The critical vocabulary of the mainstream often give short shrift to the fantastic, and scholars of the fantastic have often had to look elsewhere for their critical termionology. Such scholars will find Wolfe's work an excellent resource. Choice.

Science and science fiction have become inseparable--with common stories, interconnected thought experiments, and shared language. This reference book lays out that relationship and its all-but-magical terms and ideas. Those who think seriously about the future are changing the world, reshaping how we speak and how we think. This book fully covers the terms that collected, clarified and crystallized the futurists' ideas, sometimes showing them off, sometimes slowing them down, and sometimes propelling them to fame and making them the common currency of our culture. The many entries in this encyclopedic work offer a guided tour of the vast territories occupied by science fiction and futurism. In his Foreword, David Brin says, "Provocative and enticing? Filled with 'huh!' moments and leads to great stories? That describes this volume."

Provides descriptions of hundreds of famous and well-regarded works of science fiction and fantasy, summarizing plots and analyzing the works in terms of their contributions to literature.

Following World War II, the Fleuve Noir publishing house published popular American genre fiction in translation for a French audience. Their imprint Anticipation specialized in science fiction, but mostly eschewed translations from English, preferring instead French work, thus making the imprint an important outlet for native French postwar ideas and aesthetics. This critical text examines in ideological terms eleven writers who published under the Anticipation imprint, revealing the way these writers criticized midcentury notions of progress while adapting and reworking American genre formats.

"Originally published as: Magill's guide to science fiction and fantasy literature. Ã1996" -- Verso title page.

Selected by Choice as an Outstanding Academic Book of the Year. This innovative cultural critique offers valuable insights into science fiction, thus enlarging our understanding of critical theory. Carl Freedman traces the fundamental and mostly unexamined relationships between the discourses of science fiction and critical theory, arguing that science fiction is (or ought to be) a privileged genre for critical theory. He asserts that it is no accident that the upsurge of academic interest in science fiction since the 1970s coincides with the heyday of literary theory, and that likewise science fiction is one of the most theoretically informed areas of the literary profession. Extended readings of novels by five of the most important modern science fiction authors illustrate the affinity between science fiction and critical theory, in each case concentrating on one major novel that resonates with concerns proper to critical theory. Freedman's five readings are: Solaris: Stanislaw Lem and the Structure of Cognition; The Dispossessed: Ursula LeGuin and the Ambiguities of Utopia; The Two of Them: Joanna Russ and the Violence of Gender; Stars in My Pocket Like Grains of Sand: Samuel Delany and the Dialectics of Difference; The Man in the High Castle: Philip K. Dick and the Construction of Realities.

FREEDOM OF INFORMATION If you ask, she must answer. A steerswoman's knowledge is shared with any who request it; no steerswoman may refuse a question, and no steerswoman may answer with anything but the truth.And if she asks, you must answer. It is the other side of tradition's contract -- and if you refuse the question, or lie, no steerswoman will ever again answer even your most casual question.And so, the steerswomen - always seeking, always investigating - have gathered more and more knowledge about the world they travel, and they share that knowledge freelyUntil the day that the steerswoman Rowan begins asking innocent questions about one small, lovely, inexplicable object...Her discoveries grow stranger and deeper, and more dangerous, until suddenly she finds she must flee or fight for her life. Or worse -- lie.Because one kind of knowledge has always been denied the the steerswomen: Magic."If you haven't read Kirstein's Steerswoman books I envy you the chance to read them now for the first time.... I think they have a very good claim to be my favorite thing still being written. [...] If you like science, and if you like watching someone work out mysteries, and if you like detailed weird alien worlds and human cultures, if really good prose appeals... you're really in luck." - Jo Walton, Hugo and Nebula Awards winner, author of Among Others and Farthing."[Kirstein] walks the tightrope between fantasy and science fiction with precision and grace... [her] compassion for even minor characters is evident on every page, and her prose is measured and alluring without being overworked." -- Damien Broderick & Paul Di Filippo, in Science Fiction: The 101 Best Novels 1985-2010