Aamer Hussein takes love to its logical conclusion, Robert Irwin traces the origins of the ghazal (love lyric), Christopher Shackle recites epic Panjabi poems of sacred love and lyrical death, Imranali Panjwani mourns the massacre of Karbala, Martin Rose istaken hostage by Saddam Hussein, Jalees Rahman reflects on Nazi doctors who took delight in deathly experiments, Ramin Jahanbegloo is incarcerated in the notorious Evin prison, Hamza Elahi visits England's Muslim graveyards, Shanon Shah receives valuable guidance on love and sex from the "Obedient Wives Club", Samia Rahman sets out in search of love, Khola Hasan has mixed feelings about her hijab, Sabita Manian promotes love between India and Pakistan, Boyd Tonkin discovers that dead outrank the living in Jerusalem , Alev Adil takes "a night journey through a veiled self" and Irna Qureshi's mother finally makes a decision on her final resting place. Also in this issue: Parvez Manzoor throws scorn on a nihilistic, revisionist history of Islam, Naomi Foyle reads the first novel of a British Palestinian, Ahmad Khan explores the colonial history of The Aborigines' Protection Society, a short story by the famous Fahmida Riaz, Syrian scenarios by Manhal al-Sarraj, poems by Sabrina Mahfouz and Michael Wolf, Rachel Dwyer's list of Top Ten Muslim Characters in Bollywood and Merryl Wyn Davies's "last word" on love and death at the movies. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.

Irfan Ahmad makes the far-reaching argument that potent systems and modes for self-critique as well as critique of others are inherent in Islam--indeed, critique is integral to its fundamental tenets and practices. Challenging common views of Islam as hostile to critical thinking, Ahmad delineates thriving traditions of critique in Islamic culture, focusing in large part on South Asian traditions. Ahmad interrogates Greek and Enlightenment notions of reason and critique, and he notes how they are invoked in relation to "others," including Muslims. Drafting an alternative genealogy of critique in Islam, Ahmad reads religious teachings and texts, drawing on sources in Hindi, Urdu, Farsi, and English, and demonstrates how they serve as expressions of critique. Throughout, he depicts Islam as an agent, not an object, of critique. On a broader level, Ahmad expands the idea of critique itself. Drawing on his fieldwork among marketplace hawkers in Delhi and Aligarh, he construes critique anthropologically as a sociocultural activity in the everyday lives of ordinary Muslims, beyond the world of intellectuals. Religion as Critique allows space for new theoretical considerations of modernity and change, taking on such salient issues as nationhood, women's equality, the state, culture, democracy, and secularism.

As Critical Muslim celebrates ten years of insight and thought, the theme of biography fittingly challenges its readers: to reflect on our past, our memories and our stories, and to look ahead towards what we may leave behind for the stories yet to be told. Stories have always been an essential aspect of human societyâe" from the cave paintings in Sulawesi, dating back over 43,000 years, and oral tales conveyed from bard to audience, to the written word, and now the projected image, on screens large and small. As memory and history become increasingly important for a deeper understanding of the present and our emerging futures, this issue explores how biography allows for something more personalâe"for the myths and fables of childhood to come to lifeâe"and offers snapshots of history to be opened up. We explore a rich historical tradition of biography in Islamic societies, and explore the ways biographies have influenced Muslim thought and culture. Through biography, we can learn much about ourselves, by stepping out of our own worlds and taking on the lives of others.

AbdelWahab El-Affendi on Islamophobia and Orientalism in the age of liberal paranoia, Arun Kundnani on English Defense League and the rise of the far right in Europe, Vinay Lal on Hindus who love Hitler, Gordon Steffey on Christian fundamentalism, Fanar Haddad on the sectarian schisms in the Arab world, Gary McFarlane on Tottenham Riots, Farouk Peru on self loathing Muslims, Claire Chambers on 'Four Lions', Peter Clark on Bernard Lewis and Peter Moray on Irshad Manji. Plus a short story by Suhel Ahmed, six poems by St?phane Chaumet, Anita Sethi's dangerous bus ride through Iran, Ten Top Techs for Muslim and Ziauddin Sardar on his pet hate: the beards of Islam.

"Four american moslem ladies": early U.S. Muslim women in the Ahmadiyya Movement in Islam, 1920-1923 -- Insurgent domesticity: race and gender in representations of NOI Muslim women during the Cold War era -- Garments for one another: Islam and marriage in the lives of Betty Shabazz and Dakota Staton -- Chadors, feminists, terror: constructing a U.S. American discourse of the veil -- A third language: Muslim feminism in Smerica -- Conclusion: Soul Flower Farm

This book explains the increasing incidences and normalisation of Islamophobia, by analysing the role of signifiers of free speech, censorship, and fatwa during the Satanic Verses affair in problematising the figure of the Muslim. Ismail Patel develops the notion of Islamophobia not as a continuation of the antagonistic relation from the British Empire but as a postcolonial reformulation of the figure of the Muslim. The book views Islamophobia studies as a paradigm, engages in the debate of Islamophobia as a global phenomenon, investigates the contestation over its definition and challenges the view of Islamophobia as a reserve of the far-right. It assesses the debate around the concept of identity and shows how the colonised figure of the Muslim provided significance in constructing British imperial identity. Providing a decolonial, counter-Islamophobia approach that challenges Britishness’ exclusionary white symbolic content, the book calls for a liberating idea of Britishness that promotes a post-racist rather than a post-race society. Theoretically rich in analysis, this book will contribute to discussions of identity formation, Britishness, Islamophobia and counter-Islamophobia. It will be of use to students and researchers across history, politics, sociology, cultural studies, literary studies, and anthropology.

This book analyzes Islam as a form of 'travelling theory' in the context of contemporary global transformations such as diasporic communities, transnational social movements, global cities and information technologies. Peter Mandaville examines how 'globalization' is manifested as lived experience through a discussion of debates over the meaning of Muslim identity, political community and the emergence of a 'critical Islam'. This radical book argues that translocal forces are leading the emergence of a wider Muslim public sphere. Now available in paperback, it contains a new preface setting the debates in the context of September 11th.