Critical Theory Today is the essential introduction to contemporary criticial theory. It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness. This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.

As the crisis of capitalism unfolds, the need for alternatives is felt ever more intensely. The struggle between radical movements and the forces of reaction will be merciless. A crucial battlefield, where the outcome of the crisis will in part be decided, is that of theory. Over the last twenty-five years, radical intellectuals across the world have produced important and innovative ideas. The endeavour to transform the world without falling into the catastrophic traps of the past has been a common element uniting these new approaches. This book – aimed at both the general reader and the specialist – offers the first global cartography of the expanding intellectual field of critical contemporary thought. More than thirty authors and intellectual currents of every continent are presented in a clear and succinct manner. A history of critical thought in the twentieth and twenty-first centuries is also provided, helping situate current thinkers in a broader historical and sociological perspective.

Explaining both why theory is important and how to use it, Lois Tyson introduces beginning students of literature to this often daunting area in a friendly and approachable style. The new edition of this textbook is clearly structured with chapters based on major theories that students are expected to cover in their studies. Key features include: coverage of major theories including psychoanalysis, Marxism, feminism, lesbian/gay/queer theories, postcolonial theory, African American theory, and a new chapter on New Criticism (formalism) practical demonstrations of how to use these theories on short literary works selected from canonical authors including William Faulkner and Alice Walker a new chapter on reader-response theory that shows students how to use their personal responses to literature while avoiding typical pitfalls new sections on cultural criticism for each chapter new ‘further practice’ and ‘further reading’ sections for each chapter a useful "next step" appendix that suggests additional literary titles for extra practice. Comprehensive, easy to use, and fully updated throughout, Using Critical Theory is the ideal first step for students beginning degrees in literature, composition and cultural studies.

The retirement of the distinguished philosopher Jürgen Habermas from his chair at the University of Frankfurt signalled an important caesura in the history of Critical Theory: the transition from the Habermasian project, to different forms of inquiry in the work of the next generation. This change-over happens at a time when it has become clear that Habermas's systematic exploration of communicative rationality has reached the point where both its achievements and its limitations had become evident. The essays collected in this volume address the problems connected with this transition, partly by returning to the insights of the first generation (Adorno and Benjamin), partly by focusing on questions raised by Habermas's work. Whatever the difference in the authors' positions, this collection gains its unity through their common interest in the significance and value of Critical Theory today and in its future as a philosophical project.

Kierkegaard's impact on the development of critical theory has received scant study; it is the aim of the book to fill this scholarly lacuna. Kierkegaard and Critical Theory seeks to expose the complexity not only of Kierkegaard but of the Frankfurt School and their cohort, highlighting the ways in which the Danish religious thinker has been redeemed for a multiculture activist ethics in spirit with the fundamental aims of the Frankfurt School.

Contemporary critical theory’s methodology is currently taking shape under the impact both of transformative internal develops within the discipline, and of external pressures and incentives arising from a series of international debates. In this book, Piet Strydom presents a groundbreaking treatment of critical theory’s methodology, using as a base the reconstruction of the left-Hegelian tradition, the relation between critical theory and pragmatism, and the associated metatheoretical implications. He assesses extant positions, presents a detailed yet comprehensive restatement and development of critical theory’s methodology, compares it with a wide range of current concepts of social criticism and critique, and analyzes leading critical theorists’ exemplary applications of it. Besides immanent transcendence and the sign-mediated epistemology common to the left-Hegelian tradition, special attention is given to the abductive imagination, reconstruction, normative and causal explanation, explanatory mechanisms and the communicative framework which enables critical theory to link up with its addressees and the public. Contemporary Critical Theory and Methodology is recommended reading for senior undergraduate and postgraduate students, as well as professionals working within disciplines such as sociology, philosophy, political science, critical theory and cultural studies.

What are the tasks and potentials of critical theory today? How should we critique the present? Critique Today brings together a variety of perspectives in critical social philosophy that question our social and historical constellation. It includes contributions by Genevieve Lloyd, Shane O’Neill, Paul Patton, Paul Redding, Emmanuel Renault, and Nicholas Smith, and examines critical intersections in the work of Jürgen Habermas, Axel Honneth, Pierre Bourdieu, Michel Foucault, and Giorgio Agamben. Critique Today aims to further the ongoing dialogue between German critical theory and French post-structuralism, explores the relationship between philosophy and social theory, and develops new approaches to Hegel and theories of recognition, the theme of social hope, and contemporary discussions of rights and power.