids have permeated media culture more generally and how they are adapting to an increasingly digitalized media sphere. This internationally focused critical study is a valuable resource for students and researchers in journalism, media, and cultural studies.

“A fresh study that confirms the existence of multiple peripheries (and its others) in Turkish society and how dominant centrist media represented these differences in film and television discourse. The use of Mardin’s center-periphery concept for the analyses of films, ads and cartoons is brilliant. This is a timely project as scholarly interest in Turkey has increased exponentially since 2013. This project is key to understanding the roots of a media politics in contemporary Turkey.” —Murat Akser, Ulster University, UK “Alparslan Nas' seminal work disrupts the notion of Turkish identities as fixed and stable. He challenges the center (secular, modern, Western)/ peripheral (conservative, religious) binary by critically examining how a cultural “other” is constructed and performed through the media in Turkey. Nas’ analysis offers a (much needed) new lens and approach to understanding Turkey’s complex social and political landscape.” —Kathleen Cavanaugh, National University of Ireland, Galway, Ireland This book is an important contribution to the scholarship on Turkey’s cultural and political dynamics, facilitating a discussion on the recent depictions of the cultural other in the media. Turkey’s modern history has been characterized by a particular tension between the social classes occupying the “center” of society: while the bureaucratic elite are represented as modern, secular and westernized, the “peripheral” communities are portrayed as conservative, religious or non-Turkish. This book facilitates a timely intervention to problematize this possible perception and to point at the complex dynamics of center-periphery relations through the representation of the cultural other in film, television, advertisements and cartoons, which have all been produced by different social classes. Ultimately, Media Representations of the Cultural Other in Turkey argues that the notions of the center and periphery do not signify stable positions; rather, each social agent imagines themselves at the center, the cultural other at their periphery providing a crucial tool for the realization of their own identity.

The volume looks at the relation between contemporary Turkish film and television discourses and religion, in relation to the traditions and rituals of Islam, the representation of Muslim women, and subsequent changes in narratives and characters. It employs differing approaches to the relationships between media and religion, concentrating on how religion has started to shape the politics of film in new cinema practices in Turkey. As such, the book represents a comprehensive resource on recent Turkish cinema and TV – a milestone at a time when numerous disciplines have shown an increasing interest in the emerging new Islamic popular culture. It will appeal to those who are interested in Turkey’s opinion about itself, scholars who work in film studies, media studies, religious studies, gender studies and the political sciences, as well as anyone with an interest in Middle Eastern studies and media.